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“Timely and provocatively incorrect."—Oprah.com (Mysteries Every Thinking Woman Should Read) The two-time Pulitzer Prize and three-time National Book Award-nominated author of Le Divorce returns with a mesmerizing novel of double standards and double agents Now, Diane Johnson brilliantly exposes the manners and morals of the cultural collision between Islam and the West. Lulu Sawyer arrives in Marrakech, Morocco, hoping to rekindle her romance with a worldly Englishman, Ian Drumm. It's the perfect cover for her assignment for the CIA: tracing the flow of money from well-heeled donors to radical Islamic groups. While spending her days poolside among Europeans in villas staffed by maids in abayas, and her nights at lively dinner parties, Lulu observes the fragile and tense coexistence of two cultures. But beneath the surface of this polite expatriate community lies a sinister world laced not only with double standards, but double agents. Johnson weaves a dazzling tale in the great tradition of works about naïve Americans abroad, with a fascinating new assortment of characters as well as witty and timely observations on the political and sexual complexities between Islamic and Western culture.
Attempting to rekindle a romance with a worldly Englishman as part of a cover-up for her assignment with the CIA, Lulu Sawyer finds the delicate balance between her public and covert worlds disintegrating when she attempts to aid two Middle Eastern women. By the author of Le Divorce. 75,000 first printing.
A memoir from a political prisoner in Morocco's notorious Tazmamart prison. On July 10, 1971, during birthday celebrations for King Hassan II of Morocco, attendant officers and cadets opened fire on visiting dignitaries. A young officer, Aziz BineBine, arrived late and witnessed the ensuing massacre without firing a single shot, yet he would spend the next two decades in a political prison hidden in the Atlas Mountains—Tazmamart. Conditions in this now-infamous prison were nightmarish. The dark, underground cells, too small for standing up in, exposed prisoners to extreme weather, overflowing sewage, and disease-ridden rats. Forgetting life outside his cell—his past, his family, his friends—and clinging to God, BineBine resolved to survive. Tazmamart: 18 Years in Morocco’s Secret Prison is a memorial to BineBine and his fellow inmates’ sacrifice. This searing tale of endurance offers an unfiltered depiction of the agonizing life of a political prisoner.
From the author of the best-selling Le Divorce and Le Mariage, a comedy of contemporary manners, morals, (ex)marriages, and motherhood (past, present, and future)--about an American woman leaving her 20-year marriage to her French second husband, returning to her native San Francisco and to the entwining lives of her children and grandchildren. “Delightful”--Claire Messud (Harper’s Magazine); “Razor-sharp prose and astute observations … a treat”--Publishers Weekly (starred review). Lorna Mott Dumas, small, pretty, high-strung, the epitome of a successful woman--lovely offspring, grandchildren, health, a French husband, a delightful house and an independent career as an admired art lecturer involving travel and public appearances, expensive clothes. She's a woman with an uncomplicated, sociable nature and an intellectual life. But in an impulsive and planned decision, Lorna has decided to leave her husband, a notorious tombeur (seducer), and his small ancestral village in France, and return to America, much more suited to her temperament than the rectitude of formal starchy France. For Lorna, a beautiful idyll is over, finished, done . . . In Lorna Mott Comes Home, Diane Johnson brings us into the dreamy, anxiety-filled American world of Lorna Mott Dumas, where much has changed and where she struggles to create a new life to support herself. Into the mix--her ex-husband, and the father of her three grown children (all supportive), and grandchildren with their own troubles (money, divorce, real estate, living on the fringe; a thriving software enterprise; a missing child in the far east; grandchildren--new hostages to fortune; and, one, 15 years old, a golden girl yet always different, diagnosed at a young age with diabetes, and now pregnant and determined to have the child) . . . In the midst of a large cast, the precarious balance of comedy and tragedy, happiness and anxiety, contentment and striving, generosity and greed, love and sex, Diane Johnson, our Edith Wharton of expat life, comes home to America to deftly, irresistibly portray, with the lightest of touch, the way we live now.
Chloe, a contented and unliberated wife and mother, follows her physician husband on a visit to Iran. When he is summoned home, she has no choice but to continue on alone.
Set in Paris, LE DIVORCE is an alluring and elegant comedy of love and divorce French-style. Isabel Walker, a young, not-so-innocent, American abroad, arrives in Paris to find that her sister's French husband ('the frog prince') has just walked out. While Isabel embarks on her own sentimental education - seduced by gourmet food, antiques, existentialism and an older man - her sister's marriage disintergrates into bitter Franco-American wrangles over money, titles and a mysterious painting. With a sharp tongue and an ironic eye for the foibles of the Parisian bourgeoisie, the French art world and American ex-patriots, Isabel is a collector of experience, even those she can't control. Comedy veers suddenly close to tragedy as passionate jealousy, self-interest and artistic intrigue interweave.
“[A] vivid . . . quest for roots. . . . Splendid.” —The New York Times Book Review Growing up in the small river town of Moline, Illinois, Diane Johnson always dreamed of venturing off to see the world—and did. Now having traveled widely and lived part-time in Paris for many years, she is stung when a French friend teases her about Americans’ indifference to history. Could it be true? The j’accuse haunts Diane and inspires her to dig into her family’s past, working back from the Friday night football of her youth to the adventures illuminated in the letters and memoirs of her stalwart pioneer ancestors—beginning with a lonely young soldier who came to America from France in 1711. As enchanting as her bestselling novels, Flyover Lives is a moving examination of identity and the “wispy but material” family ghosts who shape us. As Johnson pays tribute to her deep Midwestern roots, she captures the perpetual tug-of-war between the magnetic pull of home and our lust for escape and self-invention.
Mahi Binebine's courageous novel delves into a world that most readers know only from stories on the nightly news, delivering a compassionate glimpse into the difficulties facing asylum seekers and a striking portrait of human desperation. Mahi Binebine’s courageous novel takes place in Morocco, where seven would-be immigrants gather one night near the Strait of Gibraltar to wait for a signal from a trafficker that it is time to cross. While they wait, their stories unfold: Kacem Judi is an escapee from the civil war in Algeria; Nuara, with her newborn child, hopes to find her husband, who hasn’t been in touch for months since moving to France; and Aziz, the young narrator, and his cousin Reda are severed, in different ways, from their families in southern Morocco. They all share a longing to escape and a readiness to risk everything. Welcome to Paradise delves into a world that most readers know only from stories on the nightly news, delivering a compassionate and striking portrait of human desperation.
On the outskirts of Casablanca, next to the dump, is the shantytown of Sidi Moumen, where Yachine and his ten brothers grew up in the aimless chaos of drugs, violence, unemployment, and despair. The barefoot boys started their own football team - the Stars of Sidi Moumen. They played amongst the rocks, detritus, and buried skeletons of the dump but they dreamed of becoming the best football players of all time. Then their dreams changed. Yachine's older brother Hamid started growing a beard and attending religious meetings with Sheikh Abou Zoubeir. Week after week, the sheikh beguiled the Stars of Sidi Moumen into believing that there was a better world in the afterlife, where their faith in Allah would be rewarded. They needed only to choose between dying gloriously and together, or living disgracefully and alone. For Yachine and his brother, the choice was clear.