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First published in 1996. One of the most pressing challenges to therapists is how to modify and implement methods for the special needs of differing populations. In Dance and Other Expressive Art Therapies, Fran Levy brings together leading practitioners who present exciting and creative approaches to treatment. Combing both theory and practice, the case studies are diverse and unique. Topics covered include sexual and physical abuse, addiction, co-dependency, anxiety, multiple personality disorders, aging and disturbed and disabled adolescents, children and infants. The contributors show to only diverse dynamics but specific approaches designed to meet a variety of psychological and physical problems. This volume is a key resource for dance, movement, drama, and art therapists. It demonstrates new and creative ways in the use the healing power of the arts.
In the latter half of the sixteenth century, English poets and printers experimented widely with a new literary format, the printed collection of lyric poetry. They not only investigated the possibilities of working with a new medium, but also wrote metaphors of human reproduction directly into their works. In Fair Copies, Matthew Zarnowiecki argues that poetic production was re-envisioned during this period, which was rife with models of copying and imitation, to include reproduction as one of its inherent attributes. Tracing the development of the English lyric during this crucial period, Fair Copies incorporates a diverse range of cultural productions and reproductions – from key poetic texts by Shakespeare, Sidney, Spenser, Gascoigne, and Tottel to legal breviaries, visual representations of song, midwives' manuals, and commonplace books. Also included are fifteen facsimile reproductions of poems in early printed books, with explanations and discussions of their importance. Calling upon these diverse sources, and examining lyric poems in their earliest manuscript and printed contexts, Zarnowiecki develops a new, reproductively centred method of reading early modern English lyric poetry.
A young woman ages in an abusive relationship while trying to grab her own freedom and independence. Feeling guilt and shame due to being with such a torturous man, she leaves society and hides into his captivity, telling herself it's love. She gently puts herself back into the world while trying to blend in with society. As she struggles with drugs and depression, she tries to find her way out of the cycle of abuse. Trying to find help within the small group of people, she becomes a desperate plea to herself. She tries to battle on her own. Her long-forbidden dream of becoming a woman who isn't afraid to look into the mirror becomes a touch that reaches the moon. It can be either the beginning or the end for her.
In Monsters of Our Own Making, Marina Warner explores the dark realm where ogres devour children and bogeymen haunt the night. She considers the enduring presence and popularity of male figures of terror, establishing their origins in mythology and their current relation to ideas about sexuality and power, youth and age.
Winner of the 2017 Maine Literary Award for Fiction • One of Amazon's Best Books of the Month, April 2016 "Justin Tussing rocks the rock novel. Vexation Lullaby is pure raw pleasure from start to finish."—Lily King, author of Euphoria Peter Silver is a young doctor treading water in the wake of a breakup—his ex–girlfriend called him a ""mama's boy"" and his best friend considers him a ""homebody,"" a squanderer of adventure. But when he receives an unexpected request for a house call, he obliges, only to discover that his new patient is aging, chameleonic rock star Jimmy Cross. Soon Peter is compelled to join the mysteriously ailing celebrity, his band, and his entourage, on the road. The so–called ""first physician embedded in a rock tour,"" Peter is thrust into a way of life that embraces disorder and risk rather than order and discipline. Trailing the band at every tour stop is Arthur Pennyman, Cross's number–one fan. Pennyman has not missed a performance in twenty years, sacrificing his family and job to chronicle every show on his website. Cross insists that ""being a fan is how we teach ourselves to love,"" and, in the end, Pennyman does learn. And when he hears a mythic, as–yet–unperformed song he starts to piece together the puzzle of Peter's role in Cross's past.
Imagination has long been regarded as central to C. S. Lewis's life and to his creative and critical works, but this is the first study to provide a thorough analysis of his theory of imagination, including the different ways he used the word and how those uses relate to each other. Peter Schakel begins by concentrating on the way reading or engaging with the other arts is an imaginative activity. He focuses on three books in which imagination is the central theme--Surprised by Joy, An Experiment in Criticism, and The Discarded Image--and shows the important role of imagination in Lewis's theory of education. He then examines imagination and reading in Lewis's fiction, concentrating specifically on the Chronicles of Narnia, the most imaginative of his works. He looks at how the imaginative experience of reading the Chronicles is affected by the physical texture of the books, the illustrations, revisions of the texts, the order in which the books are read, and their narrative "voice," the "storyteller" who becomes almost a character in the stories. Imagination and the Arts in C. S. Lewis also explores Lewis's ideas about imagination in the nonliterary arts. Although Lewis regarded engagement with the arts as essential to a well- rounded and satisfying life, critics of his work and even biographers have given little attention to this aspect of his life. Schakel reviews the place of music, dance, art, and architecture in Lewis's life, the ways in which he uses them as content in his poems and stories, and how he develops some of the deepest, most significant themes of his stories through them. Schakel concludes by analyzing the uses and abuses of imagination. He looks first at "moral imagination." Although Lewis did not use this term, Schakel shows how Lewis developed the concept in That Hideous Strength and The Abolition of Man long before it became popularized in the 1980s and 1990s. While readers often concentrate on the Christian dimension of Lewis's works, equally or more important to him was their moral dimension. Imagination and the Arts in C. S. Lewis will appeal to students and teachers of both children's literature and twentieth-century British writers. It will also be of value to readers who wish to compare Lewis's creations with more recent imaginative works such as the Harry Potter series.