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Chronicles a young boy's search for security after his stepfather leaves home, his mother becomes ill and goes to the hospital, and he and his brother are placed in a children's home.
Valuable not only for their sublime musical expression, the African American spirituals provide profound insights into the human condition and Christian life. Many spirituals focus on the climax of the Christian drama, the death and resurrection of Jesus Christ, and the ways in which those events bring about the liberation of Gods people. In these devotions for the season of Lent, Luke A. Powery leads the reader through the spirituals as they confront the mystery of Christs atoning death and victory over the grave. Each selection includes the lyrics of the spiritual, a reflection by the author on the spirituals meaning, a Scripture verse related to that meaning, and a brief prayer.
"Paul's charmed life is over. He is about to be kicked out of his flat in gentrified east London and his sister has gone missing after an argument about what to do with the house where they grew up. Now that their mother is dead this is the last link they have to the ever-more-diminished town on the north-west coast where they grew up. He meets Emily Nardini, a reclusive and uncompromising writer. Her books are narrated by outcasts, but she receives him in her home in the wealthiest part of west London. Paul discovers Emily is living with Andrew Lancaster, a famous intellectual who is significantly older than her. Andrew has lived a successful life, and Paul has not. But perhaps this situation should be reversed, thinks Paul, who forms an alliance with Andrew's daughter, Sophie, a journalist gaining attention for her hot takes on sex and revolution. Travelling up and down between the town he thought he had escaped and the city that threatens to chew him up, Paul longs to find where he belongs in a divided country."--Publisher description.
Luke B. Goebel's Fourteen Stories, None of Them Are Yours is the winner of the FC2 Ronald Sukenick Innovative Fiction Prize.
The twelfth book in the beloved, bestselling Redwall saga - soon to be a major Netflix movie! Martin the Warrior leaves Redwall Abbey on a journey to discover the truth about Luke, the father he barely knew. His voyage takes him home to the northland shore where, from a dusty old book, he learns of Luke's dramatic pursuit of the evil pirate stoat, Vilu Daskar.
Luke Kelly (1940-1984) was an Irish singer and folk musician from Dublin, most famous as a member of the band The Dubliners. Kelly was one of the best-known figures of the Irish folk music movement of the 1960s and 1970s. He emigrated to Britain in 1958. This book contains a personal memoir by musician and fellow Dubliner Des Geraghty."
When Luke O’Neil isn’t angry, he’s asleep. When he’s awake, he gives vent to some of the most heartfelt, political and anger-fueled prose to power its way to the public sphere since Hunter S. Thompson smashed a typewriter’s keys. Welcome to Hell World is an unexpurgated selection of Luke O’Neil’s finest rants, near-poetic rhapsodies, and investigatory journalism. Racism, sexism, immigration, unemployment, Marcus Aurelius, opioid addiction, Iraq: all are processed through the O’Neil grinder. He details failings in his own life and in those he observes around him: and the result is a book that is at once intensely confessional and an energetic, unforgettable condemnation of American mores. Welcome to Hell World is, in the author’s words, a “fever dream nightmare of reporting and personal essays from one of the lowest periods in our country in recent memory.” It is also a burning example of some of the best writing you’re likely to read anywhere.
When Luke and Mandy start experiencing strange hallucinations and blackouts, they know something is seriously, out-of-this-world wrong Luke Ingram is on his way home one evening when the sky goes black and seems to swallow him whole—but four hours later he wakes up in his own room with no idea how he got there. And Luke isn’t the only one experiencing these strange occurrences. The last thing Mandy Durgin remembers before waking up on her front porch is falling asleep in her bed hours before. When their creepy classmate Quentin starts following them around and harassing them, Luke and Mandy realize Quentin may know more about their lost time than he’s letting on. They know something isn’t right, but what could possibly have caused them to black out at the same time? And why are they having the same terrifying hallucinations about cold operating tables and large, bug-like eyes? Mandy knows there has to be a rational explanation, but Luke isn’t so sure. Those faces in his visions were so . . . alien. Still, the thought of alien abductions is absurd. But when Luke and Mandy black out again the next night, Luke is ready to consider the possibility that their troubles might have an extraterrestrial cause.
Luke's Tale Made The Spirited Woman Top 12 Pick List of 2013... "A touching, introspective story of human behavior from the eyes of a flawless canine!" Luke, an intelligent, 89-pound yellow Labrador retriever, has an odd ability to understand human conversations and actions. When his owner’s girlfriend, Sara Colson, discovers she has breast cancer Luke is the sole secret keeper of her disease. Not knowing if she’ll survive, Sara leaves her boyfriend, Ashlundt Jaynes, to shield him from the pain. Luke, knowing how to give unconditional love, is the catalyst bringing the two lovers back together and helps them stay together while Sara and Ashlundt overcome a series of life-changing events. At the heart of Luke’s Tale is the story of two young lovers together and see them through their struggle with unforeseen disillusionment to build a lasting relationship -- and the loving, furry creature who is devoted to them beyond all reason.
Henrichs-Tarasenkova argues against a long tradition of scholars about how best to represent Luke's Christology. When read against the backdrop of ancient ways of constructing personal identity, key texts in the Lukan narrative demonstrate that Luke indirectly characterizes Jesus as the one God of Israel together with YHWH. Henrichs-Tarasenkova employs a narrative approach that takes into consideration recent studies of narrative and history and enables her to construct characters of YHWH and Jesus within the Lukan narrative. She employs Richard Bauckham's concept of divine identity that she evaluates against her study of how one might speak of personal identity in the Greco-Roman world. She engages in close reading of key texts to demonstrate how Luke speaks of YHWH as God in order to demonstrate that Luke-Acts upholds a traditional Jewish view that only the God of Israel is the one living God and to eliminate false expectations for how Luke should speak of Jesus as God. This analysis establishes how Luke binds Jesus' identity to the divine identity of YHWH and concludes that the Lukan narrative, in fact, does portray Jesus as God when it shows that Jesus shares YHWH's divine identity.