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Daniel Andrés López offers an immanent critique of Lukács's philosophy of praxis, drawing fundamental political, methodological and philosophical questions for Marxism.
György Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukács wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukács's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukácsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.
The life and work of Susan Glaspell, the pioneering, Pulitzer Prize-winning playwright and novelist, who is best known as the author of Trifles and Alison's House and for her involvement with the Provincetown Players.
The Hungarian social philosopher and literary critic Georg Lukcs (1885-1971) is one of the seminal intellectual figures of the twentieth century. With the possible exception of Leon Trotsky, he is also widely recognized as the outstanding Marxist thinker aside from Marx himself. Yet, as Lewis Coser has observed, Lukcs has remained the most enigmatic figure of the modern communist movement. Why were his theories so important to modern political and social thought? How did he come to have such influence on so many distinguished Western Intellectuals, and for such a long time? And why, despite this, did so many of his writings infuriate contemporary readers and critics? The centenary of Lukcs birth was celebrated in 1985 with symposia in a number of countries on several continents. Hundreds of Lukcs scholars and students attended, along with others who were interested in his time and his ideas, as well as the man and his work. In the process, new understanding of some of his most controversial concepts, ideas, and theses emerged. Newly discovered information and writings, as well as previously unknown preocupations in his seventy-year intellectual career were shared. This volume brings together some of the best and most original of the essays of participants in New York, Paris, Budapest, and Mexico City. Some of the contributions in this volume are sharply critical of Lukcs; others are clearly admiring. A great many take an objective but severe look at diverse aspects of his work. Together they constitute a close examination of the life work of the man Thomas Mann once called "The most important literary critic of today," Jean-Paul Sartre hailed as a significant modern philosopher," and Irving Howe declared "a major force in European intellectual life." Collectively, this volume shows why Georg Lukcs remains one of the remarkable intellectual figures of the twentieth century, whose work is of enduring significance for us today. Judith Marcus is on the faculty of Kenyon College. She is the author of Thomas Mann and Lukcs. Zoltn Tarrwas visiting Fulbright Scholar to Budapest, Hungary, and has taught sociology and history at the City College of CUNY, New School for Social Research, and Rutgers University. He is author of The Frankfurt School, The Critical Theories of Max Horkheimer and Theodor W. Adorno.
Since the collapse of communism in Eastern Europe, the validity of Marxism and Marxist theory has undergone intense scrutiny both within and outside the academy. In Lukács After Communism, Eva L. Corredor conducts ten lively and engaging interviews with a diverse group of international scholars to address the continued relevance of György Lukács's theories to the post-communist era. Corredor challenges these theoreticians, who each have been influenced by the man once considered the foremost theoretician of Marxist aesthetics, to reconsider the Lukácsean legacy and to speculate on Marxist theory's prospects in the coming decades. The scholars featured in this collection--Etienne Balibar, Peter Bürger, Terry Eagleton, Fredric Jameson, Jacques Leenhardt, Michael Löwy, Roberto Schwarz, George Steiner, Susan Suleiman, and Cornel West--discuss a broad array of literary and political topics and present provocative views on gender, race, and economic relations. Corredor's introduction provides a biographical synopsis of Lukács and discusses a number of his most important theoretical concepts. Maintaining the ongoing vitality of Lukács's work, these interviews yield insights into Lukács as a philosopher and theorist, while offering anecdotes that capture him in his role as a teacher-mentor.
"The book is not a biography of Justin Trudeau, nor is it a treatment of the minutiae and manoeuvres of party politics. It is an investigation into how the Liberal government governs in the shadow of a silent, multi-decade corporate coup in Ottawa that dares not speak its name. It tells the hidden history of how the Liberal party has served as the most effective vehicle for implementing deeply unpopular neoliberal policies--and how Justin Trudeau continues this agenda today."--
This book offers a radical new interpretation of Georg Lukács’s History and Class Consciousness, showing for the first time how the philosophical framework for his analysis of society was laid in the drafts of a philosophy of art that he planned but never completed before he converted to Marxism. Reading Lukács’s work through the so-called “Heidelberg Aesthetics” reveals for the first time a range of unsuspected influences on his thought, such as Edmund Husserl, Emil Lask, and Alois Riegl; it also offers a theory of subjectivity within social relations that avoids many of the problems of earlier readings of his text. At a time when Lukács’s reputation is once more on the rise, this bold new reading helps revitalize his thought in ways that help it speak to contemporary concerns.
The early Marx called for the “realization of philosophy” through revolution. Revolution thus became a critical concept for Marxism, a view elaborated in the later praxis perspectives of Lukács and the Frankfurt School. These thinkers argue that fundamental philosophical problems are, in reality, social problems abstractly conceived. Originally published as Lukács, Marx and the Sources of Critical Theory, The Philosophy of Praxis traces the evolution of this argument in the writings of Marx, Lukács, Adorno and Marcuse. This reinterpretation of the philosophy of praxis shows its continuing relevance to contemporary discussions in Marxist political theory, continental philosophy and science and technology studies.
How Western philosophy lost its innocence: from Enlightenment to fascism The Destruction of Reason is Georg Lukács’s trenchant criticism of certain strands of philosophy after Marx and the role they played in the rise of National Socialism: ‘Germany’s path to Hitler in the sphere of philosophy,’ as he put it. Starting with the revolutions of 1848, his analysis spans post-Hegelian philosophy and sociology. The great pessimist Arthur Schopenhauer, neo-Hegelians such as Leopold von Ranke and Wilhelm Dilthey, and the phenomenologists Edmund Husserl, Karl Jaspers, and Jean-Paul Sartre come in for a share of criticism, but the principal targets are Friedrich Nietzsche and Martin Heidegger. Through these thinkers he shows in an unsparing analysis that, with almost no exceptions, the post-Hegelian tradition prepared the ground for fascist thought. Originally published in 1952, the book has been unjustly overlooked despite its centrality in Lukács’s work and its being one of the key texts in Western Marxism. This new edition features a historical introduction by Enzo Traverso, addressing the current rise of the far right across the world today.
A distinguished historian and Budapest native offers a rich and eloquent portrait of one of the great European cities at the height of its powers. Budapest, like Paris and Vienna, experienced a remarkable exfoliation at the end of the nineteenth century. In terms of population growth, material expansion, and cultural exuberance, it was among the foremost metropolitan centers of the world, the cradle of such talents as Bartók, Kodály, Krúdy, Ady, Molnár, Koestler, Szilárd, and von Neumann, among others. John Lukacs provides a cultural and historical portrait of the city—its sights, sounds, and inhabitants; the artistic and material culture; its class dynamics; the essential role played by its Jewish population—and a historical perspective that describes the ascendance of the city and its decline into the maelstrom of the twentieth century. Intimate and engaging, Budapest 1900 captures the glory of a city at the turn of the century, poised at the moment of its greatest achievements, yet already facing the demands of a new age. “Lukacs’s Budapest, like Hemingway’s Paris, is a moveable feast.” —Chilton Williamson “Lukacs’s book is a lyrical, sometimes dazzling, never merely nostalgic evocation of a glorious period in the city’s history.” —The New York Review of Books “A reliable account of a beautiful city at the zenith of its prosperity.” —Publishers Weekly