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Spanning the period between Spanish colonization and the early twentieth century, this well-argued and convincing study examines the histories of Spanish and American conquests, and of ethnicity, race, and community in southern California. Lisbeth Haas draws on a diverse body of source materials (mission and court archives, oral histories, Spanish language plays, census and tax records) to build a new picture of rural society and social change. A borderlands and Chicano history, Haas's work provides a richly textured study of events that took place in and around San Juan Capistrano and Santa Ana in present-day Orange County. She provides a vivid sense of how and why the past acquires meaning in the lives that make up the historical identities she discusses. The voices of Juaneño and Luiseño Indians, Californios, and Mexicans are heard along the shifting faultlines of economic, social, and political change. This is one of the first truly multiethnic histories of California and of the West. It makes clear that issues of multiculturalism and ethnicity are not recent manifestations in California—they have characterized social and cultural relationships there since the late eighteenth century.
Saints and Citizens is a bold new excavation of the history of Indigenous people in California in the late eighteenth and nineteenth centuries, showing how the missions became sites of their authority, memory, and identity. Shining a forensic eye on colonial encounters in Chumash, Luiseño, and Yokuts territories, Lisbeth Haas depicts how native painters incorporated their cultural iconography in mission painting and how leaders harnessed new knowledge for control in other ways. Through her portrayal of highly varied societies, she explores the politics of Indigenous citizenship in the independent Mexican nation through events such as the Chumash War of 1824, native emancipation after 1826, and the political pursuit of Indigenous rights and land through 1848.
Scholars have long worked to identify the names of tribes and other groupings in the Americas, a task made difficult by the sheer number of indigenous groups and the many names that have been passed down only through oral tradition. This book is a compendium of tribal names in all their variants--from North, Central and South America--collected from printed sources. Because most of these original sources reproduced words that had been encountered only orally, there is a great deal of variation. Organized alphabetically, this book collates these variations, traces them to the spellings and forms that have become standardized, and supplies see and see also references. Each main entry includes tribal name, the "parent group" or ancestral tribe, original source for the tribal name, and approximate location of the name in the original source material.
Attributed to Tecumseh in the early 1800s, this statement is frequently cited to uphold the view, long and widely proclaimed in scholarly and popular literature, that Mother Earth is an ancient and central Native American Figure. In this radical and comprehensive rethinking, Sam D. Gill traces the evolution of female earth imagery in North America from the sixteenth century to the present and reveals how the evolution of the current Mother Earth figure was influenced by prevailing European-American imagery of Americaand the Indians as well as by the rapidly changing Indian identity.