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In this haunting 1935 novel, the Pulitzer Prize–winning author of My Ántonia performs crystalline variations on the themes that preoccupy her greatest fiction: the impermanence of innocence, the opposition between prairie and city, provincial American values and world culture, and the grandeur, elation, and heartache that await a gifted young woman who leaves her small Nebraska town to pursue a life in art. At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.
You can look at something every day and never really see it. Payton Gritas looks at the back of Sean Griswold's head in most of her classes and has for as long as she can remember. They've been linked since third grade (Griswold-Gritas; it's an alphabetical order thing), but aside form loaning Sean countless number-two pencils, she's never really noticed him. Then Payton's guidance counselor tells her she needs a focus object--something to concentrate her emotions on while she deals with her dad's multiple scleorsis. The object is supposed to be inanimate, but Payton chooses Sean Griswold's head. It's much cuter than the atom models or anything else she stares at! As Payton starts stalking--er, focusing on--Sean's big blond head, her research quickly grows into something a little less scientific and a lot more crush-like. And once she really gets inside his head, Payton also lets Sean into her guarded heart. But obsessing over Sean won't fix Payton's fear of her dad's illness. For that, she'll have to focus on herself.
A history of Oregon without Jesse Applegate would be like Exodus without Moses. Like Moses, Jesse led pioneers through the wilderness across the Oregon Trail in 1843. Like Moses, he was a law-giver, and like Moses, when proper provocation occurred, he sometimes threw down the tablets.Jesse Applegate, A Dialogue with Destinygives a comprehensive historical perspective to the life of this interesting, complicated man who played a major role in the formation of Oregon. Throughout his amazing life, he led the 'cow column' of '43 west to Oregon, wrote the constitution of '45, played a major role in the solving of the Cayuse War, led the expedition to find a new southern route in'46, and fought to keep Oregon free of slavery. But perhaps even more important was the moral compass he provided for the emerging Oregon society. Through his letters to editors of newspapers and to prominent political figures, he provided comment, council, criticism, and loyal opposition to those in power. His opinions were sought by local, state and federal leaders, as well as the historians of the day.
Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
Claude Wheeler is a young man who was born after the American frontier has vanished. The son of a successful farmer and an intensely pious mother, Wheeler is guaranteed a comfortable livelihood. Nevertheless, Wheeler views himself as a victim of his father's success and his own inexplicable malaise.Thus, devoid of parental and spousal love, Wheeler finds a new purpose to his life in France, a faraway country that only existed for him in maps before the First World War. Will Wheeler ever succeed in his new goal? The novel is inspired from real-life events and also won the Pulitzer Prize in 1923.
Douglas Freshley, a former schoolmaster, is hired by his longtime friend, Shane McNally to tutor their rambunctious son, Bat. But when the Delancey gang raids the McNally ranch, killing all the adults, it's up to the corpse of Doug to rise up, protect Bat and exact some good ol' frontier justice. Little does he know, however, that he is being stalked by the Deadliest Gun in the West (or anywhere) - the Grim Reaper himself.
"Shadows on the Rock" is a historical novel written by the American author Willa Cather. The book was published in 1931 and is set in the 17th century in colonial New France, specifically in Quebec City. The novel focuses on the lives of the early French settlers and the challenges they faced while establishing a life in the rugged wilderness of North America. The central character is Cécile Auclair, a young girl who, with her father, makes the difficult journey from France to Quebec to join her mother. The novel provides a vivid portrayal of daily life, relationships, and the interactions between the French settlers and the indigenous people of the region. "Shadows on the Rock" is known for its rich historical detail and evocative descriptions of the landscape and characters. Willa Cather's storytelling captures the enduring spirit and resilience of the early settlers in North America. The novel is celebrated for its historical accuracy and its exploration of the human experience in a challenging and often harsh environment.
A collection of stories, poems, and other writings by Willa Cather.
Lucy Gayheart is Willa Cather's eleventh novel. It was published in 1935.
Fervently pursuing the life of an artist, a young music student leaves behind her small midwestern town existence and comes to know the elation and heartache of a life in the creative world.