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Before the turn of the twentieth century, most women would not dream of engaging in "men's work." Women were expected to ride sidesaddle, wear skirts, and most women did not race their pony like lightning after a prairie wolf. Regardless of society's rules, these were the things Lucille Mulhall loved. Growing up on her family's ranch in Oklahoma, she learned to do cowboy chores: rope, train horses, and brand cattle-and she did it better than most men. Recognizing his daughter's natural talent, Colonel Zack Mulhall encouraged Lucille to enter the world of show business. From steer roping competitions to vaudeville acts to Wild West shows, Lucille entertained enthusiastic crowds. Her skill and perfect sense of timing, as well as her small stature and feminine demeanor, made her an audience favorite. Heralded by Will Rogers as America's first "cowgirl," Lucille Mulhall became an inspiration for women everywhere. About the Author: Cynthia Kay Rhodes is a writer and illustrator who discovered a passion in writing biographies for children. Between Two Worlds: The Legend Of Quanah Parker, her first book, focused on the life of the renowned Comanche chief. With Lucille Mulhall: An Athlete Of Her Time, she wanted to present the true story of a remarkable woman, which also focused on her two favorite interests: horses and the Wild West.
Bill Pickett Biography, outstanding black cowboy bulldogger.
For the rebel in every girl's heart, this series presents the achievements of extraordinary, relevant, and inspiring women throughout history. Through quotes, narratives, photographs, illustrations, and fact-filled side-bars, each book tells the story of twelve bold and courageous women. The Wild West and the rodeo are not the only places where the cowgirl spirit can be found. From the sharpshooting Annie Oakley to the legendary Calamity Jane, these female cowgirls came from all walks of life, but share an irrepressible spirit and dedication to pushing the boundaries. Featured cowgirls include Georgie Sicking (cowboy poet), Charley Parkhurst (stagecoach driver), Tillie Baldwin (rodeo cowgirl), Tad Lucas (rodeo's First Lady), Lucille Mulhall (steer roper), Charmayne James (barrel racer), Lillian Riggs (rancher), Sally Skull (horse trader), Johanna July (horse tamer), and Mary Fields (pioneer and mail driver).
Oklahoma's central location and ranching tradition gave it a unique connection to the rodeo industry as it grew from a local pastime to an internationally popular sport. From the very beginning, Oklahoma cowgirls played a significant role in developing the institution and the businesses that grew up in its shadow. Lucille Mulhall's pioneering roping carved out a place for women in the actual competition, while Mildred Chrisman's promotional efforts kept rodeo chutes open during the Great Depression. Modern ranchers like Terry Stuart produced the quarter horses sought by professional athletes around the world. From Guymon to Pawhuska and from stock contractors to rodeo clowns, Tracey Hanshew follows the trail that Oklahoma women blazed across this rough-and-tumble sport.
Most armadillos are happy scratching sand and eating, but Bo longs for adventure. And adventure Bo gets, the day Harmony Jean breaks in her brand-new chili-pepper-red cowboy boots by the banks of Can Creek. Peering out across the creek bed, Bo is sure he's spotted a rip-roarin', rootin'-tootin', shiny red armadillo! Bo's off and running after his new friend--right down to the Curly H Rodeo. There Bo gets to do all the things he's dreamed of doing: he rides a bronc, eats red-hot chili peppers, and even tries the two-step. Bo is ready to follow his pal off into the sunset, but he is about to discover his new friend is no ordinary armadillo. Jan Brett turns her considerable storytelling talents toward the Texas countryside in this warm and funny story of an armadillo on his own. Luckily, Ma Armadillo and her boys are searching for Bo in the borders to bring him back home.
A hardworking cowboy who wears his clothes to bed sleeps so soundly he isn't aware how, during each night, he is losing an item of clothing.
For many people who have never spent time in the state, Oklahoma conjures up a series of stereotypes: rugged cowboys, tipi-dwelling American Indians, uneducated farmers. When women are pictured at all, they seem frozen in time: as the bonneted pioneer woman stoically enduring hardship or the bedraggled, gaunt-faced mother familiar from Dust Bowl photographs. In Red Dirt Women, Susan Kates challenges these one-dimensional characterizations by exploring—and celebrating—the lives of contemporary Oklahoma women whose experiences are anything but predictable. In essays both intensely personal and universal, Red Dirt Women reveals the author’s own heartaches and joys in becoming a parent through adoption, her love of regional treasures found in “junk” stores, and her deep appreciation of Miss Dorrie, her son’s unconventional preschool teacher. Through lively profiles, interviews, and sketches, we come to know pioneer queens from the Panhandle, rodeo riders, casino gamblers, roller-derby skaters, and the “Lady of Jade”—a former “boat person” from Vietnam who now owns a successful business in Oklahoma City. As she illuminates the lives of these memorable Oklahoma women, Kates traces her own journey to Oklahoma with clarity and insight. Born and raised in Ohio, she confesses an initial apprehension about her adopted home, admitting that she felt “vulnerable on the open lands.” Yet her original unease develops into a deep affection for the landscape, history, culture, and people of Oklahoma. The women we meet in Red Dirt Women are not politicians, governors’ wives, or celebrities—they are women of all ages and backgrounds who surround us every day and who are as diverse as Oklahoma itself.
Game Time! Keep an eye on the clock as the Huskies and the Falcons gear up for their championship soccer match. Weeks, days, hours, minutes, and seconds--it's all game time!
On March 3, 1913, a quarter of a million people gathered in Washington, DC, to watch five thousand female suffragists march down Pennsylvania Avenue, headed by a cohort of equestrians in breeches and plumed hats. From atop a white horse, wearing long white boots and a cloak emblazoned with a Maltese cross, Inez Milholland rallied her compatriots against hecklers. Channeling Joan of Arc, Milholland appeared strong and fearless as she sat astride her horse. The latter half of the 1800s ushered in a golden age of the horse that found more American women riding—both aside and astride—as they commanded presence in the public sphere. Reporters filed riding-craze stories about Manhattan socialites shopping on horseback, women who exercised on hobby horses, and women who worked as horsebreakers, cattle rustlers, or jockeys. In Astride: Horses, Women, and a Partnership That Shaped America, Eliza McGraw weaves together stories of women who pioneered in worlds such as Thoroughbred breeding, the circus, and horse rescue at a time when American women in general internalized the lessons of horsewomen: take chances, take up more space, and learn to get back on. From tamers to caretakers and performers to teachers, all worked with horses to buck the status quo. Expressing the idea of femininity with athleticism and authority, these trailblazers changed the way America understood women. Richly illustrated with period photographs, Astride demonstrates that even small changes can advance the fight for progress.