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The myth of light and progress has blinded us. In our electric world, we are everywhere surrounded by effortlessly glowing lights that simply exist, as they should, seemingly clear and comforting proof that human genius means the present will always be better than the past, and the future better still. At best, this is half the story. At worst, it is a lie. From whale oil to kerosene, from the colonial period to the end of the U.S. Civil War, modern, industrial lights brought wonderful improvements and incredible wealth to some. But for most workers, free and unfree, human and nonhuman, these lights were catastrophes. This book tells their stories. The surprisingly violent struggle to produce, control, and consume the changing means of illumination over the eighteenth and nineteenth centuries transformed slavery, industrial capitalism, and urban families in profound, often hidden ways. Only by taking the lives of whalers and enslaved turpentine makers, match-manufacturing children and coal miners, night-working seamstresses and the streetlamp-lit poor—those American lucifers—as seriously as those of inventors and businessmen can the full significance of the revolution of artificial light be understood.
Condemned to Die is a book about life under sentence of death in American prisons. The great majority of condemned prisoners are confined on death rows before they are executed. Death rows typically feature solitary confinement, a harsh regimen that is closely examined in this book. Death rows that feature solitary confinement are most common in states that execute prisoners with regularity, which is to say, where there is a realistic threat that condemned prisoners will be put to death. Less restrictive confinement conditions for condemned prisoners can be found in states where executions are rare. Confinement conditions matter, especially to prisoners, but a central contention of this book is that no regimen of confinement under sentence of death offers its inmates a round of activity that might in any way prepare them for the ordeal they must face in the execution chamber, when they are put to death. In a basic and profound sense, all condemned prisoners are warehoused for death in the shadow of the executioner. Human warehousing, seen most clearly on solitary confinement death rows, violates every tenet of just punishment; no legal or philosophical justification for capital punishment demands or even permits warehousing of prisoners under sentence of death. The punishment is death. There is neither a mandate nor a justification for harsh and dehumanizing confinement before the prisoner is put to death. Yet warehousing for death, of an empty and sometimes brutal nature, is the universal fate of condemned prisoners. The enormous suffering and injustice caused by this human warehousing, rendered in the words of the prisoners themselves, is the subject of this book.
This study examines the alteration and adaptation of Micmac male and female roles in Nova Scotia over a period of four hundred years in the context of the broader changes which their society experienced as it interacted with the dominant European culture.
The definitive firsthand account of the groundbreaking research of Philip Zimbardo—the basis for the award-winning film The Stanford Prison Experiment Renowned social psychologist and creator of the Stanford Prison Experiment Philip Zimbardo explores the mechanisms that make good people do bad things, how moral people can be seduced into acting immorally, and what this says about the line separating good from evil. The Lucifer Effect explains how—and the myriad reasons why—we are all susceptible to the lure of “the dark side.” Drawing on examples from history as well as his own trailblazing research, Zimbardo details how situational forces and group dynamics can work in concert to make monsters out of decent men and women. Here, for the first time and in detail, Zimbardo tells the full story of the Stanford Prison Experiment, the landmark study in which a group of college-student volunteers was randomly divided into “guards” and “inmates” and then placed in a mock prison environment. Within a week the study was abandoned, as ordinary college students were transformed into either brutal, sadistic guards or emotionally broken prisoners. By illuminating the psychological causes behind such disturbing metamorphoses, Zimbardo enables us to better understand a variety of harrowing phenomena, from corporate malfeasance to organized genocide to how once upstanding American soldiers came to abuse and torture Iraqi detainees in Abu Ghraib. He replaces the long-held notion of the “bad apple” with that of the “bad barrel”—the idea that the social setting and the system contaminate the individual, rather than the other way around. This is a book that dares to hold a mirror up to mankind, showing us that we might not be who we think we are. While forcing us to reexamine what we are capable of doing when caught up in the crucible of behavioral dynamics, though, Zimbardo also offers hope. We are capable of resisting evil, he argues, and can even teach ourselves to act heroically. Like Hannah Arendt’s Eichmann in Jerusalem and Steven Pinker’s The Blank Slate, The Lucifer Effect is a shocking, engrossing study that will change the way we view human behavior. Praise for The Lucifer Effect “The Lucifer Effect will change forever the way you think about why we behave the way we do—and, in particular, about the human potential for evil. This is a disturbing book, but one that has never been more necessary.”—Malcolm Gladwell “An important book . . . All politicians and social commentators . . . should read this.”—The Times (London) “Powerful . . . an extraordinarily valuable addition to the literature of the psychology of violence or ‘evil.’”—The American Prospect “Penetrating . . . Combining a dense but readable and often engrossing exposition of social psychology research with an impassioned moral seriousness, Zimbardo challenges readers to look beyond glib denunciations of evil-doers and ponder our collective responsibility for the world’s ills.”—Publishers Weekly “A sprawling discussion . . . Zimbardo couples a thorough narrative of the Stanford Prison Experiment with an analysis of the social dynamics of the Abu Ghraib prison in Iraq.”—Booklist “Zimbardo bottled evil in a laboratory. The lessons he learned show us our dark nature but also fill us with hope if we heed their counsel. The Lucifer Effect reads like a novel.”—Anthony Pratkanis, Ph.D., professor emeritus of psychology, University of California
This book visits the occult in literature from the 1880s to the 20th century, analyzing work by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisiting texts with occult motifs by canonical authors. It covers movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality, engaging with how literature creates occult worlds and identities, namely the female Lucifer, witch, priestess, and Goddess. The occult in literature incorporates topical discourses including psychoanalysis, feminism, pacifism, and ecology, hence this book will be of interest to scholars of literary and cultural studies, religious studies, sociology, and gender studies.
The Mother, the Lover, the Trickster, the Spiritual and Temporal Leader, the Devil-these are just some of the universal essences, known as archetypes, that lie deep within the human spirit; these are forces that we all recognize and embody in some capacity. Acting and Singing with Archetypes is a groundbreaking, experiential book that uses archetypes as the basis of an unprecedented method of study for actors and singers. By using fifteen archetype explorations that employ vocal exercises, mask making, monologue and scene work, breathing exercises, role playing, storytelling, singing, meditation, self-reflection, and more, this book empowers actors to interpret character and voice in exciting, untraditional ways. The explorations ultimately leave performing artists with the tools they need to develop their theatrical roles to the fullest, utilize their singing and speech abilities with the widest range of emotion, and unlock their overall creative potential. The book also reinforces the importance of breathing, relaxing, stretching, and other physical techniques that enable healthy practice of the craft. Geared toward theatre teachers, directors, and theatre workshop leaders, this is an incredible teaching tool, accompanied by a CD of demonstrative recordings of vocal exercises and other guiding content sung and spoken by authors Janet B. Rodgers and Frankie Armstrong. Book jacket.
The presentation, the use, and the possible reception of the book of Genesis to lay audience largely unable to read the original texts. What was meant by the medieval popular Bible - what was presented as biblical narrative to an audience largely unable to read the original biblical texts? Presentations in the vernacular languages of Europe of supposedly biblicalepisodes were more often than not expanded and interpreted, sometimes very considerably. This book looks at the presentation, the use, and the possible lay reception of the book of Genesis, using as wide a range of medieval genresand vernaculars as possible on a comparative basis down to the Reformation. Literatures taken into consideration include Irish, Cornish, English, French, High and Low German, Spanish, Italian and others. Genesis was an importantbook, and the focus is on those narrative high points which lend themselves most particularly (it is never exclusive) to literal expansion, even though allegory can also work backwards into the literal narrative. Starting with thedevil in paradise (who is not biblical), the book examines what Adam and Eve did afterwards, who killed Cain, what happened in the flood or at the tower of Babel, and ends with a consideration of the careers of Jacob and Joseph.The book is based on the Speaker's Lectures, given in 2002 in the University of Oxford. BRIAN MURDOCH is Professor of German at the University of Stirling.
In the early 1970s, a German study estimated that women expended as many calories cleaning their coal-mining husbands' work clothes as their husbands did working below ground, arguably making the home as much a site of industrialized work as factories and mines. But while energy studies are beginning to acknowledge the importance of social and historical contexts and to produce more inclusive histories of the unprecedented energy transitions that powered industrialization, women have remained notably absent from these accounts. In a New Light explores the vital place of women in the shift to fossil fuels that spurred the Industrial Revolution, illuminating the variety of ways in which gender and energy intersected in women's lives in nineteenth- and twentieth-century Europe and North America. From their labour in the home, where they managed the adoption of new energy sources, to their work as educators in electrical housecraft and their protests against the effects of industrialization, women took on active roles to influence energy decisions. Together these essays deepen our understanding of the significance of gender in the history of energy, and of energy transitions in the history of women and gender. By foregrounding women's energetic labours and concerns, the authors shed new light on energy use in the past and provide important insights as societies move towards a carbon-neutral future.
Ghost Gum Valley is the second book from Australian author Johanna Nicholls. This sweeping saga is set in the early days of the Colony of New South Wales and follows the adventures of Isabel de Rolland, an English aristocrat descended from the Plantagenets, as she is sent out to the penal colony to marry Marmaduke Gamble, in a deal organised by their elders. The debts of Isabel’s family are paid in exchange for the respectability that her lineage gives the rich ex- convict Gamble family. From the inauspicious beginnings of their arranged marriage, Isabel and Marmaduke develop a grudging friendship that looks to bloom into something more. But the secrets of the past are destined to haunt them and the madness and darkness of their families threaten to overwhelm them. This wonderful new story has something for everyone; a bygone era brought to life, the importance of being free of the past to embrace the future and above all a wonderful love story between two of fiction’s most delightful characters.
"Crippled Giant is an excellent summary of Nigerian political history. . . . The work is notable for even-handed analysis of both history and theory. The result is an introduction of the highest quality to the study of Nigerian politics." —African Studies Review "Osaghae, an academic with a refreshingly neutral and understated approach to the maddening follies of his government, has produced a highly readable overview of Nigeria's politics, economy, and foreign relations. Rich in detail, his account is also a useful tour of earlier thematic treatments of the subject." —Foreign Affairs " . . . well-written, coherent narrative and thoughtful, balanced analysis of Nigeria's political history from 1960 to 1996." —A. H. M. Kirk-Greene, St. Antony's College, Oxford Eghosa Osaghae's study leads him to the conclusion that Nigeria's problems are not of recent making but can be traced to structural impediments from colonial times.