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Inspired by Ambrose Bierce's The Devil's Dictionary, L.A. Rollins first unsheathed his lexicographer's lance in the pages of marginal political periodicals during the mid-1980s. At a time when Objectivist orthodoxy and Cold War political theater dominated libertarian discourse, Rollins' distinctive brand of irreverent irony stood out. He skewered shibboleths and dethroned dogmas from all quarters, and his trenchant jeu de mots made a lasting impression in the minds of many readers. In 1987, Loompanics Unlimited released the first edition of Lucifer's Lexicon, a freewheeling compilation of Rollins' satirical definitions--including content deemed too inflammatory for less adventurous publishers. Though the book would become a cult classic, Rollins' contrarian take on certain closely guarded historical and religious taboos chafed the sensibilities of some gatekeepers. Following its release, Rollins--who had previously courted controversy for his incisive critique of natural rights theory--was marked a pariah. The present edition is the first in a series of portable paperbacks being published by Nine-Banded Books and Underworld Amusements to chronicle the work of L.A. Rollins. With slight revision, it incorporates the "canonical" Loompanics text, now extensively supplemented to include never-before-published material that Rollins produced until his death in 2015. It is presented with a new introduction by individualist-anarchist blogger and Attack the System co-editor MRDA and a publisher's preface.
Best known as an underground satirist (Lucifer's Lexicon) and as an irreverent critic of bien-pensant libertarianism (The Myth of Natural Rights), L.A. Rollins [1948 - 2015] was also an unruly exponent of historical revisionism who courted reprisal for his skeptical interrogations of canonical World War II and Holocaust historiography. Drawn from a variety of marginal sources dating from the mid-1980s, the essays and book reviews in Outlaw History provide contemporary readers with a time-capsule showcase of Rollins' scathing and scrupulous approach to dissident history-both as a practitioner of revisionism and, inevitably, as a skeptic of revisionist dogma. If the texts are as "problematic" now as when they were written, they also offer insight into a mode of unfettered freethinking that has since been expunged from intellectual discourse. To invoke a popular expression, Rollins "went there." And he didn't care. Outlaw History is the third volume in the "The Portable L.A. Rollins" pocket paperback series co-published by Nine-Banded Books and Underworld Amusements. It features an introduction by the erudite revisionist and conspiracy researcher Michael A. Hoffman II and a prolegomenon by Chip Smith of Nine-Banded Books.
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Considered by many to be a founder of Afrofuturism, Sun Ra—aka Herman Blount—was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz. John Szwed's Space is the Place is the definitive biography of this musical polymath, who was one of the twentieth century's greatest avant-garde artists and intellectuals. Charting the whole of Sun Ra's life and career, Szwed outlines how after years in Chicago as a blues and swing band pianist, Sun Ra set out in the 1950s to impart his views about the galaxy, black people, and spiritual matters by performing music with the Arkestra that was as vital and innovative as it was mercurial and confounding. Szwed's readers—whether they are just discovering Sun Ra or are among the legion of poets, artists, intellectuals, and musicians who consider him a spiritual godfather—will find that, indeed, space is the place.
From the author of The Changing Mind and The Organized Mind comes a New York Times bestseller that unravels the mystery of our perennial love affair with music ***** 'What do the music of Bach, Depeche Mode and John Cage fundamentally have in common?' Music is an obsession at the heart of human nature, even more fundamental to our species than language. From Mozart to the Beatles, neuroscientist, psychologist and internationally-bestselling author Daniel Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand music, and what it can teach us about ourselves. ***** 'Music seems to have an almost wilful, evasive quality, defying simple explanation, so that the more we find out, the more there is to know . . . Daniel Levitin's book is an eloquent and poetic exploration of this paradox' Sting 'You'll never hear music in the same way again' Classic FM magazine 'Music, Levitin argues, is not a decadent modern diversion but something of fundamental importance to the history of human development' Literary Review