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Hailed as the British counterparts to Charles and Ray Eames, Robin and Lucienne Day electrified the British design scene in the 1950s with their startling furniture and textile designs. Indeed, their influence over the next five decades has been so profound that their early products were recently reintroduced by Conran's Habitat. Lucienne Day pioneered the introduction of modern abstract pattern design in the textile industry. Her fabrics, which oscillate between bold geometric figures and more subtle abstract patterns, were produced by companies as diverse as Heal's and Liberty of London. Robin Day's influential furniture designs pioneered the use of materials such as plywood, steel, and plastic. His stacking polypropylene chair (right) is one of the best-selling chairs in the world. Robin and Lucienne Day, the first-ever full-length monograph on their designs, features never-before-seen archival material along with over 250 color images of the full range of their work, including furniture, ceramics, textiles, wallpaper, interiors, appliances, exhibit designs, and graphics. Spanning a half-century's creative output, no designer will fail to be awed by the genius seen in this book.
The first in depth study to look at all aspects of the work of Lucienne Day, bringing together her work in textiles, wallpaper, carpets and ceramics from both Britain and Europe.
Czech-born Jacqueline Groag (1903-1985) was an incredibly adept textile designer who trained at the Kunstgewerbeschule in Vienna during the 1920s under Franz Cisek and Josef Hoffmann. She produced textile designs for the Wiener Werkstatte and some of the Parisian fashion houses while she lived in Vienna. She married the architect and interior designer Jacques Groag - they made a successful team. However, in 1939 they were compelled to emigrate to the UK. Jacqueline Groag continued to produce textile design work for the British market, and after the war her designs could be seen at numerous outlets such as David Whitehead, Grafton, John Lewis and Liberty. For more than 20 years she worked as a freelance designer, supplying designs for carpets, greetings cards, laminates, plastics, textiles, wallpapers and wrapping papers to many firms including Bond-Worth Carpets, British European Airways, the British Overseas Airways Corporation, Dunlop, ICI and London Transport. In 1984 she became a Fellow of the Faculty of Royal Designers for Industry. She was a prodigious and successful designer to the end of her life. Along with Lucienne Day and Marian Mahler she is seen as central to a new and exciting development in textile design in the 1950s. Together their work is featured in a major exhibition 'Designing Women' which begins in Colorado Springs in September 2008. This is a ground breaking publication on the work of this highly important and influential designer.
Edinburgh Weavers was one of the most important textile companies of the twentieth century. Alastair Morton, visionary art director of the company, commissioned a remarkable series of textiles from leading British artists. This study traces his wide-ranging career and records the history of Edinburgh Weavers and the glorious textiles it produced.
Discover what kind of stunning spaces for creative work you can build in your own home no matter your budget with this inspirational DIY guide. Art, craft and all things homemade have never been more popular and the trend for working from home continues apace. But it can be tricky to carve out a space in your house that lets you indulge your passion or earn a living from your creativity. Studio and study spaces are special places—full of creative spirit and practical potential—and there’s never been a greater demand for a book that shows you how to carve out a corner that allows you to not only practice your craft, but inspires and facilitates the very work you create. Real-life case studies from seven different countries, ranging from crafters, writers, designers and artists, show readers just what can be achieved on every budget. Many of the studio owners featured have a dedicated and ever-expanding social media following, including fashion designers Kiel James Patrick and Sarah Vickers, woodworker Ariele Alasko, designer Sarah Sherman Samuel, fine artist Lisa Congdon and decor blogger Holly Becker. Detailed chapters outline the vital pieces needed to create a functioning and inspirational studio space, while also taking an in-depth look into different styles of studios for craft and creative activities. With Studio, Sally Coulthard shows you that spaces for creativity can be easy to make, look beautiful, and fitted into any home. Praise for Studio “A visual feast of a sourcebook . . . features real-life home offices to inspire even the most spatially challenged of us.” —Fabric magazine “A fantastic and inspiring volume.” —Holly Becker “A lovely peek into lots of different creative studios, from potters to knitters, textile designers to fine artist, and every one is a delight.” —The Women’s Room “Working from home has never been so stylish.” —Ham & High
Pattern design flourished throughout the 20th century. From Art Nouveau at the end of the 19th century to computer-generated digital images at the turn of the Millennium, each new generation had their own distinctive approach to pattern design. Tracing the creative cross-fertilization between fashion and interiors, this invaluable book provides a chronological account of the development of pattern design. Highlighting the decisive trends that emerged in each decade, the book draws attention to the achievements of progressive manufacturers and ground-breaking designers, charting the emergence of a series of pattern design superpowers in various countries at different moments in time. From Anni Albers at the Bauhaus in the 1920s and Lucienne Day for Heal's in the 1950s, to Maija Isola for Marimekko in the 1960s, this book combines stunning photographs with informative text to inspire new flights of creativity in pattern design.
Horrockses Fashion was one of the most respected ready-to-wear labels of the 1940s and '50s. This book tells the story of the iconic label, illustrating its role in the history of the British high street, while exploring the connections between couture and ready-to-wear fashions in the post-war decades.
Robert Stewart was one of the foremost British designers of the second half of the 20th century. He and Lucienne Day dominated the design field at that time with Libertys and Heals having a pact that Stewart would design exclusively for Libertys while Day designed for Heals. Stewart's time was divided between teaching at the Glasgow School of Art and producing innovative designs for textiles and ceramics. This book is a celebration of Bob Stewart - his life and achievements - as well as a fascinating snapshot of the British design world in the decades after World War II. This is an important work that will bring to public notice the master who, along with Lucienne Day, dazzled the design world in the 1950s and 1960s.
An essential sourcebook of prints from a key fashion decade. The 1950s was the decade when an analytical approach to design, with a lightness and freshness, combined with whimsical imagery and idiosyncratic subject matter. Showcasing hundreds of print designs, this book celebrates the heyday of postwar fashion design. From Lucienne Day and Robert Stewart to Maija Isola of Marimekko, the designs and influences of the print icons of the time are all covered. In addition to finished prints, the book contains exclusive illustrations and original artworks. The major themes of the period are explored, including: narrative and novelty; abstraction, exploring the distorted and attenuated forms used in print; artistic licence and the influence of contemporary art on fashion print; and finally kinetic prints that capture the influence of the era’s ‘mobiles, doodles and spasms’. Each short chapter introduction is followed by a range of illustrations with captions to give provenance and relevance, making this a unique sourcebook for contemporary designers and students.