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This primary composition Story Journal is designed for those kids in kindergarten, 1st grade, 2nd grade or even preschool or homeschooling. Top of each page has space for story drawings, doodles, illustrations and any masterpieces your child wants to create. The bottom half of each page is for writing in the wide rule dotted midline to help your kid perfect their handwriting. This primary composition notebook is perfect for those kids who are early writers and love to draw and color! Features: Matte Cover 8.5x 11 in 100 Story Pages
The dancing dinos are back, and this time they are taking over the classroom in this fun, rhyming Step 1 reader that is perfect for back to school! Dinos dancing in a book. Dinos leaping, look, look, look! Dinos pasting red and blue. Dinos wasting paint and glue! When the dancing dino's book turns up in a school library, they leap out and bring their musical mayhem to a kid’s classroom! Step 1 Readers feature big type and easy words for children who know the alphabet and are eager to begin reading. Rhyme and rhythmic text paired picture clues help children decode the story.
Geared toward a broad variety of students, Dinosaurs: The Textbook offers a concise and lucid presentation of the core biological and geological concepts of dinosaur science. Revised throughout to reflect recent fossil discoveries and the current scientific consensus, this seventh edition details the evolution, phylogeny, and classification of various dinosaur species while modeling the best approach for navigating new and existing research. Spencer G. Lucas takes readers through the major taxonomic groups, including theropods, sauropodomorphs, ornithopods, ceratopsians, pachycephalosaurs, stegosaurs, and ankylosaurs. He also examines the behavior and extinction of the dinosaurs, their biological relationship to birds, and their representation (or misrepresentation) in art, literature, film, and other forms of popular culture. This seventh edition of the leading text for introductory courses on dinosaurs incorporates comprehensive updates based on the latest research. Lucas highlights how dinosaur science is rapidly evolving, exploring how new discoveries, methods, and ideas are expanding the frontiers of knowledge. The book features cutting-edge and scientifically rigorous illustrations by leading paleoartists. It also includes extensive and reader-friendly end-of-chapter summary tools, review questions, a detailed glossary, a dinosaur dictionary, and a comprehensive index.
A scientific look at creationism from a former creationist A significant number of Americans, especially evangelical Christians, believe Earth and humankind were created in their present form sometime in the last 10,000 years or so—the rationale being that this is (presumably) the story told in the book of Genesis. Within that group, any threatening scientific evidence that suggests otherwise is rejected or, when possible, retrofitted into a creationist worldview. But can this uncomfortable blend of biblical literalism and pseudoscience hold up under scrutiny? Is it tenable to believe that the Grand Canyon was formed not millions of years ago by gradual erosion but merely thousands of years ago by the Great Flood? Were there really baby dinosaurs with Noah on his ark? Janet Kellogg Ray, a science educator who grew up a creationist, doesn’t want other Christians to have to do the exhausting mental gymnastics she did earlier in her life. Working through the findings of a range of fields including geology, paleontology, and biology, she shows how a literal interpretation of the book of Genesis simply doesn’t mesh with what we know to be reality. But as someone who remains a committed Christian, Ray also shows how an acceptance of the theory of evolution is not necessarily an acceptance of atheism, and how God can still be responsible for having created the world, even if it wasn’t in a single, momentary, miraculous event.
Interviews with the Disney artist who created Scrooge McDuck and many well-loved comic books Disney artist Carl Barks (1901-2000) created one of Walt Disney's most famous characters, Scrooge McDuck. Barks also produced more than 500 comic book stories. His work is ranked among the most widely circulated, best-loved, and most influential of all comic book art. Although the images he created are known virtually everywhere, Barks was an isolated storyteller, living in the desert of California and preferring to labor without public fanfare during most of his career. He created work of such exceptional quality that he was accorded the greatest autonomy of any Disney artist. He is the only comic book artist ever to receive a Disney Legends award. The influence of Barks's work on such filmmakers as George Lucas and Steven Spielberg and on such artists as Gottfried Helnwein has extended Barks's significance far beyond the boundaries of comics. After Barks's death at the age of ninety-nine, Roy Disney praised him for his "brilliant artistic vision." Carl Barks: Conversations is the only comprehensive collection of Barks's interviews. It ranges chronologically from the very first one (with Malcolm Willits, the fan who uncovered Barks's identity) to the artist's final conversations with Donald Ault in the summer of 2000. In between are interviews conducted by J. Michael Barrier, Edward Summer, Bruce Hamilton, and others. Several of these interviews are published here for the first time. Ault's friendship with Barks, ranging over a period of thirty years, provides an unusually intimate resource not only for standard q&a interviews but also for casual conversations in informal settings. Carl Barks: Conversations reveals previously unknown information about the life, times, and opinions of one of the master storytellers of the twentieth century. Donald Ault, a professor of English at the University of Florida, is the author of Narrative Unbound: Re-Visioning William Blake's The Four Zoas and Visionary Physics: Blake's Response to Newton. His work has been published in Studies in Romanticism, The Wordsworth Circle, Modern Philology, and The Comics Journal.
Have courage, little dinosaur! It’s Norman’s first day at Dino Day Care. Who wouldn’t be nervous? First, Norman does what he does best: he makes himself invisible. But eventually he manages to find his courage—with a little help from a new friend and just a hint of magic. Sean Julian playfully reminds us that it’s okay to be shy. Everybody is different—and that’s a good thing. Perfect for kindergartens! Praise for Sean Julian’s Sloppy Wants a Hug? “. . . will make everyone smile.”—School Library Journal
What if a triceratops and a spinosaurus had a fight? Who do you think would win? This nonfiction reader compares and contrasts two ferocious dinosaurs.Readers will learn about each animal's anatomy, behavior, and more. Then compare and contrast the battling pair before finally discovering the winner! This nonfiction series is full of facts, photos, and realistic illustrations, and it includes a range of mammals, sea creatures, insects, and dinosaurs to satisfy all kinds of animal fans.
From the parents who brought us the web sensation "Dinovember," comes photographic proof of what mischief toy dinosaurs can get up to at school. Every November, writer and social media master Refe Tuma and his wife, Susan, work into the night to bring their four children scenes from the secret lives of their toys--specifically the nighttime antics of their plastic dinosaurs. But in the follow-up to the hit What the Dinosaurs Did Last Night, these scampish dinosaurs make the trip to school, hidden in a kid's backpack. Each scene is photographed in meticulous detail, letting viewers joyfully suspend disbelief and think to themselves--just LOOK at what these diminutive dinos did at school!
Reimagining Dinosaurs argues that transatlantic popular literature was critical for transforming the dinosaur into a cultural icon between 1880 and 1920