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This audio recording, which accompanies the Luath Scots Language Learner book, conveys the authentic pronunciation, especially important to readers from outside Scotland. It is suitable as an introductory course or for those interested in reacquainting themselves with the language of childhood and grandparents. There are dictionaries and grammar books but this is the first-ever language course. The book assumes no prior knowledge on the reader's part. Starting from the most basic vocabulary and constructions, the reader is guided step-by-step through Scots vocabulary and the subtleties of grammar and idiom that distinguish Scots from English.
Scots: The Mither Tongue is a classic of contemporary Scottish culture and essential reading for those who care about their country's identity in the twenty-first century. It is a passionately written history of how the Scots have come to speak the way they do and has acted as a catalyst for radical changes in attitude towards the language. In this completely revised edition, Kay vigorously renews the social, cultural and political debate on Scotland's linguistic future, and argues convincingly for the necessity to retain and extend Scots if the nation is to hold on to its intrinsic values. Kay places Scots in an international context, comparing and contrasting it with other lesser-used European languages, while at home questioning the Scottish Executive's desire to pay anything more than lip service to this crucial part of our national identity. Language is central to people's existence, and this vivid account celebrates the survival of Scots in its various dialects, its literature and song. The mither tongue is a national treasure that thrives in many parts of the country and underpins the speech of everyone who calls themselves a Scot.
For over four decades Angie has campaigned for a greener, fairer and safer world. This remarkable account of her campaigning life shares some of the lessons she has learnt from her actions in many different countries. Heartfelt but clear, it includes personal insights into mobilising for effective, sustainable actions, dealing with security, police and courts and how seemingly different issues are actually closely intertwined. This unique book covers nuclear weapons, militarism, climate change, corporate abuses of power, environmental destruction and much more.
In a series of honest, often humorous and brutally frank essays, Anne Pia discusses sexuality, gender identity, reluctant feminism, and food as a sumptuous, sensual game-changer. She conveys her exhilaration at the transformative power of music and learning, clothes and fashion. She gives an unflinching account of coming to terms with a daughter's disability. This life-changing book shows how positive energy can be drawn from life's most challenging experiences. Anne asks the central question: 'Who am I and who do I want to be?' and invites the reader to do the same.
The Greek scholar William Lorimer spent the last ten years of his life working on this project. Each Gospel has a different form of Scots to match the different forms of Greek used by the various apostles and scribes, and the vigour and immediacy of the language is everywhere apparent. Transcribed, edited and published by his son Robin Lorimer, this scholarly and dramatically fresh reading of an already familiar text caused a sensation when it first appeared in 1983. Beyond the poetry of the King James version, here are the voices of the disciples themselves, speaking, as they undoubtedly did, in 'plain braid Galilee'.
How would your career, social life, family ties, carbon footprint and mental health be affected if you could not leave the city where you live? Artist Ellie Harrison sparked a fast-and-furious debate about class, capitalism, art, education and much more, when news of her year-long project The Glasgow Effect went viral at the start of 2016. Named after the term used to describe Glasgow's mysteriously poor public health and funded to the tune of £15,000 by Creative Scotland, this controversial 'durational performance' centred on a simple proposition – that the artist would refuse to travel beyond Glasgow's city limits, or use any vehicles except her bike, for a whole calendar year.
Alba, am Foghar 1513. An dèidh dha taibhse fhaicinn ann an Glinn Iucha, tha Rìgh Seumas a Ceithir dealasach gu falbh air taistealachd a Bhaile Dhubhthaich mus dèan e ionnsaigh air Sasainn. Na chuideachd, bidh Mgr Eanraig Leich, an lannsair pearsanta aige, agus an t-amadan as fheàrr leis, Tòmas. Bidh càirdeas a' sìor fhàs eadar an triùir fhear fhad 's a tha iad air chuairt a Bhaile Dhubhthaich agus, an uair sin, a' marcachd a Northumberland fada gu deas. Ach bidh teagamhan agus droch mhanaidhean gam buaireadh mus tig latha mòr a' chatha air Blàr Flodden. Scotland, Autumn 1513. After seeing an apparition in Linlithgow, King James the Fourth is determined to go on pilgrimage to St Duthac's Church in Tain before he makes an attack on England. In his company are Master Henry Leich, his personal surgeon, and his favourite jester, Thomas. Friendship deepens between the three men as they travel north to Tain and then ride to Northumberland, far to the south. But doubts and ill omens will test their resolve before the great day of battle comes on Flodden field.
This two-way dictionary (Scots-English/English-Scots) provides: * Modern Scots, with some literary words likely to be met in stories or poems* Notes on how to get the most out of your dictionary* Grammar notes and verb lists* Spelling guidance* Help with pronunciation* A brief history of the Scots languageIt can also be used for encouraging the use of Scots in schools and to provide support in the classroom. A useful compact reference book for anyone requiring information on Scots."
First published in 1985, the new edition of the Concise Scots Dictionary has been revised throughout to reflect modern Scots usage, alongside extensive coverage of older Scots. Combining accessible style, clear layout and a durable hardback format, this is a user-friendly and robust dictionary that you can turn to for reference and enjoyment.
The Scots language is the hidden treasure of Scottish culture. For many of us it is still how we speak to each other, how we express our feelings, our humour, even our Scottishness. It not only connects us to our communities at an emotional level but also links us to our past. Scots was created by millions of voices coming together to share words, phrases and jokes; to understand, act on (and often laugh at) the world around them. Aye, but what exactly is 'Scots' anyway? Usually spoken in a mix with Scottish English, at least nowadays, is it really a language at all? Was it ever? And what about its future? Dr Clive Young embarks on a quest to learn about the secret life of the language he spoke as a bairn. Along the way, he encounters centuries of intense argument on the very nature of Scots, from the first dictionaries, through MacDiarmid, The Broons, Trainspotting and on to present-day Twitter rammies. (And of course, endless stushies about how to spell it.) Some still dismiss Scots as 'just' a dialect, slang or bad English. Behind this everyday disdain Dr Young uncovers a troubling history of official neglect and marginalisation of our unique minority language, offset only by a defiant and inspiring linguistic loyalty. A refreshing counterbalance to the usual gloomy prognosis of Scots' supposedly 'inevitable' demise, Dr Young sketches out a practical roadmap to revitalise Scotland's beleaguered tongue and simple ways we can all keep it 'hale an hearty' for future generations. Acause if you dinna dae it, wha wull?