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A reissue of Joe Robert's 2015 release 'LSD Worldpeace.'
Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Collecting over 100 new and recent paintings, drawings and mixed-media works along with an introduction by Hamilton Morris (Hamilton's Pharmacopeia), We Ate the Acid is the latest product of Roberts' visionary journeys and a testament to his expansive, singular imagination.
Who really murdered Mary Pinchot Meyer in the fall of 1964? Why was there a mad rush by CIA counterintelligence chief James Angleton to immediately locate and confiscate her diary? What in that diary was so explosive and revealing? Had Mary Meyer finally put together the intricate pieces of a bewildering, conspiratorial mosaic of information that revealed a plan to assassinate her lover, President Kennedy, with the trail ultimately ending at the doorstep of the Central Intelligence Agency? And was it mere coincidence that Mary Meyer was killed less than three weeks after the release of the Warren Commission Report? Based on years of painstaking research and interviews, much of it revealed here for the first time, author Peter Janney traces some of the most important events and influences in the life of Mary Pinchot Meyer—including her first meeting with Jack Kennedy at the Choate School during the winter of 1936, her explorations with psychedelic drugs, and finally how she supported her secret lover, the president of the United States, as he turned away from the Cold War toward the pursuit of world peace. As we approach the fiftieth anniversary of President Kennedy’s assassination—and Mary Meyer’s—Mary’s Mosaic adds to our understanding of why both took place. This paperback edition has been updated and revised with a significant postscript that focuses on Meyer’s alleged assassin, who the author finally located and confronted in person in August 2012, as well as the ongoing saga of Janney’s attempt to reopen the case based on new evidence.
An illustrated account R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms.
A description of 2,000 years of Christian persecution of the Jews, written by a Jewish Christian who contends that Christians are almost totally ignorant of the Jews' agony throughout the centuries. Pointing to the Jewish origins of Jesus and the apostles, and to positive aspects of Judaism, decries the Christian distortion of Judaism, and the hatred and lies spread against the Jewish people up to the present day. Although he believes that the Jews will eventually come to accept Jesus as the Messiah, Brown calls on Christians to approach Jews with love, and not with hatred. He states that Satan is the author of the spirit of antisemitism, and that Christians must recognize that when they hate Jews they are heeding not God but Satan.
Provides a social history of how the CIA used the psychedelic drug LSD as a tool of espionage during the early 1950s and tested it on U.S. citizens before it spread into popular culture, in particular the counterculture as represented by Timothy Leary, Allen Ginsberg, Ken Kesey, and others who helped spawn political and social upheaval.
Heads: A Biography of Psychedelic America uncovers a hidden history of the biggest psychedelic distribution and belief system the world has ever known. Through a collection of fast-paced interlocking narratives, it animates the tale of an alternate America and its wide-eyed citizens: the LSD-slinging graffiti writers of Central Park, the Dead-loving AI scientists of Stanford, utopian Whole Earth homesteaders, black market chemists, government-wanted Anonymous hackers, rogue explorers, East Village bluegrass pickers, spiritual seekers, Internet pioneers, entrepreneurs, pranksters, pioneering DJs, and a nation of Deadheads. WFMU DJ and veteran music writer Jesse Jarnow draws on extensive new firsthand accounts from many never-before-interviewed subjects and a wealth of deep archival research to create a comic-book-colored and panoramic American landscape, taking readers for a guided tour of the hippie highway filled with lit-up explorers, peak trips, big busts, and scenic vistas, from Vermont to the Pacific Northwest, from the old world head capitals of San Francisco and New York to the geodesic dome-dotted valleys of Colorado and New Mexico. And with the psychedelic research moving into the mainstream for the first time in decades, Heads also recounts the story of the quiet entheogenic revolution that for years has been brewing resiliently in the Dead's Technicolor shadow. Featuring over four dozen images, many never before seen-including pop artist Keith Haring's first publicly sold work-Heads weaves one of the 20th and 21st centuries' most misunderstood subcultures into the fabric of the nation's history. Written for anyone who wondered what happened to the heads after the Acid Tests, through the '70s, during the Drug War, and on to the psychedelic present, Heads collects the essential history of how LSD, Deadheads, tie-dye, and the occasional bad trip have become familiar features of the American experience.
An illustrated, deep dive into Albert Hofmann's infamous "Bicycle Day" from Brian Blomerth.
The drug laws in this country- the drug laws IN THE WORLD - all stem from this attitude that pleasure is a bad thing... In 2015, acclaimed British playwright Leo Butler accepted an invitation from former Government drugs tsar, Professor David Nutt, to be a guinea pig in the world's first LSD medical trials since the 1960s. Monty Python, Being John Malkovich, and Alice in Wonderland all resonate in this exhilarating and original comedy as we watch Leo jump down the rabbit-hole of a medical trial in search of enlightenment - and a good story. Along the way he meets an array of characters from Aldous Huxley and The Beatles, to Steve Jobs and Ronald Reagan, whose own stories in the history of LSD are hilariously and poignantly uncovered. Does the world still need a psychedelic revolution? And will Leo make it back home in time for tea? Part history, party wild fantasy, this darkly humorous new play illuminates the drugs debate that won't go away and examines the freedom we have to make our own choices in life, and death.