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The Baroque imagination has its roots in Ignatius of Loyola's Spiritual Exercises (1547), which defined for the Counter-Reformation era the parameters in which Catholic believers must confront the Enemy and the temporal corruption he embodies in order to enter a state of grace and obtain salvation. Through complex interactions of different imaginative functions, Loyola's text is able to superpose a variety of simultaneous narrative levels. In order to reformulate the «greater narrative» (the Magisterium) of the Roman faith beyond what is revealed in Scripture, the Spiritual Exercises require their exercitant to become an active participant in this narrative through constant visual contact with «orders of corruption», that is, spaces in which virtue can be confronted with physical decay and sin. Through these spaces Counter-Reformation Rome (La Roma Ignaziana) would redefine the economy of salvation and diffuse the visual dynamics of the Spiritual Exercises throughout the Catholic world. In their writings, Spanish Golden Age authors Miguel de Cervantes and Baltasar Gracián use the rising modernity of the novel to transform Loyola's notion of «orders of corruption» by adapting it to the secular world. Their encoded criticism of Loyolan imagination contributed to the epistemological crisis that marks the Baroque age, but also prepared the way for the crucial debates that would take place during the Enlightenment (such as the deconstruction of the Catholic «greater narrative» reflected in Loyola). This book concludes with a discussion of the eventual negation of Loyolan imagination in the novels of the Marquis de Sade, which undermine the Roman faith by parodying the Baroque forms of spiritual visual experience and negate the Loyolan projection into «orders of corruption».
The Companion to Ignatius of Loyola aims at placing Loyola’s life, his writings, and spirituality in a broader context of important late medieval and early modern movements and processes that have been appreciated too little by historians who explored Ignatius more as the colossal icon of the so-called Counterreformation than as a man influenced by the dramatic and revolutionary period in which he lived. One book will be never able to cover all aspects of such rich and controversial a figure as Ignatius of Loyola but the fifteen chapters of this volume indicate important directions of current scholarship that reassesses the previous scholarship and suggests new angles of studies on this pivotal figure of early modern period. An interview with editor Robert A. Maryks about this Companion is available on YouTube.
In Instruments of the Divinity, Christopher van Ginhoven Rey shows that an important reflection on God’s providential praxis animates the foundational documents of the Society of Jesus. Focusing on Saint Ignatius of Loyola’s conception of Jesuits as the instruments of a laboring God, the book explores the philosophical and theological roots of the metaphor of the instrument and its place in the social imaginary of the Jesuit order. Close readings of the Spiritual Exercises, the Jesuit Constitutions, and a selection of letters by Ignatius call attention to the existence of a rhetoric of instrumentality that provides the basis for the Society’s project of instruction, its loving affirmation of the world, and its attempts to differentiate itself from its monastic predecessors.
For over thirty years, Steven Mailloux has championed and advanced the field of rhetorical hermeneutics, a historically and theoretically informed approach to textual interpretation. This volume collects fourteen of his most recent influential essays on the methodology, plus an interview. Following from the proposition that rhetorical hermeneutics uses rhetoric to practice theory by doing history, this book examines a diverse range of texts from literature, history, law, religion, and cultural studies. Through four sections, Mailloux explores the theoretical writings of Heidegger, Burke, and Rorty, among others; Jesuit educational treatises; and products of popular culture such as Azar Nafisi’s Reading Lolita in Tehran and Star Trek: The Next Generation. In doing so, he shows how rhetorical perspectives and pragmatist traditions work together as two mutually supportive modes of understanding, and he demonstrates how the combination of rhetoric and interpretation works both in theory and in practice. Theoretically, rhetorical hermeneutics can be understood as a form of neopragmatism. Practically, it focuses on the production, circulation, and reception of written and performed communication. A thought-provoking collection from a preeminent literary critic and rhetorician, Rhetoric’s Pragmatism assesses the practice and value of rhetorical hermeneutics today and the directions in which it might head. Scholars and students of rhetoric and communication studies, critical theory, literature, law, religion, and American studies will find Mailloux’s arguments enlightening and essential.
The Imitatio Christi is considered one of the classic texts of Western spirituality. There were 800 manuscript copies and more than 740 different printed editions of the Imitatio between its composition in the fifteenth century and 1650. During the Reformation period, the book retained its popularity with both Protestants and Catholics; with the exception of the Bible it was the most frequently printed book of the sixteenth century. In this pioneering study, the remarkable longevity of the Imitatio across geographical, chronological, linguistic and confessional boundaries is explored. Rather than attributing this enduring popularity to any particular quality of universality, this study suggests that its key virtue was its appropriation by different interest groups. That such an apparently Catholic and monastic work could be adopted and adapted by both Protestant reformers and Catholic activists (including the Jesuits) poses intriguing questions about our understanding of Reformation and Counter Reformation theology and confessional politics. This study focuses on the editions of the Imitatio printed in English, French, German and Latin between the 1470s and 1650. It offers an ambitious and comprehensive survey of the process of translation and its impact and contribution to religious culture. In so doing it offers a fresh analysis of spirituality and devotion within their proper late medieval and early modern contexts. It also demonstrates that spirituality was not a peripheral dimension of religion, but remains at the very heart of both Catholic and Protestant self-perception and identity.
This fast-paced survey of Western civilization’s transition from the Middle Ages to modernity brings that tumultuous period vividly to life. Carlos Eire, popular professor and gifted writer, chronicles the two-hundred-year era of the Renaissance and Reformation with particular attention to issues that persist as concerns in the present day. Eire connects the Protestant and Catholic Reformations in new and profound ways, and he demonstrates convincingly that this crucial turning point in history not only affected people long gone, but continues to shape our world and define who we are today. The book focuses on the vast changes that took place in Western civilization between 1450 and 1650, from Gutenberg’s printing press and the subsequent revolution in the spread of ideas to the close of the Thirty Years’ War. Eire devotes equal attention to the various Protestant traditions and churches as well as to Catholicism, skepticism, and secularism, and he takes into account the expansion of European culture and religion into other lands, particularly the Americas and Asia. He also underscores how changes in religion transformed the Western secular world. A book created with students and nonspecialists in mind, Reformations is an inspiring, provocative volume for any reader who is curious about the role of ideas and beliefs in history.
A holistic, eye-opening history of one of the most significant turning points in Christianity, The Reformation as Renewal demonstrates that the Reformation was at its core a renewal of evangelical catholicity. In the sixteenth century Rome charged the Reformers with novelty, as if they were heretics departing from the catholic (universal) church. But the Reformers believed they were more catholic than Rome. Distinguishing themselves from Radicals, the Reformers were convinced they were retrieving the faith of the church fathers and the best of the medieval Scholastics. The Reformers saw themselves as faithful stewards of the one, holy, catholic, and apostolic church preserved across history, and they insisted on a restoration of true worship in their own day. By listening to the Reformers' own voices, The Reformation as Renewal helps readers explore: The Reformation's roots in patristic and medieval thought and its response to late medieval innovations. Key philosophical and theological differences between Scholasticism in the High Middle Ages and deviations in the Late Middle Ages. The many ways sixteenth and seventeenth century Protestant Scholastics critically appropriated Thomas Aquinas. The Reformation's response to the charge of novelty by an appeal to the Augustinian tradition. Common caricatures that charge the Reformation with schism or assume the Reformation was the gateway to secularism. The spread of Reformation catholicity across Europe, as seen in first and second-generation leaders from Luther and Melanchthon in Wittenberg to Zwingli and Bullinger in Zurich to Bucer and Calvin in Strasbourg and Geneva to Tyndale, Cranmer, and Jewel in England, and many others. The theology of the Reformers, with special attention on their writings defending the catholicity of the Reformation. This balanced, insightful, and accessible treatment of the Reformation will help readers see this watershed moment in the history of Christianity with fresh eyes and appreciate the unity they have with the church across time. Readers will discover that the Reformation was not a new invention, but the renewal of something very old.
This book provides a comprehensive, state-of-the-art account of the field, reaffirming Iberian Studies as a dynamic and evolving discipline offering promising areas of future research. It is an essential tool for research in Iberian Studies.
In this volume, Emily A. Fenichel offers an in-depth investigation of the religious motivations behind Michelangelo's sculpture and graphic works in his late period. Taking the criticism of the Last Judgment as its point of departure, she argues that much of Michelangelo's late oeuvre was engaged in solving the religious and artistic problems presented by the Counter-Reformation. Buffeted by critiques of the Last Judgment, which claimed that he valued art over religion, Michelangelo searched for new religious iconographies and techniques both publicly and privately. Fenichel here suggests a new and different understanding of the artist in his late career. In contrast to the received view of Michelangelo as solitary, intractable, and temperamental, she brings a more nuanced characterization of the artist. The late Michelangelo, Fenichel demonstrates, was a man interested in collaboration, penance, meditation, and experimentation, which enabled his transformation into a new type of religious artist for a new era.
Any visitor to Belgium or the Netherlands is immediately struck by the number of convents and beguinages (begijnhoven) in both major cities and small towns. Their number and location in urban centres suggests that the women who inhabited them once held a prominent role. Despite leaving a visible mark on cities in Europe, much of the story of these women - known variously as beguines, tertiaries, klopjes, recluses, and anchoresses - remains to be told. Instead of aspiring to live as traditional religious, they transcended normative assumptions about religion and gender and had a very real impact on their religious and secular worlds. The sources for their tale are often fragmentary and difficult to interpret. However, careful scrutiny allows their voices to be heard. Drawing on an array of sources including religious rules, sermons, hagiographic vitae, and rapiaria, Fictive Orders and Feminine Religious Identities traces the story of pious laywomen between the thirteenth and sixteenth centuries. It both emphasizes the innovative roles of women who transcended established forms of institutional religious life and reveals the ways in which historiographical habits have obscured the dynamic and fluid nature of their histories. By highlighting the development of irregular and extraregular communities and tracing the threads of monasticisation that wove their way around pious laywomen, this book draws attention to the vibrant and dynamic culture of feminine lay piety that persisted from the later middle ages onwards.