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October Schwartz and her five deadest pals are back for another crime-solving caper When October Schwartz raises her five dead friends to investigate the cause of Cyril Cooper’s death way back in 1783, she expects a dull research-based journey into the lives of Canada’s earliest British settlers, the United Empire Loyalists. You’d think our favourite teen detective would have the hang of this solving-mysteries thing by now, but when a ghost pirate appears on the scene, October may be in over her head. The ghost pirate — or someone in a very convincing costume — is thieving key evidence at every turn, beating October to the goods time and again. Worst of all, Valentine’s Day is looming, and October’s friends seem more concerned about secret admirers than secret conspiracies. As October digs deeper into the mystery, she starts to suspect the pirate may be someone very close to her, just as she uncovers facts regarding her long-missing mom and the meaning behind a cryptic message from a past case. The Dead Kid Detective Agency’s third quest is a veritable bouquet of misadventures that weaves the American Revolution, a beyond-chaotic school dance, a historic sea vessel, and a boatload of supernatural shenanigans into one unforgettable madcap adventure.
October Schwartz and her five deadest pals are back for another crime-solving caper When October Schwartz raises her five dead friends to investigate the cause of Cyril Cooper's death way back in 1783, she expects a dull research-based journey into the lives of Canada's earliest British settlers, the United Empire Loyalists. You'd think our favourite teen detective would have the hang of this solving-mysteries thing by now, but when a ghost pirate appears on the scene, October may be in over her head. The ghost pirate — or someone in a very convincing costume — is thieving key evidence at every turn, beating October to the goods time and again. Worst of all, Valentine's Day is looming, and October's friends seem more concerned about secret admirers than secret conspiracies. As October digs deeper into the mystery, she starts to suspect the pirate may be someone very close to her, just as she uncovers facts regarding her long-missing mom and the meaning behind a cryptic message from a past case. The Dead Kid Detective Agency's third quest is a veritable bouquet of misadventures that weaves the American Revolution, a beyond-chaotic school dance, a historic sea vessel, and a boatload of supernatural shenanigans into one unforgettable madcap adventure.
Is the fourth time a charm for October and her ghost detective friends? While investigating the cause of the long-dead Tabetha Scott’s death way back in the 1860s, October and the Dead Kids discover that Sticksville, Ontario, served as an endpoint for the Underground Railroad, the secret network by which enslaved people escaped to free states and Canada. But October Schwartz finds herself with more detective work than she can handle after some new musically inclined chums are incriminated in a robbery at a school concert. Fraudulent occult psychics, funeral home ambushes, band wars, the spooky Sticksville fairgrounds, and a history of prejudice all converge in a climactic conclusion that hints a secret society might be behind all manner of catastrophes in October Schwartz’s not-so-boring little town.
The detective genre has explored supernatural and paranormal themes throughout its colorful history. Stories of detectives investigating spiritualists, ghostly apparitions, the occult and psychics have spanned pulp fiction magazines, comic books, novels, film, television, animation and video games. This encyclopedia covers the history of the genre in its multiple forms and informs and adds to the knowledge of either the new or informed reader. Its A-Z format provides ready reference by title. Detective fans browsing for new discoveries will enjoy the entertaining style.
Thirteen-year-old October Schwartz is new in town; she spends her free time in the Sticksville Cemetery and it isn't long before she befriends the ghosts of five dead teenagers, each from a different era of the past. They form the Dead Kid Detective Agency, a group committed to solving Sticksville's most mysterious mysteries.
As the Dead Kid Detective Agency embarks on its second (mis)adventure, October Schwartz and her five deadest friends are back, turning over metaphoric rocks and finding the centipedes underneath. In this latest volume, set against a backdrop of yuletide pandemonium, they discover dark supernatural forces at work in Sticksville and sleuth their way through a mystery involving a blizzard of suffragettes, ice skating disasters, anti-Asian sentiment, and the Titanic. Although the holiday season has descended upon the town like an eggnog rainstorm, October has no time for candy canes or mistletoe. She’s busy dealing with an oddly pleasant new history teacher, her two living friends’ new roles as high school radio DJs, and mysteries to be solved before the year end. October and her ghost friends are hot on the trail of those responsible for Morna MacIsaac’s death in 1914—or as hot as one can be on a 100-year-old trail—when Yumi becomes the target of a sinister harassment campaign at school. Solving dual concurrent mysteries at once won’t be easy, but the intrepid heroine in black eyeliner loves a challenge.
A bold vision of liberal humanism for navigating today’s complex world of growing identity politics and rising nationalism Collective identities such as race, nationality, religion, gender, and sexuality clamor for recognition and respect, sometimes at the expense of other things we value. To what extent do they constrain our freedom, and to what extent do they enable our individuality? Is diversity of value in itself? Has the rhetoric of human rights been overstretched? Kwame Anthony Appiah draws on thinkers through the ages and across the globe to explore such questions, developing an account of ethics that connects moral obligations with collective allegiances and that takes aim at clichés and received ideas about identity. This classic book takes seriously both the claims of individuality—the task of making a life—and the claims of identity, these large and often abstract social categories through which we define ourselves.
From the former director of GCHQ, learn the methodology used by British intelligence agencies to reach judgements, establish the right level of confidence and act decisively. Full of revealing examples from a storied career, including key briefings with Prime Ministers and strategies used in conflicts from the Cold War to the present, in How Spies Think Professor Sir David Omand arms us with the tools to sort fact from fiction. And shows us how to use real intelligence every day. ***** 'One of the best books ever written about intelligence analysis and its long-term lessons' Christopher Andrew, The Defence of the Realm: The Authorized History of MI5 'An invaluable guide to avoiding self-deception and fake news' Melanie Phillips, The Times WINNER OF THE NEAVE BOOK PRIZE 2022 LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL WRITING 2021
Lord Peter Wimsey and Harriet Vane investigate a dead body on the beach in this “nearly perfect detective story” by the author of Busman’s Honeymoon (Saturday Review). Harriet Vane has gone on vacation to forget her recent murder trial and, more importantly, to forget the man who cleared her name—the dapper, handsome, and maddening Lord Peter Wimsey. She is alone on a beach when she spies a man lying on a rock, surf lapping at his ankles. She tries to wake him, but he doesn’t budge. His throat has been cut, and his blood has drained out onto the sand. As the tide inches forward, Harriet makes what observations she can and photographs the scene. Finally, she goes for the police, but by the time they return the body has gone. Only one person can help her discover how the poor man died at the beach: Lord Peter, the amateur sleuth who won her freedom and her heart in one fell swoop. Have His Carcase is the 8th book in the Lord Peter Wimsey Mysteries, but you may enjoy the series by reading the books in any order. This ebook features an illustrated biography of Dorothy L. Sayers including rare images from the Marion E. Wade Center at Wheaton College.
In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names.” Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude. Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.