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The classic social history of corruption and vice in nineteenth-century NYC: “A cacophonous poem of democracy and greed, like the streets of New York themselves” (John Vernon, Los Angeles Times Book Review). Lucy Sante’s Low Life is a portrait of America’s greatest city, the riotous and anarchic breeding ground of modernity. This is not the familiar saga of mansions, avenues, and robber barons, but the messy, turbulent, often murderous story of the city’s slums; the teeming streets—scene of innumerable cons and crimes whose cramped and overcrowded housing is still a prominent feature of the cityscape. Low Life voyages through Manhattan from four different directions. Part One examines the actual topography of Manhattan from 1840 to 1919; Part Two, the era’s opportunities for vice and entertainment—theaters and saloons, opium and cocaine dens, gambling and prostitution; Part Three investigates the forces of law and order which did and didn’t work to contain the illegalities; Part Four counterposes the city’s tides of revolt and idealism against the city as it actually was. Low Life is one of the most provocative books about urban life ever written—an evocation of the mythology of the quintessential modern metropolis, which has much to say not only about New York’s past but about the present and future of all cities.
With its origins in the 1960s hot rod culture and underground comix and rock music posters, Pop Surrealism/Lowbrow Art has evolved and expanded into the most vilified, vital, and exciting movement in contemporary art. Pop Surrealism is the first book to offer a comprehensive survey of this movement featuring twenty-three of today's most important and interesting artists.
Glenn Barr's robots, creatures and vixens live in a seedy yet swinging 1960s universe, drenched in the haze of a post-industrial hangover. Working out of the burgeoning lowbrow movement in Detroit, Barr uses elements of pop culture to infuse familiarity to an otherwise parallel reality, where angels and devils alike share the same urban playground. With a nod to pulp art and cartooning, Barr's paintings are mesmerising in both their simplicity and depth.
When twelve-year-old Ruby's mother goes to jail, Ruby finds her Aunt Eleanor, an ornery nun with some dark secrets, who Ruby hopes will help free her mother.
Presents nine tales from Bram Stoker in an illustrated format by prominent artists working in the fields of comics, book illustration, and fine arts.