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Text and photographs show how to design and fabricate flat and relief tiles, decorate and fire the tiles, install the finished tiles, and much more.
This book tells the story of a striking achievement in the last quarter of the 19th century by the largely forgotten Low Art Tile Company. The author first envisioned a simple picture book showcasing the lovely tiles, but as he researched his subject he was struck by the richness of the Low adventure. One short biography of Low stated that "few men had wider and more intimate friendships among American artists than he." This group included painters William Morris Hunt, Elihu Vedder, Childe Hassam and various members of New York's Tile Club. Sculptor William Rimmer was Low's mentor, and writers Sylvester Baxter and Francis Davis Millet helped write his biography. The most important and perhaps the most gifted artist, Englishman Arthur Osborne, was hired by Low in 1878 to model his clay. During the decades that this enigmatic genius labored for Low it seems he seldom rested, creating hundreds of beautiful designs that graced fireplace surrounds, soda fountains, cast iron stoves and a multitude of other products. The story is most often told in the words of the writers of the era, and when possible, contemporary photographs provide a visual explanation of a time when artistic expression reached a new zenith, particularly in the fields of painting, architecture and the decorative arts. The Low Art Tile company pioneered the use of quality photography to market its products, and this book has the complete contents of its tile, soda fountain, and "Plastic Sketches" catalogues. The latter sketches were Osborne's most heralded creations, forty-seven large tiles that were framed and hung on walls like oil paintings.This book begins with Low's birth in 1835 and ends in the 1950's when an enormous cache of Low's tiles was discovered in a Cambridge warehouse, all in perfect condition and crated in boxes unopened for more than half a century.
A collection of artwork featuring 500 handmade clay tiles from press-molded pieces to carved works.
From the world's foremost collector, here is the new, fully illustrated standard guide to America's first golden age of tile making. American Art Tile presents more than 2,000 tiles, arranged geographically and chronologically, made by more than 100 American potteries and manufacturers from the Civil War to the 194Os. Full-color photographs illustrate these collectible and rare tiles from all regions of the United States, as well as historic landmark tile installations, from the New York subway to Catalina Island. Tile collectors will appreciate the meticulously researched history of each pottery, biographies of tile makers, and rare examples (seldom seen even in museums) from little-known potteries in Norman Karlson's personal collection.
"This project is the first comprehensive study of a phenomenon that not only dominated the American arts of the 1870s and 1880s, but also helped set the course of such later developments in the United States as the Arts and Crafts movement, the indigenous interpretation of Art Nouveau, and even the rise of modernism. In fact, the early history of the Metropolitan--its founding, its sponsorship of a school of industrial design, and its display of decorative works--is inextricably tied to the Aesthetic movement and its educational goals. "In Pursuit of Beauty: Americans and the Aesthetic Movement" comprised some 175 objects including furniture, metalwork, stained glass, ceramics, textiles, wallpaper, painting, and sculpture. Some of these had rarely been displayed; others, although familiar, were being shown in new and even startling contexts. The exhibition and catalogue are arranged thematically to illustrate both the major styles of a visually rich movement and the ideas that generated its diversity"--From publisher's description.