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Shakespeare Survey is a yearbook of Shakespeare studies and production. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of criticism and performance. For the first time, numbers 1-50 are being reissued in paperback.
Love's Madness is an important new contribution to the interdisciplinary study of insanity. Focusing on the figure of the love-mad woman, it presents a significant reassessment of the ways in which British medical writers and novelists of the nineteenth century thought about madness, femininity, and narrative convention. The book centers around studies of novels by Jane Austen, Sir Walter Scott, Charlotte Bront , Wilkie Collins, and Charles Dickens, as well as of previously neglected writings by Charles Maturin, Lady Caroline Lamb, and Edward Bulwer-Lytton, among others.
--Book Jacket.
A recently-widowed doctor, stunned by grief, retreats to a cabin on Montana's Rocky Mountain Front. Inside she has a puppy and a stack of letters from an old lover. Outside, there's a bear. As she revisits the letters from Tom Connor, we come to see, through his eyes, the dusty, broken alleys of Central America during the war years. The two narratives taken together explore themes of life-long love, about what we can see only when we are ready to see, and how hope can grow in the darkest of places. The third in what the author sees as his "homecoming trilogy" (after "Hunger in American" and "Ben Armstrong's Strange Trip Home"), "Tom Connor's Gift" shines a light on the transformative act of storytelling itself, and is destined to be received as one of the most important novels of the year. David Allan Cates's "Tom Connor's Gift" is extraordinary. The prose is ravishing, the characters are surprising and irresistible, and many of its scenes are so intensely moving that they bring tears of gratitude and pleasure. The book praises long marriage and long friendship, but what I especially appreciate about its vision is how sexually liberating it is for both men and women. Cates is a fierce and fearless writer One finishes this novel feeling wiser, more alive, and spiritually refreshed. David Huddle Sadness and madness, grief and delirium. "Tom Connor's Gift" delivers us precious monsters: our first true love and our true lasting love. Coursing between anecdote and musing, this is a novel only grownups can understand. It is smart and ecstatic and will break your goddamn heart. Bryan Di Salvatore David Allan Cates evokes the human heart out of the landscape, blending the two with so much subtlety and skill that the very world in this novel shimmers with yearning. Tom Connor is as complex and fascinating a character as I have read in contemporary fiction, and Cates has an uncanny ability to evoke the beautiful and terrifying, the feverish and gritty Central American world Connor travels through. "Tom Connor's Gift" is a journey into the heart of two continents-and the continent of the human heart-an exploration of dissolution and loyalty, naivete and cynicism, grief and renewal. In this novel, they all find their place. Kent Myers "Tom Connor's Gift" is the gift we all seek, the gift of love in the face of grief, violence, loss, and heartbreak. In a deeply felt and vividly told story, David Cates connects the interior lives of a farm woman in the wilderness grieving her husband's death and her long-lost lover-a wandering man torn by the beauties and terrors of Central America. Annick Smith "Tom Connor's Gift" is a fearless and instructive odyssey into the rustic places of the heart that still baffle and dictate our lives. Rick DeMarinis "Tom Connor's Gift" is a gift all right-hilarious and moving-a two for one: two voices, two stories, two struggles to come to terms with love and longing, in prose that is vivid, urgent, brave, and true. Dinah Lenney Put a widow in a cabin at the edge of Montana's Rocky Mountain Front with nothing but memories and a marauding bear outside to keep her company and what do you get? A tenderly-told tale of grief, recovery, and a message of love from the past. David Allan Cates's "Tom Connor's Gift" is indeed a gift to readers looking for a novel that will ask them to slow down and think about questions like "How do we endure suffering? And how-when life has flung us far and wide-how do we get home again?" David Abrams "Tom Connor's Gift" is a wonderful book, standing on its tiptoes, stretching out its fingers to brush against a magical realism that is transformative. Mark Metcalf"
When you're the daughter of a best-selling romance writer, life should be pretty good. But for 16-year-old Alice Amorous, daughter of the Queen of Romance, life is an agonizing lie. Her mother's been secretly hospitalized for mental illness, and Alice has been putting on a brave front, answering fan letters, forging her mother's signature, telling the publisher that all is well. But the next book is due and the Queen can't write it. Alice needs a story for her mother. And she needs one fast. That's when she meets Errol, a strange boy who's been following her. A boy who tells her that he has a love story. A boy who believes he's Cupid. As Alice begins to hear Errol's voice in her head, and begins to see things she can't explain, she must face the truth - that she's either inherited her mother's madness, or Errol is for real.
By the end of 1968 The Beatles were far too busy squabbling with each other, while The Stones had simply stopped making music; English Rock was coming to an end. All the Mad Men tells the story of six stars that travelled to edge of sanity in the years following the summer of love: Pete Townshend, Ray Davies, Peter Green, Syd Barrett, Nick Drake, and David Bowie. The book charts how they made some of the most seminal rock music ever recorded: Pink Moon; Ziggy Stardust; Quadrophenia; Dark Side of the Moon; Muswell Hillbillies - and how some of them could not make it back from the brink. The extraordinary story of how English Rock went mad and found itself
A collection of essays by the author of "The White Goddess," linked together by some common assumptions regarding the nature of poetry. The title of the book, according to the writer, "is shorthand for saying that the popular view of what poetry is, or ought to be, has for centuries been based on sentimental misapprehensions."