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In this memoir, the author relates how her loving,maternal relationship opened her eyes to the harsh realities of the Americal racial divide.
"In 1856 Ottilie Assing, an intrepid journalist who had left Germany after the failed revolution of 1848, traveled to Rochester, New York, to interview Frederick Douglass for a German newspaper. This encounter transformed the lives of both: they became intimate friends, they stayed together for twenty-eight years, and she translated his autobiography into German. Diedrich reveals in fascinating detail their shared intellectual and cultural interests and how they worked together on his abolitionist writings." "As is clear from letters and diaries, Douglass was enchanted with his vivacious companion but believed that any liaison with a white woman would be fatal to his political mission. Assing was keenly aware of his dilemma but certain he would marry her once his mission was fulfilled. She was bitterly disappointed: after his wife's death, Douglass did remarry - but he married another woman. Assing committed suicide, leaving her estate to Douglass."--Jacket.
Provides a history of interracial sexual relationships during the era of slavery.
Interracial sex mattered to the British colonial state in West Africa. In Crossing the Color Line, Carina E. Ray goes beyond this fact to reveal how Ghanaians shaped and defined these powerfully charged relations. The interplay between African and European perspectives and practices, argues Ray, transformed these relationships into key sites for consolidating colonial rule and for contesting its hierarchies of power. With rigorous methodology and innovative analyses, Ray brings Ghana and Britain into a single analytic frame to show how intimate relations between black men and white women in the metropole became deeply entangled with those between black women and white men in the colony in ways that were profoundly consequential. Based on rich archival evidence and original interviews, the book moves across different registers, shifting from the micropolitics of individual disciplinary cases brought against colonial officers who “kept” local women to transatlantic networks of family, empire, and anticolonial resistance. In this way, Ray cuts to the heart of how interracial sex became a source of colonial anxiety and nationalist agitation during the first half of the twentieth century.
This lively and thoughtful book explores what it means to be black in an allegedly postracial America
"Clarence King is a hero of nineteenth-century western history. Brilliant scientist and witty conversationalist, bestselling author and architect of the great surveys that mapped the West after the Civil War, King hid a secret from his Gilded Age cohorts and prominent Newport family: for thirteen years he lived a double life--as the celebrated white Clarence King and as a black Pullman porter and steelworker. Unable to marry the black woman he loved, the fair-haired, blue-eyed King passed as a Negro, revealing his secret to his wife Ada only on his deathbed. Historian Martha Sandweiss is the first writer to uncover the life that King tried so hard to conceal. She reveals the complexity of a man who, while publicly espousing a personal dream of a uniquely American amalgam of white and black, hid his love for his wife and their five biracial children"--Publisher description
In Hope Sings, So Beautiful, award-winning author Christopher Pramuk offers a mosaic of images and sketches for thinking and praying through difficult questions about race. The reader will encounter the perspectives of artists, poets, and theologians from many different ethnic and racial communities. This richly illustrated book is not primarily sociological or ethnographic in approach. Rather, its horizon is shaped by questions of theology, spirituality, and pastoral practice. Pramuk's challenging work on this difficult topic will stimulate fruitful conversations and fresh thinking, whether in private study or prayer; in classrooms, churches, and reading groups; or among friends and family around the dinner tale.
The readable companion, in the oral-history tradition of Studs Terkel, to the PBS documentary series, peeking behind the veil "that still, far too often, separates black America from white." Renowned scholar and New York Times bestselling author Gates delivers a stirring and authoritative companion to the major new PBS documentary America Behind the Color Line. The book includes thought-provoking essays from Colin Powell, Morgan Freeman, Russell Simmons, Vernon Jordan, Alicia Keys, Bernie Mac, and Quincy Jones.
Examining the significant influence of the Soviet Union on the work of four major African American authors—and on twentieth-century American debates about race—Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism. Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources—including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts—to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism. Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism.
“Heartbreaking and uplifting… a searing book about race and prejudice in America… brims with insights that only someone who has lived on both sides of the racial divide could gain.”—Cleveland Plain Dealer “A triumph of storytelling as well as a triumph of spirit.”—Alex Kotlowitz, award-winning author of There Are No Children Here As a child in 1950s segregated Virginia, Gregory Howard Williams grew up believing he was white. But when the family business failed and his parents’ marriage fell apart, Williams discovered that his dark-skinned father, who had been passing as Italian-American, was half black. The family split up, and Greg, his younger brother, and their father moved to Muncie, Indiana, where the young boys learned the truth about their heritage. Overnight, Greg Williams became black. In this extraordinary and powerful memoir, Williams recounts his remarkable journey along the color line and illuminates the contrasts between the black and white worlds: one of privilege, opportunity and comfort, the other of deprivation, repression, and struggle. He tells of the hostility and prejudice he encountered all too often, from both blacks and whites, and the surprising moments of encouragement and acceptance he found from each. Life on the Color Line is a uniquely important book. It is a wonderfully inspiring testament of purpose, perseverance, and human triumph. Winner of the Los Angeles Times Book Prize