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The Turbulent Tide centers around the story of Katrina, who is orphaned at eight years old, and is taken to live with an aunt and uncle that she has never met. She finds that her aunt and cousins do not want her, and she flees into the surrounding woods where she meets a young peasant boy who befriends her. He explains though that they can never be friends. However, a bond is formed that lasts through the years. The novel shows the contrast of the luxurious life style of the aristocracy and the hard laboring existence of the peasants. As Katrina matures, three men fall in love with her -- the peasant boy of her childhood, a handsome wealthy young aristocrat, and a monk. She is torn between these men of very different backgrounds. The First World War erupts and both the peasant and aristocrat go off to war, but when the revolution explodes, the two men join on opposite sides of the fight. Katie is force to flee across the Soviet Union to escape the dreaded Cheka who is exterminating the aristocracy. She contracts typhus and her life is saved by the young monk. Eventually she is betrayed by a loved one and ends up behind the prison walls of the secret police, but is eventually rescued by a loved one. Woven around the fictional characters are the stories of the Russian Royal family, their deaths and their secret burial, and also the assassination of the dreaded monk, Rasputin, and the digging up of his remains and the secret hiding them where they would never to be found. There is the story of the wild orphans who ran across the landscape, pilfering and committing violence of those in their way, the hooligans that walked on stilts and dressed themselves in glittering paint to frighten and rob the helpless in the streets. All the characters in the book had their lives turned up side down by the turbulent tide that swept across Russia. Some did not survive it, but others eventually picked up their lives once the previous barriers of class, wealth, and the differences in religion and political beliefs were swept away, allowing the characters to be free to claim their chance for survival and love.
Take a thrilling trip through the pages of "Cyclone Love (Turbulent Tides)," where the turbulent emotions of two souls finding love in the midst of chaos are mirrored by the tempestuous powers of nature. The story takes place in the seaside hamlet of Bayview, where the lives of John and Sarah clash as a hurricane approaches, their paths being entwined by the unforgiving hand of fate. Their relationship strengthens as they navigate the real and imagined storms that come their way; their love proves to be a steady source of hope even in the most dire circumstances. Author Iyaji Stephen Adejo urges readers to witness the transformative power of love as it endures the hardships of life's stormy waves in this gripping story of perseverance, redemption, and romance.
As there are spirits in the earth, so the Yoruba believe that there are spirits dwelling in the rivers, lagoons and the sea. These spirits are revered principally by those who dwell near rivers, lagoons or the sea and who believe that the spirits, if suitably provided can in return provide man's needs. They control abundance of fish, they prevent the capsizing of canoes and river accidents; some of the spirits supply children to the barren. "Yemonja", for example, is believed to be the goddess of waters generally and from her body, according to the people's belief, all rivers, lagoons and the sea flow out. Today she is associated with the Ogun River and is given elaborate worship in those areas through which it flows, particularly in Abeokuta.
In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual within a society in turmoil and the shifting boundaries of political and sexual identities. The theme of "revolution plus love," a literary response to the widespread insurrections and upheaval, was first popularized in the late 1920s. In her examination of this popular but understudied literary formula, Liu Jianmei argues that revolution and love are culturally variable entities, their interplay a complex and constantly changing literary practice that is socially and historically determined. Liu looks at the formulary writing of "revolution plus love" from the 1930s to the 1970s as a case study of literary politics. Favored by leftist writers during the early period of revolutionary literature, it continued to influence mainstream Chinese literature up to the 1970s. By drawing a historical picture of the articulation and rearticulation of this theme, Liu shows how changes in revolutionary discourse force unpredictable representations of gender rules and power relations, and how women's bodies reveal the complex interactions between political representation and gender roles. Revolution Plus Love is a nuanced and carefully considered work on gender and modernity in China, unmatched in its broad use of literary resources. It will be of considerable interest to scholars and students of modern Chinese literature, women’s studies, cultural studies, and comparative literature.
Lucy's life was supposed to be idyllic once she and her family moved to sun-soaked Oz – but it couldn't be more of a mess. No sooner have they unpacked their Marmite, than Lucy catches her darling husband Jasper inflagrante. With her best friend Renee. In one double blow, she loses the two people she trusted most – and now has to fend for herself. While Lucy battles her daughter (low self esteem is hereditary – you get it from your teenagers) and desperately tries to turn herself into an Aussie love goddess to win Jasper back, she meets Jack “Lockie” McLachlan. He's a rugged lifeguard with plenty of experience in rescuing damsels in distress. But Lucy can do without any further complications in her life right now. The only question is, without Lockie's kiss of life, will she sink or swim? Praise for Kathy Lette: 'Fabulous, fast-paced, funny & unapologetically female. Nobody does it better.' DEBORAH FRANCES-WHITE, THE GUILTY FEMINIST 'Deliciously rude and darkly funny, but with compassion and humanity at its heart. Read with relish.' NICOLE KIDMAN 'Kathy Lette can turn from raunchy farce to the most tender emotion in a trice.' STEPHEN FRY