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Remind yourself why you love each other and take your relationship to another level with this amazingly effective couples journal. The Love In Progress Journal is specifically made for couples that want to record important moments and set up goals, all in order to make their relationship even stronger. It¿s a fun and really exciting way to keep the excitement and passion between two people who are committed to make it work.ABOUT LOVE IN PROGRESS This relationship journal will not only be the place to capture the great events that happen in your lives, but also the low events and disagreements. In that way, you two will be more open with each other and know which actions and moments should not be repeated in the future. This shared journal for couples is a technique used for decades to prevent breakups and create stronger bonds. Journaling for two keeps the partners engaged and helps to achieve an unbelievable bond. Make your relationship unbreakable and have fun with Love In Progress Journal. This is just another way to have something totally dedicate to the growth of your relationship. This is something you'll want to share with others well into your future as evidence of your love. With his and her sections within the journal, only one journal is needed per couple. **This journal does mention God.**
Auguste Comte's doctrine of positivism was both a philosophy of science and a political philosophy designed to organize a new, secular, stable society based on positive or scientific, ideas, rather than the theological dogmas and metaphysical speculations associated with the ancien regime. This volume offers the most comprehensive English-language overview of Auguste Comte's philosophy, the relation of his work to the sciences of his day, and the extensive, continuing impact of his thinking on philosophy and especially secular political movements in Europe, Latin America, and Asia. Contributors consider Comte’s reasons for establishing a Religion of Humanity as well as his views on domestic life and the arts in his positivist utopia. The volume further details Comte's attempt to apply his "positive method," first to social science and then to politics and morality, thereby defending the continuity of his career while also critically examining the limits of his approach.
Eleven stunning stories that explore the most intimate and transforming moments of existence, from Nobel Prize–winning author Alice Munro, “one of the foremost practitioners of the short story” (Michiko Kakutani, The New York Times). “Throughout this remarkable collection moments of insight flash from the pages like lightning, not necessarily providing answers—more like showing the way to new questions.”—The Philadelphia Inquirer A divorced woman returns to her childhood home where she confronts the memory of her parents’ confounding yet deep bond. The accidental near-drowning of a child exposes to the shaken mother the fragility between children and parents. A young man, remembering a terrifying childhood incident, wrestles with the responsibility he has always felt for his hapless younger brother. A man brings his lover on a visit to his ex-wife, only to feel unexpectedly closer to his estranged partner. In these and other stories, Alice Munro proves once again a sensitive and compassionate chronicler of our times. Drawing us into the most intimate corners of ordinary lives, she reveals much about ourselves, our choices, and our experiences of love.
The first critical biography of the American writer. The Tramp Poet Harry Kemp (1883-1960). His creative works included poetry, drama, fiction, and the best-selling autobiography in prose, Tramping on Life.
The Roman poet Ovid was one of the most-imitated classical writers of the Elizabethan age and a touchstone for generations of English writers. In The Ovidian Vogue, Daniel Moss argues that poets appropriated Ovid not just to connect with the ancient past but also to communicate and compete within late Elizabethan literary culture. Moss explains how in the 1590s rising stars like Thomas Nashe and William Shakespeare adopted Ovidian language to introduce themselves to patrons and rivals, while established figures like Edmund Spenser and Michael Drayton alluded to Ovid’s works as a way to map their own poetic development. Even poets such as George Chapman, John Donne, and Ben Jonson, whose early work pointedly abandoned Ovid as cliché, could not escape his influence. Moss’s research exposes the literary impulses at work in the flourishing of poetry that grappled with Ovid’s cultural authority.
Augustine's interpretation is spiritual--his were not scholarly or academic concerns--and John Leinenweber's translation is fresh and accessible, capturing the clarity, brilliance, and inspired passion of the original. John has said many things, stated Augustine, and almost all of them concern love. The first six of the ten homilies were delivered on the days of the Easter octave. This period proved too short for Augustine to cover the whole of the letter, and he preached four additional homilies later in the spring. In his Confessions, Augustine spoke of his great longing as a youth to love and be loved--a topic that appealed greatly to his listeners. During the course of delivering these homilies, he was interrupted time and again by applause and shouts of enthusiasm. The ten homilies are broken up into twenty-four short chapters, for example: The Commandment of Love, Two Loves (of God and of the World), Christ and Antichrists, Unanswered Prayer, God is Love, God Has Loved Us First, Love Casts Out Fear. His are in large part moral teachings, dealing with such topics as prayer, our enemies, fear of God, the church, the world (so important in Saint John's writings). What does one actually do to love God and others? What are the pitfalls of loving? How can one learn to love more? Throughout the homilies, Augustine's great desire to love and be loved and to live eternally with God are eloquently expressed. Believing himself ignorant of Scripture, he had initially considered himself ill-prepared for the priesthood. Augustine's subsequent tireless studies unleashed a stream of biblical commentaries that led him to be ranked with Thomas Aquinas as one of the greatest teachers the Western Church has ever produced, and one of its greatest Fathers. His towering intellect molded the thought of Western Christianity, and his ideas dominated the thinking of the Western world for a thousand years after his death. Augustine wrote profusely, explaining and defending the faith. Called Doctor of Grace, his best known works are his Confessions, one of the greatest spiritual classics of all time, and City of God, an exposition of a Christian philosophy of history.
"Based on an exhaustive study of the manuscript and print history of Donne's poetry, this edition presents newly edited critical texts of the poems and a comprehensive digest of the critical-scholarly commentary on them from Donne's time forward. Textual introductions briefly locate the poems in the context of Donne's life or poetic development, outline the 17th-century textual history of the poems, and sketch the treatment of the text by modern editors. A detailed textual apparatus presents variants collated from many sources and traces the lines of textual transmission"--Provided by publisher.
Although love and sex are central to Lawrence, critics have paid surprisingly little attention to the way these two topics are treated in his work. Reasons for this are suggested in the preface to this book which is written in the spirit of Wittgenstein’s claim that, when we are puzzled or challenged by a phenomenon, we should be less concerned with seeking new knowledge than putting into order what we already know. Yet those concerned by the present dip in Lawrence’s reputation (among academics, if not the general public) have to be worried by how strange and unexpected the results are when Lawrence’s dealings with love and sex are followed throughout his life and career. This is what this book undertakes to do, describing how the tortuous developments in his relationship with Jessie Chambers are reflected in his writing, his struggle against his undoubted leanings towards homosexuality, the war he declared on the concept of romantic love and how, after insisting on the idea of male dominance, he returned (although only in part) to a more humane vision of relations between the sexes in the various versions of Lady Chatterley’s Lover. Its aim is to suggest that although Lawrence is undoubtedly a major writer, his greatest achievements are not to be found where he is popularly assumed to be at his most impressive and that the authority he assumes, in his last years, when he lectures the young on love and sex, ought to be regarded as dubious.
Alice Munro is Canada’s greatest short story writer. This book, the first full length study of her work published in Britain, explores the appeal of Munro’s fictions of small-town Canadian life with their precise attention to social surfaces and their fascination with local gossip and scandal. This is a world of open secrets, and Howells highlights Munro’s distinctive storytelling methods which combine the familiar and the unfamiliar, slipping between realism and fantasy to make visible what is usually hidden within everyday life. These are women’s narratives, full of silent female knowledge--of female bodies, love stories and romantic fantasies as well as female casualties. Munro takes up the traditional subjects of women’s fiction through her stories’ significantly female plots, stories of entrapment and escape attempts, where secrecy and silence become strategies of resistance. Munro’s enthusiasm for the work of other women writers from Emily Brontë and L. M. Montgomery to Eudora Welty is emphasized as Munro continues to experiment with the short story form, creating worlds which are both "touchable and mysterious."