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ÊThe Laughing Mary was a light ship, as sailors term a vessel that stands high upon the water, having discharged her cargo at Callao, from which port we were proceeding in ballast to Cape Town, South Africa, there to call for orders. Our run to within a few parallels of the latitude of the Horn had been extremely pleasant; the proverbial mildness of the Pacific Ocean was in the mellow sweetness of the wind and in the gentle undulations of the silver-laced swell; but scarce had we passed the height of forty-nine degrees when the weather grew sullen and dark, a heavy bank of clouds of a livid hue rose in the north-east, and the wind came and went in small guns, the gusts venting themselves in dreary moans, insomuch that our oldest hands confessed they had never heard blasts more portentous. The gale came on with some lightning and several claps of thunder and heavy rain. Though it was but two o'clock in the afternoon, the air was so dusky that the men had to feel for the ropes; and when the first of the tempest stormed down upon us the appearance of the sea was uncommonly terrible, being swept and mangled into boiling froth in the north-east quarter, whilst all about us and in the south-west it lay in a sort of swollen huddle of shadows, glooming into the darkness of the sky without offering the smallest glimpse of the horizon. In a few minutes the hurricane struck us. We had bared the brig down to the close-reefed main-topsail; yet, though we were dead before the outfly, its first blow rent the fragment of sail as if it were formed of smoke, and in an instant it disappeared, flashing over the bows like a scattering of torn paper, leaving nothing but the bolt-ropes behind. The bursting of the topsail was like the explosion of a large cannon. In a breath the brig was smothered with froth torn up in huge clouds, and hurled over and ahead of her in vast quivering bodies that filled the wind with a dismal twilight of their own, in which nothing was visible but their terrific speeding. Through these slinging, soft, and singing masses of spume drove the rain in horizontal steel-like lines, which gleamed in the lightning stroke as though indeed they were barbed weapons of bright metal, darted by armies of invisible spirits raving out their war cries as they chased us.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
An aid to solving crosswords. It contains over 100,000 potential solutions, including plurals, comparative and superlative adjectives, and inflections of verbs. The list extends to first names, place names and technical terms, euphemisms and compound expressions, as well as abbreviations.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
Reproduction of the original.