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"Love's Old Sweet Song" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Professor Bowen's book is more than a simple collection of musical allusions; it is an engaging discussion of how Joyce uses music to expand and orchestrate his major themes. The introductions to the separate sections, on each of Joyce's works, express a new and cohesive critical theory and reevaluate the major thematic patterns in the works. The introductory material proceeds to analyze the general workings of music in each particular book. The specific musical references follow, accompanied by their sources and an examination of the role each plays in the work. While the author considers the early works with equal care, the bulk of this volume explores the musical resonances of Ulysses, especially as they affect the style, structure, characterization, and themes. Like motifs in Wagnerian opera, some allusions introduce and later remind us of characters--bits of Molly's songs for instance constantly intrude her impending adultery on Bloom's consciousness. Other motifs are linked to concerns such as Stephen's Oedipal guilt over his mother's death, which in turn connects to his preoccupation with Shakespeare, the creator, the father, and the cuckold. Music helps create the bond which briefly joins Stephen and Bloom, and music augments the entire grand theme of consubstantiality. Professor Bowen's style is simple and clear, allowing Joycean artifice to speak for itself. The volume includes a bibliography.
Outside Dunhammond Conservatory, there lies a dark forest. And in the forest, they say, lives a great beast called the Felix. But Sing da Navelli never put much faith in the rumors and myths surrounding the school; music flows in her blood, and she is there to sing for real. This prestigious academy will finally give her the chance to prove her worth—not as the daughter of world-renowned musicians—but as an artist and leading lady in her own right. Yet despite her best efforts, there seems to be something missing from her voice. Her doubts about her own talent are underscored by the fact that she is cast as the understudy in the school's production of her favorite opera, Angelique. Angelique was written at Dunhammond, and the legend says that the composer was inspired by forest surrounding the school, a place steeped in history, magic, and danger. But was it all a figment of his imagination, or are the fantastic figures in the opera more than imaginary? Sing must work with the mysterious Apprentice Nathan Daysmoor as her vocal coach, who is both her harshest critic and staunchest advocate. But Nathan has secrets of his own, secrets that are entwined with the myths and legends surrounding Dunhammond, and the great creature they say lives there. Lyrical, gothic, and magical, Strange Sweet Song by Adi Rule will captivate and enchant readers.
The pieces in this series are long-time favorites that have appeal for pianists of all ages. Very carefully correlated to standard piano method levels, each book contains arrangements that are musically appropriate to that level. The arrangements are teacher friendly, even for the teacher who is reluctant to add pop music to the curriculum. And the series is student friendly -- there will be willing practice! Titles: * Begin the Beguine * Evergreen * I Only Have Eyes for You * Stairway to Heaven * 'S Wonderful * Star Wars (Main Title) * Tea for Two * Theme from A Summer Place * The Thorn Birds (Main Theme) * The Wind Beneath My Wings * Your Smiling Face.
This strikingly illustrated edition presents Joyce’s epic novel in a new, more accessible light, while showcasing the incredible talent of a leading Spanish artist. The neo-figurative artist Eduardo Arroyo (1937–2018), regarded today as one of the greatest Spanish painters of his generation, dreamed of illustrating James Joyce’s Ulysses. Although he began work on the project in 1989, it was never published during his lifetime: Stephen James Joyce, Joyce’s grandson and the infamously protective executor of his estate, refused to allow it, arguing that his grandfather would never have wanted the novel illustrated. In fact, a limited run appeared in 1935 with lithographs by Henri Matisse, which reportedly infuriated Joyce when he realized that Matisse, not having actually read the book, had merely depicted scenes from Homer’s Odyssey. Now available for the first time in English, this unique edition of the classic novel features three hundred images created by Arroyo—vibrant, eclectic drawings, paintings, and collages that reflect and amplify the energy of Joyce’s writing.
Rev. ed. of: Notes for Joyce: an annotation of James Joyce's Ulysses, 1974.
"Filled with insights into an enigma" ("USA Today"), "An Invisible Spectator" chronicles Paul Bowles's life and work--interwoven with vivid depictions of the writer's intimates, including Truman Capote, Gertrude Stein, Allen Ginsberg, and William Burroughs.
A time-honored tradition just got better! The John W. Schaum Piano Course has been newly revised with 100 percent new engravings and typesetting, highlighting for concept emphasis, updated song titles and lyrics, and illustrations.