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Beautiful heiress Emily Penthorne was so excited by her trip to London that she en route she allowed herself to flirt with a devastatingly handsome perfect stranger. Unfortunately, when she arrived she learned from her Uncle Cyril that Viscount Dunstan, the “perfect stranger,” had been chosen as her guardian—with the duty to teach her to be a lady. Regency Romance by Nina Coombs Pykare; originally published by Dell Candlelight Regency Special
She had a five year plan. A plan that didn’t include a man. He had plans of his own. Plans that couldn’t happen without her help. Ever since losing her mother at a young age, Hope Wyatt had been laser focused on pursuing a career that could save other children from knowing her loss. Every five years she created a new plan that would help her achieve her goals and live a life she hoped her mother would be proud of. He wasn’t part of the plan. Royce Wilder left a lucrative private practice to head the legal department at Cormac University. After a massive scandal had rocked the community he grew up in, he needed to be part of the solution. Even if he didn’t feel up to the job. When he finds one last bastion of corruption at the university’s medical school, Royce calls on Hope for help. To keep the investigation a secret, Hope and Royce decide to fake a relationship. When professional feelings turn personal, two people who weren’t looking for love may find it’s the answer to everything.
In 1971, Ted Chapin was a production assistant on the legendary Broadway musical Follies. Thirty years later, the journal he kept has become the definitive history of one of Broadway's greatest-ever musicals, created by geniuses at the top of their free: Stephen Sondheim, Hal Prince, Michael Bennett, and James Goldman.
A young woman joins Susan B. Anthony, Elizabeth Cady Stanton, and Barnum’s circus to rescue her infant from the KKK In the seventh stand-alone book of The American Novels series, Ellen Finch, former stenographer to Henry James, recalls her time as an assistant to Susan B. Anthony and Elizabeth Cady Stanton, heroes of America’s woman suffrage movement, and her friendship with the diminutive Margaret, one of P. T. Barnum’s circus “eccentrics.” When her infant son is kidnapped by the Klan, Ellen, Margaret, and the two formidable suffragists travel aboard Barnum’s train from New York to Memphis to rescue the baby from certain death at the fiery cross. A savage yet farcical tale, American Follies explores the roots of the women’s rights movement, its relationship to the fight for racial justice, and its reverberations in the politics of today.
The Santa Cruz River that once flowed through Tucson, Arizona is today a sad mirage of a river. Except for brief periods following heavy rainfall, it is bone dry. The cottonwood and willow trees that once lined its banks have died, and the profusion of birds and wildlife recorded by early settlers are nowhere to be seen. The river is dead. What happened? Where did the water go. As Robert Glennon explains in Water Follies, what killed the Santa Cruz River -- and could devastate other surface waters across the United States -- was groundwater pumping. From 1940 to 2000, the volume of water drawn annually from underground aquifers in Tucson jumped more than six-fold, from 50,000 to 330,000 acre-feet per year. And Tucson is hardly an exception -- similar increases in groundwater pumping have occurred across the country and around the world. In a striking collection of stories that bring to life the human and natural consequences of our growing national thirst, Robert Glennon provides an occasionally wry and always fascinating account of groundwater pumping and the environmental problems it causes. Robert Glennon sketches the culture of water use in the United States, explaining how and why we are growing increasingly reliant on groundwater. He uses the examples of the Santa Cruz and San Pedro rivers in Arizona to illustrate the science of hydrology and the legal aspects of water use and conflicts. Following that, he offers a dozen stories -- ranging from Down East Maine to San Antonio's River Walk to Atlanta's burgeoning suburbs -- that clearly illustrate the array of problems caused by groundwater pumping. Each episode poses a conflict of values that reveals the complexity of how and why we use water. These poignant and sometimes perverse tales tell of human foibles including greed, stubbornness, and, especially, the unlimited human capacity to ignore reality. As Robert Glennon explores the folly of our actions and the laws governing them, he suggests common-sense legal and policy reforms that could help avert potentially catastrophic future effects. Water Follies, the first book to focus on the impact of groundwater pumping on the environment, brings this widespread but underappreciated problem to the attention of citizens and communities across America.
Fiction. Short Stories. Women's Studies. Following her acclaimed novels Clown Girl and The Stud Book, Monica Drake presents her long-awaited first collection of stories. THE FOLLY OF LOVING LIFE features linked stories examining an array of characters at their most vulnerable and human, often escaping to somewhere or trying to find stability in their own place. These stories display the best of what we love about Monica's writing the sly laugh-out-loud humor, the sharp observations, the flawed but strong characters, and the shadowy Van Sant-ish Portland settings. "What can I say about Monica Drake's stories? They are brilliant, sure. They are hilarious, yes. Each one is a marvel. But more importantly-they are raw and awake and full of life. At the center of each one is the bright beating heart of what literature can be: Relevant, unusual, entertaining, fascinating, unique. These are not characters-and Drake's is not a voice-that you can ignore or forget."—Pauls Toutonghi"
New York Times bestseller A down-to-earth, hilarious collection of stories and musings on marriage, motherhood, and country life from the #1 New York Times bestselling author and star of the Food Network show The Pioneer Woman, Ree Drummond. Once upon a time, I lost my marbles and married a sexy, Wrangler-wearing cowboy named Ladd. That single decision would wind up setting the stage for years of rural adventures (and misadventures), and while I can't imagine my life being any different, raising a family in the “idyllic” countryside has not been without a few bumps in the road. (Or were those cow patties? It's hard to tell the difference sometimes.) I'm excited to share this crazy collection of true stories from my full-of-energy, hard-to-tame, wonderfully wild (and very weird) frontier family. From the unique challenges of being married to a rancher to the blood, sweat, mud, and tears of raising country kids, I'll pull back the curtain and let you in on some of the sh*t and shenanigans that have really gone on here on Drummond Ranch over the past two-plus decades. You'll learn about marital spats, run-ins with wildlife, ER visits, my parenting neuroses, triumphs, tribulations, love, loss . . . and how manure has somehow managed to weave its way through all of it. To keep things up to the minute, you'll also hear about more recent family developments that have tested my sanity and pushed me to the brink. (And pleasantly surprised me, too.) This book is both a love letter and a laugh letter, and I hope you get a big kick out of it all: the good, the bad, and the dirty. Mostly, I hope it demonstrates how much I adore this family of mine . . . even if I sometimes have to use rubber snakes to show it.
An enduring debate among scholars has focused on the degree to which Shakespeare's plays are indebted to the Christian culture in which they were created and the manner of demonstrating that indebtedness. R. Chris Hassel, Jr. points out informed allusions to familiar Pauline and Erasmian Christian passages and themes present in Love's Labor's Lost, A Midsummer Night's Dream, Much Ado about Nothing, As You Like It, Twelfth Night, and The Merchant of Venice. He argues that not only did Shakespeare's audience understand these allusions but also that these allusions led the audience to recognize their pertinence to the playwright's uniquely Christian comic vision. Furthermore, Hassel feels this understanding of the relationship between Shakespeare's comic artistry and Christianity leads to a greater appreciation of the plays.
Lady Jean Conway is wildly in love with Owen Davies, a Shellesque poet who is cataloguing the Brecon library, whereas her twin, Lady Margaret, has a tendre for Lord Clanross's private secretary, who is in love with Jean. Both Johnny Dyott, the secretary, and Owen are involved in Radical politics. So is the Earl of Clanross, who wants an immediate reform of Parliament, to the horror of Lady Anne, his political sister-in-law. His wife, Lady Elizabeth, wants to study comets, and his best friend can't decide whether to give away the fortune he's inherited or buy his wife the country estate she yearns for. These intertwined stories play against a canvas of public events, including the divorce of Queen Caroline, in 1820, the silliest year in English history.