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"Love drives and gives life to the commerce of mankind." Thus, the sixteen year old Ferdinando Galiani (1728-1787) presented his project to understand the sociable nature of man. This observation, a reflection of his own position on the relation between trade and virtue, hinted at what the mature works of Galiani, one of the most noteworthy economists and wits in eighteenth-century Italy, would eventually yield. In Love, Self-Deceit, and Money, Koen Stapelbroek reconstructs the Early Neapolitan Enlightenment debate on the morality of market societies, a debate that hinged on the preservation of Naples' independent statehood in a global arena of commercial and military competition. Galiani rejected the moralizing and mercantile ideas of his contemporaries regarding the dangers threatening Naples, and, in his Della moneta (1751), he justified the systems set in place by the Neapolitan government. With reference to early, previously unstudied lectures on self-deceptive 'Platonic love,' Koen Stapelbroek examines Galiani's role in the wider debate, arguing that his early moral philosophical and historical work suggests a great deal about his political-economic stance, including his assertion that money is the ultimate ordering principle in the universe. As a study of one of the most idiosyncratic minds of the Enlightenment period, Love, Self-Deceit, and Money shows how diverse ideas of the development of individual passions into social dispositions, commerce, and reform politics dovetailed seamlessly in the intellectual climate of eighteenth-century Europe.
How much do we really know about our parents’ lives? What secrets lie in plain sight? This is the true story of hidden love within a small circle of some of the most acclaimed anthropologists of the 20th century. Told by Rosemary and Raymond Firth's son, and the daughter of Celia and Edmund Leach, the man Rosemary loved all her life, this part love-story, part biography, part social history is the tale of a highly influential circle of social anthropologists in Britain from the 1930s, through the Second World War, to the end of the century. The book explores their early influences, their insecurities, their flaws, struggles and achievements. It is a story of passion and commitment, but also of deceit and betrayal, including the inexplicable disappearance, death and alleged murder of a very close friend. It also narrates Rosemary's struggles for emotional and intellectual independence in the face of societal expectations of women and her own guilt, loss and self-doubt. From the Prologue: Rosemary loved many people in many different ways, but she loved two men in particular throughout most of her life. One was her husband, Raymond Firth, regarded by some as among the founding fathers of social anthropology. Yet she also retained a passionate devotion to her first love, Edmund Leach, who would subsequently become the public intellectual face of social anthropology in the later 1960s. Both separately and together they were part of the process of defining the nature of this still growing discipline in the first part of the mid-twentieth century.
A compilation of fifty essays from the popular "Modern Love" column in "The New York Times" explores the intricacies and complications of negotiating love and loss in the twenty-first century.
Realizing that you have endured Domestic Violence, Narcissistic Abuse, Parental Alienation and/or Intergenerational Family Trauma, and finding the words to help you understand and articulate what you’ve been through can be exceptionally challenging. Language has the power to hurt, but language also has the power to heal. This unique and ingenious reference book, “TRUE DECEIT FALSE LOVE: Simple Explanations for Complex Terms” is a must-have resource. The vocabulary helps you connect-the-dots to your own experiences and can be extremely therapeutic on your Healing Journey. In time, the Abuser’s Mask Slips and with your own research and reflection, you will come to understand the truth, find your Survivor’s Voice and reclaim your life.
“This is . . . real literature, pure and honest.” —Vladimir Nabokov "The scintillating English-language debut from Felsen . . . [is] a fittingly volatile record of ruinous desire. —Publishers Weekly Once considered the 'Russian Proust', Yuri Felsen tells the story of an obsessive love affair set in interwar Europe in Deceit, an experimental novel in the form of a diary that is an as-yet-undiscovered landmark of Russian émigré literature. We meet our unnamed narrator in Paris in the 20s, where he finds himself an expat after the Russian Revolution. At a friend’s request he meets the beautiful, clever socialite Lyolya, also a recent exile from Russia. What begins as casual friendship quickly turns into fascination and obsession, as Lyolya gives mixed signals and pursues other men. Our narrator, emerging from a depression, is soon overwhelmed by the very idea of her, which begins to contour all of his observations, thoughts, and feelings. While Lyolya continues to live a life unencumbered by the forces of social convention, and history, our narrator’s revelations, written in diary form, grow increasingly painful, familiar, and rich with psychological introspection. Quite unlike any other writer in the Russian canon, Felsen evokes in poetic and idiosyncratic prose not only the Zeitgeist of interwar Europe and his émigré milieu, but also the existential crisis of the age.
A journalist reassesses the complex workings of power in New York in a collection of incisive portraits of such figures as Boss Tweed, Hillary Clinton, Rudolph Giuliani, Michael Bloomberg, Al Sharpton, and others to explain why certain people attain power, how they use it, and how they lose it. 15,000 first printing.