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Have you ever wondered about the hidden romance contained within Jane Austen's Emma? This literary retelling of Austen's classic novel focuses on the courtship and secret engagement of Jane Fairfax and Frank Churchill. How did two people of such evidently disparate temperaments fall in love? How was "the most upright female mind in the creation" persuaded to keep their engagement secret? What were the thoughts and feelings of each as events unfolded during that spring and summer in Highbury? Written with great fidelity to the original, Lovers' Perjuries fills in all the details of scenes only hinted at in Emma. It also introduces new characters in a substantial subplot inspired by Persuasion, but featuring a lively heroine more reminiscent of Elizabeth Bennet than Anne Elliot. NOTE: THIS IS THE COMPLETE TEXT IN ONE VOLUME.
This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
The first of its kind, this collection brings together writers from diverse academic and nonacademic worlds to explore how Austen's readers experience and process her novels' erotic power.
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
Harriet is an intriguing and original "take" on Jane Austen's immortal Emma, by Publishers Weekly's 2021 BookLife Prize Quarterfinalist, Alice McVeigh. Emma, a privileged young heiress, decides to mentor Harriet Smith, a pretty boarding-school pupil, and to matchmake her as eligibly as she can... But how is she to guess that Harriet has a secret? Meanwhile, the brilliant, penniless Jane Fairfax consents to a clandestine engagement with Frank Churchill - though not daring to confess, even to him, that she is being relentlessly pursued by her best friend's husband. Harriet sidelines Emma herself in favour of the ingenious Harriet and the fascinating Jane Fairfax. It is Emma - but an Emma with a surprisingly believable twist in its tail. "A dynamic take on a revered classic. This is still Austen's Emma-but the story that unfolds through the recollections of these two 'side' characters feels remarkably fresh... With or without an understanding of Emma, Harriet contains a fully-formed narrative that should satisfy even the choosiest Austen fans... Readers will rarely find the words 'page-turner' and 'Jane Austen' in the same sentence, but McVeigh's impeccably written Harriet certainly fits the bill." (IndieReader) "A highly engrossing novel that captures the spirit of Austen and celebrates all the best qualities of her work from new and innovative angles... The characters are vibrant and full of life - McVeigh hits the mark spot-on." (Readers Favorite editorial review) "An enchanting recreation of Austen's world" (James Conroyd Martin) "McVeigh puts a unique spin on this fresh take of one of Jane Austen's most popular works. The characters are vibrant and full of life. McVeigh hits the mark spot-on, capturing the essence of Jane Austen's work and providing a rare glimpse into the headspace of some of her most popular secondary characters. I can honestly say that I didn't foresee the twist towards the end, yet in hindsight, it felt satisfying. Any fan of character-driven novels should grab a copy. (Readers Favorite Editorial review) Classic regency fiction in the tradition of Pride and Prejudice: Harriet will appeal to Jane Austen groupies, Bridgerton fans and Georgette Heyer lovers alike.
A PopSugar, Oprah Daily, and BookBub Most Anticipated Romance of 2022! Victorian high society’s most daring equestrienne finds love and an unexpected ally in her fight for independence in the strong arms of London’s most sought after and devastatingly handsome half-Indian tailor. Evelyn Maltravers understands exactly how little she's worth on the marriage mart. As an incurable bluestocking from a family tumbling swiftly toward ruin, she knows she'll never make a match in a ballroom. Her only hope is to distinguish herself by making the biggest splash in the one sphere she excels: on horseback. In haute couture. But to truly capture London's attention she'll need a habit-maker who's not afraid to take risks with his designs—and with his heart. Half-Indian tailor Ahmad Malik has always had a talent for making women beautiful, inching his way toward recognition by designing riding habits for Rotten Row's infamous Pretty Horsebreakers—but no one compares to Evelyn. Her unbridled spirit enchants him, awakening a depth of feeling he never thought possible. But pushing boundaries comes at a cost and not everyone is pleased to welcome Evelyn and Ahmad into fashionable society. With obstacles spanning between them, the indomitable pair must decide which hurdles they can jump and what matters most: making their mark or following their hearts?
Relive Jane Austen's Emma- from Mr. Knightley's point of view. Between managing his estate and visiting his brother in London, Mr. Knightley is both exasperated and amused by his irresistibly beautiful, outrageously mischievous neighbor, Emma Woodhouse, whose misguided attempts at matchmaking are wreaking havoc in the village of Highbury. But when a handsome newcomer arrives and catches Emma's attention, Mr. Knightley is shocked by his reaction. Amusement gives way to another emotion entirely-for his unreasonable dislike of the handsome newcomer seems suspiciously like jealousy.