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Featuring Roscoe Brinker, border detective.
Nerdy Paisley has been attracted to gorgeous billionaire Hercules Lord since high school, but she’s accepted that they’ll never be more than friends — until a chance encounter changes everything. He calls me PG, and my heart skips a beat. Nobody calls me that but Hercules Lord, a man I've had a crush on since high school. He and I could never be together, though. A romance between us is strictly forbidden. The Lords are old money, and my family, the Groves, is new tech money—and the Groves and Lords are bitter enemies. The rivalry between our families runs deep enough to create an invisible line in the sand that neither of us ever dared to cross. But that's never stopped us from staring at each other from across a crowded room. And we've always been cordial. Oh... There was that one night seven years ago. I bet Hercules doesn't know that he's my first. Yet here we are again, gazing into each other's eyes. Tonight feels different. We've grown up. Our desire for each other wants to defy our restraint. But truly, really... What will happen if we cross the line? “Crossing The Line” is the first story in a new billionaire romance series of connected standalone books featuring the Lord Brothers of Manhattan. If you love forbidden lovers, second-chance romance, a deep-rooted family feud, and a love story with passionate slow-burn heat to keep you turning the pages, then dive in! The story also ends happily ever after.
The Salinger Sisters series spins the tales of four sisters who find love - in spite of them-selves. Now in Book Three, after years of trying to be "the perfect wife," Felicia is struggling, for her children's sake, to rebuild her life following a divorce. Now Felicia decides she needs a "wife" to help her juggle the demands of childcare, housework, and her fledgling career. Sensitive Brody Collins, an old classmate and "child care provider," fits the bill perfectly. But is Brody really who he seems to be? And what actually prompted him to take on the job of caring for her kids? Author Shari MacDonald writes: "Nearly every woman I know struggles to balance dozens of competing demands on her time: kids and the carpool, finances and friendships, responsibilities and romance. Many of these women daydream of someday getting a little 'extra help.' In The Perfect Wife, single mom Felicia Salinger Kelley is about to get exactly that, and so much more..."
DescriptionCrossing Out The Emperor is an exploration into the states of mind of Beethoven in various states of love and deafness, and Napoleon during his invasion of Russia in 1812. Are these states of mind romantic and military, or are they, in modern parlance, possibly psychiatric, as discussed in the Foreword? About the AuthorMichael Black was born in England in 1962. He studied literature and history at York University before completing a doctorate at Cambridge University in South African studies, and has spent his adult life fascinated with exploring the territory at which history ends and literature begins (or vice-versa). His stage plays performed in Edinburgh, York, Cardiff, Manchester and London as well as in eastern Europe, frequently give witness to this, as does Crossing Out The Emperor, his first novel. Of this he is convinced; the real territory of creation is myth.
The Korean demilitarized zone might be among the most heavily guarded places on earth, but it also provides passage for thousands of defectors, spies, political emissaries, war prisoners, activists, tourists, and others testing the limits of Korean division. This book focuses on a diverse selection of inter-Korean border crossers and the citizenship they acquire based on emotional affiliation rather than constitutional delineation. Using their physical bodies and emotions as optimal frontiers, these individuals resist the stateÕs right to draw geopolitical borders and define their national identity. Drawing on sources that range from North Korean documentary films, museum exhibitions, and theater productions to protester perspectives and interviews with South Korean officials and activists, this volume recasts the history of Korean division and draws a much more nuanced portrait of the regionÕs Cold War legacies. The book ultimately helps readers conceive of the DMZ as a dynamic summation of personalized experiences rather than as a fixed site of historical significance.
In The Amorous Imagination, D. Andrew Yost builds upon Jean-Luc Marion's phenomenology of love to argue that through the interpretive activities of the imagination the Beloved appears to the lover as this Other, not the Other. Weaving together insights from Romantic thought and contemporary French philosophy, Yost describes the distinctive role the imagination plays in individuating another person so that they appear radically unique, special, and unsubstitutable. This radical uniqueness—or haecceitas—emerges out of the lovers' engagement in an "endless hermeneutic," an ongoing process of creative and responsive meaning-making that grounds the lovers' lives in each other and opens them up to new possibilities. All of this, Yost argues, is made possible by the amorous imagination. Drawing from the deep well of love poetry, mythology, philosophy, and literature The Amorous Imagination comes to the provocative conclusion that without the productive power of the imagination love itself could not emerge.
With characteristic originality and insight, Trudier Harris-Lopez offers a new and challenging approach to the work of African American writers in these twelve previously unpublished essays. Collectively, the essays show the vibrancy of African American literary creation across several decades of the twentieth century. But Harris-Lopez's readings of the various texts deliberately diverge from traditional ways of viewing traditional topics. South of Tradition focuses not only on well-known writers such as Zora Neale Hurston, Ralph Ellison, James Baldwin, and Richard Wright, but also on up-and-coming writers such as Randall Kenan and less-known writers such as Brent Wade and Henry Dumas. Harris-Lopez addresses themes of sexual and racial identity, reconceptualizations of and transcendence of Christianity, analyses of African American folk and cultural traditions, and issues of racial justice. Many of her subjects argue that geography shapes identity, whether that geography is the European territory many blacks escaped to from the oppressive South, or the South itself, where generations of African Americans have had to come to grips with their relationship to the land and its history. For Harris-Lopez, "south of tradition" refers both to geography and to readings of texts that are not in keeping with expected responses to the works. She explains her point of departure for the essays as "a slant, an angle, or a jolt below the line of what would be considered the norm for usual responses to African American literature." The scope of Harris-Lopez's work is tremendous. From her coverage of noncanonical writers to her analysis of humor in the best-selling The Color Purple, she provides essential material that should inform all future readings of African American literature.