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Jenny Ng missed her last appointment, was hit by a car, and was hired by a magician on the same day. And those aren't even remotely the strangest things that happened to her this summer. Jenny's a typical New Yorker, too jaded too early, struggling to get by in the big city. Of course, the typical New Yorker rarely has to deal with very large and sardonic horses, magic swords, severed limbs, and mirror images that refuse to cooperate with all that reflecting business. But Jenny learns to cope. With the help of a clever conjurer, a few feckless friends, and enough Grim Reapers to fill out a football league, it's up to Jenny to learn the finer points of Life and Death...and save the world while she's at it. Geoph Essex's fast and fearless prose combines the wit of Douglas Adams, the quirk of Christopher Moore, and the inventive mythology of Neil Gaiman in an adventure that spans galaxies without ever straying too far from the familiar.
Richard Trench finds himself with no arms and no legs, reduced to a torso in the trunk of a car. There is a reason. It all makes sense. The point is there somewhere . . . Imperfections elucidates the private lives of supermodels and circus freaks, sheiks and designer dominatrixes and the metamorphosis of the body chic. These are lives where the importance of vehicular mephitis-cide, a charity lobster boil for burn victims, a grilled-cheese sandwich with the face of the Virgin Mary toasted on it and a prophecy about the uncanny deaths of the voice-actors for Tigger and Piglet, can not be overlooked. Set in the world of glittering photo shoots in exotic locations, extreme visions of beauty and raucous fashion shows, Imperfections is a genre-bending novel that sits solidly in the foggy area between fact and fiction.
Pricksongs & Descants, originally published in 1969, is a virtuoso performance that established its author - already a William Faulkner Award winner for his first novel - as a writer of enduring power and unquestionable brilliance, a promise he has fulfilled over a stellar career. It also began Coover's now-trademark riffs on fairy tales and bedtime stories. In these riotously word-drunk fictional romps, two children follow an old man into the woods, trailing bread crumbs behind and edging helplessly toward a sinister end that never comes; a husband walks toward the bed where his wife awaits his caresses, but by the time he arrives she's been dead three weeks and detectives are pounding down the door; a teenaged babysitter's evening becomes a kaleidoscope of dangerous erotic fantasies-her employer's, her boyfriend's, her own; an aging, humble carpenter marries a beautiful but frigid woman, and after he's waited weeks to consummate their union she announces that God has made her pregnant. Now available in a Grove paperback, Pricksongs & Descants is a cornerstone of Robert Coover's remarkable career and a brilliant work by a major American writer.
The idea for this study came to me in the course of my reading of innova tive US-American! fiction of the last three decades. I observed that much of it is cast in the comic mode - or, more precisely, that there seems to be in contemporary fiction an affinity between 'innovation' and 'the comic' and that this affinity, furthermore, appears to be characteristic of postmo dernism. It is obvious, at the same time, that comic has become an elusive and, more often than not, a disputable category. Frederick Karl, in his sur vey of American Fictions 1940-1980, maintains, for instance, that much comic writing consists in ridicule that lacks deeper intellectual and cul tural roots. "Wit and mockery," he notes, "by themselves have little lasting value. Even in the best of such fiction, Gravity's Rainbow, one is made aware of attenuated skits stiched onto previous segments, rather than baked in by a defined point of view. " (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily employed in discussions or reviews of con temporary fiction.
He's the reason to be careful what you wish for. After her jealous boyfriend makes an angry, careless wish, Maya DeLuca finds herself trapped in a traveling demonic circus and at the mercy of a devious jinni, Bell Madoc. She joins the other lost souls of Arcanium who suffer in perpetual purgatory under the weight of their wishes, all making the best of a cursed situation. But Maya's not even cursed because of her own wish, which means she still has three for Bell to grant. He may be fond of her—the passion they share is as hellfire hot as it is wrong—but that doesn't mean she's safe from his endlessly inventive, wicked imagination. He might twist her wishes at his whim for his own pleasure. Or he might just give her what she wants...which could be even worse.
In an alternate Atlanta where magic is practiced openly, where witches sip coffee at local cafes, shapeshifters party at urban clubs, vampires rule the southern night like gangsters, and mysterious creatures command dark caverns beneath the city, Dakota Frost's talents are coveted by all. She's the best magical tattooist in the southeast, a Skindancer, able to bring her amazing tats to life. When a serial killer begins stalking Atlanta's tattooed elite, the police and the Feds seek Dakota's help. Can she find the killer on the dark fringe of the city's Edgeworld? Among its powerful outcasts and tortured loners, what kind of enemies and allies will she attract? Will they see her as an invader, as a seducer, as an unexpected champion ... or as delicious prey?
Nick and his brother Alan are on the run with their mother, who was once the lover of a powerful magician. When she left him, she stole an important charm - and he will stop at nothing to reclaim it. Now Alan has been marked with the sign of death by the magician's demon, and only Nick can save him. But to do so he must face those he has fled from all his life - the magicians - and kill them. So the hunted becomes the hunter… but in saving his brother, Nick discovers something that will unravel his whole past… "The Demon's Lexicon is full of shimmery marvels and bountiful thunder." - Scott Westerfeld "Sarah Rees Brennan crafts a twisty tale full of surprises." - Holly Black "Witty, dark, and moving, this novel will keep your eyes glued to the pages." - Cassandra Clare Nonstop action, nail-biting supsense, clever rapartee, and a knockout secret involving the two brothers will keep readers on the edges of their seats. Fans of the paranormal and the Supernatural television series are going to enjoy the adventures of these demon-fighting brothers, but so will aficionados of sharp writing, complex characters, fast-paced plots, teen angst, and the struggle between good and evil. For fans of Supernatural comes a read-until-3am-book, the first in the series by acclaimed author Sarah Rees Brennan
A bewitching epic fantasy about a revenge killing, a mysterious scroll box that has survived centuries of fires, and the book that changed everything "Intricately plotted and gorgeously written, The Absolute Book is a cinematic tale that is by turns dark and dreamlike, yet ultimately hopeful." --Deborah Harkness, New York Times bestselling author of A Discovery of Witches "An instant classic . . . It is everything fantasy should be." --The Guardian Taryn Cornick believes that the past--her sister's violent death, and her own ill-conceived revenge--is behind her, and she can get on with her life. She has written a successful book about the things that threaten libraries: insects, damp, light, fire, carelessness and uncaring . . . but not all of the attention it brings her is good. A policeman, Jacob Berger, questions her about a cold case. Then there are questions about a fire in the library at her grandparents' house and an ancient scroll box known as the Firestarter, as well as threatening phone calls and a mysterious illness. Finally a shadowy young man named Shift appears, forcing Taryn and Jacob toward a reckoning felt in more than one world. The Absolute Book is epic, action-packed fantasy in which hidden treasures are recovered, wicked things resurface, birds can talk, and dead sisters are a living force. It is a book of journeys and returns, from contemporary England to Auckland, New Zealand; from a magical fairyland to Purgatory. Above all, it is a declaration of love for stories and the ways in which they shape our worlds and create gods out of mortals.
Locking the doors may not keep a killer out Lexie Lincoln hoped the Saturday outing Wes Mosby planned would be a date, a step toward defining their ambiguous relationship, but it turns out to be something better: a story. Wes fears there was something shady about the construction of a bridge that collapsed in a recent storm. It’s out of his jurisdiction, but he thinks Lexie’s just the person to dig into it. She suspects Wes might be right when the county engineer she calls about the bridge invites her to his house for a cookout instead of arranging an interview. There must be something he doesn’t want to discuss at the office. But when she arrives, he’s nowhere to be found. His family can’t get into the house because it’s locked from the inside. After the police resort to kicking in a door, they find him dead from an apparent suicide. Or is it? It doesn’t make sense for him to invite Lexie over, then kill himself before talking. On the other hand, there are those locked doors. How could the killer have left? Then again, this is Stirling Mills, where half the population can do seemingly impossible things. Getting in and out in spite of locked doors isn’t out of the question. If it was murder, was he killed because of the bridge, or was it something else? Either way, Lexie’s investigation into the bridge has made her a target of threats. If she’s dealing with someone willing to kill to keep her from finding and publishing the truth, and if that person can lock or unlock any door, she won’t be safe until she brings the killer to justice.