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Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism.
This two-volume set is part of a growing body of literature concerned with the history of biblical interpretation. The ample introduction first situates key players in the story of the development of the major strands of biblical interpretation since the Enlightenment, identifying how different theoretical and methodological approaches are related to each other and describing the academic environment in which they emerged and developed. Volume 1 contains fourteen essays on twenty-two interpreters who were principally active before 1980, and volume 2 has nineteen essays on twenty-seven of those who were active primarily after this date. Each chapter provides a brief biography of one or more scholars, as well as a detailed description of their major contributions to the field. This is followed by an (often new) application of the scholar's theory. By focusing on the individual scholars and their work, the book recognizes that interpretive approaches arise out of certain circumstances, and that scholars are influenced by, and have influences upon, both other interpreters and the times in which they live. This set is ideal for any class on the history of biblical interpretation and for those who want a greater understanding of how the current field of biblical studies developed.
I WAS born in the year of grace 1660, at the Tour d'Antin, a château not very far from the little village of Sartilly in Normandy. My father was the Chevalier d'Antin, a younger son of the Provençal family of De Fayrolles. My mother was an English lady, daughter of a very ancient Devonshire family. Her name was Margaret Corbet, and the branch of that tribe to which she belonged had settled in Cornwall. I remember her as a very beautiful woman, with crispy waved blonde hair and a clear white skin more like alabaster than marble, and no tinge of color in her cheeks. I never saw any other person so pale as she, though her lips were always red. She had beautiful gray eyes, with long black lashes, and clearly defined arched eyebrows meeting above her nose, which gave a very serious and even solemn expression to her face. This expression accorded well with her character, which was grave and thoughtful and very deeply religious. I never saw any person whose faith was so much like sight as hers. Nevertheless, she could smile very sweetly, and even laugh merrily at times, but not very often. For a shadow hung over our house from my earliest years—the same shadow which darkened so many other French families at that time. My father was a pleasant, lively, kindhearted gentleman, who worshipped his beautiful wife, and treated her as if she were indeed some fragile statue of alabaster which might be broken by rough usage. He was, as I have said, a younger son. His elder brother lived far-away in Provence—at least his grand château was there; but he and his wife spent most of their time at court, where they both held offices about the king and queen. By some family arrangement which I never understood, our own Tour d'Antin came to my father, thus putting him in a much more comfortable position than that of most younger brothers, as there was a large and productive domain and certain houses at Granville which brought good rents. Besides, there were dues of fowls and so forth from the tenants and small farmers. Indeed, my father, with his simple country tastes, was far richer than his elder brother, and that though my father's purse was always open to the poor, especially those of our own household of faith. The Tour d'Antin was a large building of reddish stone, partly fortress, partly château. I suspect it had some time been a convent also, for there was a paved court surrounded by a cloister, and a small Gothic chapel which was a good deal dilapidated, and never used in my time. The fortress part of the house was very old. It consisted of a square and a round tower, connected by a kind of gallery. The walls were immensely thick, and so covered with lichens and wall plants that one could hardly tell what they were made of. In the square tower my mother had her own private apartment, consisting of a parlor and an anteroom, and an oratory, or closet, as we should call it in England, the last being formed partly in the thickness of the wall, partly by a projecting turret. It seemed an odd choice, as the new part of the house was so light and cheerful, but there was a reason for this choice which I came to understand afterward.
If you enjoyed the BBC's adaptation of Poldark, then Kate Tremayne's Loveday series is not to be missed! In pursuit of honour, will the Lovedays forsake happiness? The fifth instalment of Kate Tremayne's breath-taking Loveday series, The Loveday Honour, is a gripping tale of Cornish smuggling, adventure and passion. Perfect for fans of Winston Graham's Poldark and Diana Gabaldon. 'If a man does not have honour, he has nothing,' Edward Loveday declares, but the honour of the Loveday family faces its most serious challenge yet. Japhet Loveday has been tried and convicted of highway robbery. His wife Gwen is desperate to clear his name, but Japhet has made some powerful enemies and her efforts may not be enough to save him from transportation. Edward must also confront a more personal trouble. His wife, Amelia, is still reeling from the shock arrival of Edward's illegitimate daughter, Tamasine, and refuses to have her name mentioned. Will Edward be forced to choose between his daughter and his wife? Meanwhile Tamasine herself has fallen in love with the handsome Rupert Charlton, but when the truth of her parentage is revealed, a vendetta breaks out between the two families that threatens to destroy their relationship. Will loyalty and honour eventually triumph? And at what cost to the family's happiness and future? What readers are saying about The Loveday Honour: 'This family saga grips you from when you start book one, you just can't put them down, you really feel involved with the family's trials and tribulations' 'Absorbing and in the Poldark style. Would recommend any of these books' 'Five stars'