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Uncontrolled Desire: A Gripping Romance of Secrets, Power, and Forbidden Passion Arya has spent her life focused on one goal: getting into the prestigious Odyssey University. When she earns a hard-fought scholarship, she steps into a world of privilege she never wanted to be a part of. Determined to succeed, Arya battles to keep her distance from the elite students who live by different rules—especially Dominic, the irresistible and arrogant hockey star with a dangerous reputation. But Dominic is more than just the spoiled son of a powerful senator. Beneath his cocky exterior lies a man haunted by loss, searching for something real. Arya, with her sharp mind and fierce independence, becomes the light he never expected. As their worlds collide, an undeniable attraction pulls them closer, and Arya is torn between her ambition and the raw intensity of her feelings for Dominic. As she dives deeper into the shadows of the university's dark secrets—like Dominic's involvement in illegal underground motorcycle races—Arya's carefully built walls begin to crumble. Caught in a whirlwind of desire and danger, she must face the truth: controlling her heart is harder than controlling her future. Will Arya surrender to the pull of forbidden passion, or will the secrets of the elite destroy her? Fans of steamy romance, forbidden love, and heart-pounding drama won't be able to put down "Uncontrolled Desire." Dive into a world of power, lust, and betrayal where nothing is what it seems.
This volume brings together Nussbaum's published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style and content in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding which involves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms of writing usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate the relationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.
The 2010s have seen an explosion in popularity of Chinese television featuring same-sex intimacies, LGBTQ-identified celebrities, and explicitly homoerotic storylines even as state regulations on “vulgar” and “immoral” content grow more prominent. This emerging “queer TV China” culture has generated diverse, cyber, and transcultural queer fan communities. Yet these seemingly progressive televisual productions and practices are caught between multilayered sociocultural and political-economic forces and interests. Taking “queer” as a verb, an adjective, and a noun, this volume counters the Western-centric conception of homosexuality as the only way to understand nonnormative identities and same-sex desire in the Chinese and Sinophone worlds. It proposes an analytical framework of “queer/ing TV China” to explore the power of various TV genres and narratives, censorial practices, and fandoms in queer desire-voicing and subject formation within a largely heteropatriarchal society. Through examining nine cases contesting the ideals of gender, sexuality, Chineseness, and TV production and consumption, the book also reveals the generative, negotiative ways in which queerness works productively within and against mainstream, seemingly heterosexual-oriented, televisual industries and fan spaces. “This cornucopia of fresh and original essays opens our eyes to the burgeoning queer television culture thriving beneath official media crackdowns in China. As diverse as the phenomenon it analyses, Queer TV China is the spark that will ignite a prairie fire of future scholarship.” —Chris Berry, Professor of Film Studies, King’s College London “This timely volume explores the various possibilities and nuances of queerness in Chinese TV and fannish culture. Challenging the dichotomy of ‘positive’ and ‘negative’ representations of gender and sexual minorities, Queer TV China argues for a multilayered and queer-informed understanding of the production, consumption, censorship, and recreation of Chinese television today.” —Geng Song, Associate Professor and Director of Translation Program, University of Hong Kong
"A straightforward, friendly guide for aspiring writers" (Los Angeles Times): No more excuses. With award-winning author Walter Mosley as your guide, you can write a novel now. "Let the lawn get shaggy and the paint peel from the walls," bestselling novelist Walter Mosley advises. In this invaluable book of tips, practical advice, and wisdom, Mosley promises that the writer-in-waiting can finish their novel in one year. Intended as both inspiration and instruction, this book provides the tools to turn out a first draft painlessly and then revise it into something finer. Mosley teaches you how to: Create a daily writing regimen to fit any writer's needs -- and how to stick to it. Determine the narrative voice that's right for every writer's style. Hook readers with dynamic characters. Get past those first challenging sentences and into the heart of a story. And much more. "No-nonsense advice that is sure to set beginning writers along the righteous path to real authorhood." --Seattle Post-Intelligencer
Is it true that all we need is love? Does love capture the essence of Christian ethics? Does a love-centered ethic need to be impartial in a way that leaves no room at ground-level for relationships and projects? What is the place of well-being in an ethic of love? Loving Creation: The Task of Moral Life seeks to answer these questions by showing how a love-ethic and an ethic of creation are not at odds but rather reinforce each other. Gary Chartier articulates a love-centered creation ethic--or a creation-centered love-ethic--and applies it to such issues as sex, economic life, love for enemies, and political order. In the book, Chartier offers a powerful alternative both to natural-law theories that seem to lose sight of the welfare of actual people and to the accounts of Christian love that embrace an alienating impartiality. He develops an understanding of Christian love as focused on creation that can contribute effectively to enriching both social practices and personal lives. Loving Creation is unabashedly theological. But the theological considerations it adduces are ones that will allow Christians to engage in the public sphere with adherents of other religious traditions and of none. It is a contribution not only to theological understanding but also to personal moral reflection, to church practice, and to Christian participation in public life.