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The tradition of agape, or unconditional love, is not exclusive to any religion. It is a primary underlying principle found in religions worldwide. The concept of altruistic love challenges the spiritual person to "love your enemies" or to "love without thought of return." It is a love that flows out to others through compassion, kindness, tenderness, and charitable giving. Buddhists have a path of compassion, where caring for others becomes the motivating force behind existence. Hindus have a branch of yoga, the heart-centered path, that leads to enlightenment through an overwhelming love for God that takes the form of loving all humanity. Eastern religions, such as Taoism and Confucianism, see transcendent love as essential to true wisdom. Love is a universal theme of love found in all religious traditions, Buddhist, Christian, Islam, or others. As we realize that all religions have this spiritual principle of love at their core, we can develop a sense of shared humanity. The religious tradition of agape love examined in this book will inspire those who are learning to grow in compassion and love for all people.
This rare and important contribution to the field of Islamic studies, philosophy, and comparative religion achieves a twofold objective. First, it draws from a broad and authoritative well of sources, especially in the domain of Sufism, or Islamic mysticism. The scholarship is impeccable. Second, it is an in-depth meditation on the relationship between love and knowledge, multiplicity and unity, the example of the Prophet Muhammed viewed as Universal Man, spiritual union, heart and intellect, and other related themes--conveyed in fresh, contemporary language.The book is as much a work of Sufism as it is a book about Sufism. Many of these themes have a universal appeal for students of mysticism; consequently, there are distinct resonances with other traditions, especially within certain schools of Christian mysticism dominated by the language of love.In our day, when the divisions between many Muslims and many Christians have broadened into chasms of suspicion and fear, books such as this one are especially important for the help they can offer in bridging these rifts. The capacity of scholars to understand these two religions, which stem from the same Abrahamic source, is of the utmost significance, and the best approach to better understanding may be through the mystical traditions, which tend to reflect more tolerance and to recognize a potential for seeing unity in a multiplicity of perspectives. This work conveys the beauty at the heart of the Islamic tradition in a language devoid of technical terminology.
This stunning collection showcases the love poetry and mystical teachings at the heart of the Islamic tradition in accurate and poetic original translations At a time when the association of Islam with violence dominates headlines, this beautiful collection offers us a chance to see a radically different face of the Islamic tradition. It traces a soaring, poetic, popular tradition that celebrates love for both humanity and the Divine as the ultimate path leading humanity back to God. Safi brings together for the first time the passages of the Qur'an sought by the Muslim sages, the mystical sayings of the Prophet, and the teachings of the path of "Divine love." Accurately and sensitively translated by leading scholar of Islam Omid Safi, the writings of Jalal al‑Din Rumi can now be read alongside passages by Kharaqani, 'Attar, Hafez of Shiraz, Abu Sa'id‑e Abi 'l‑Khayr, and other key Muslim mystics. For the millions of readers whose lives have been touched by Rumi's poetry, here is a chance to see the Arabic and Persian traditions that produced him.
WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award "100 Notable Books of the Year," The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 "By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.
"Originally published by Suspect Thoughts Press, 2004; Updated by the author and re-released by Lethe Press, 2013."
Lyric and Labour in the Romantic Tradition, first published in 1998, examines the legacy of Romantic poetics in the poetry produced in political movements during the nineteenth century. It argues that a communitarian tradition of poetry extending from the 1790s to the 1890s learned from and incorporated elements of Romantic lyricism, and produced an ongoing and self-conscious tradition of radical poetics. Showing how romantic lyricism arose as an engagement between the forces of reason and custom, Anne Janowitz examines the ways in which this Romantic dialectic infected the writings of political poets from Thomas Spence to William Morris. The book includes new readings of familiar Romantic poets including Wordsworth and Shelley, and investigates the range of poetic genres in the 1790s. In the case studies which follow, it examines relatively unknown Chartist and Republican poets such as Ernest Jones and W. J. Linton, showing their affiliation to the Romantic tradition, and making the case for the persistence of Romantic problematics in radical political culture.
First published in 1986. It is often suggested that the great first generation of Romantics, after the first flush of their revolutionary enthusiasm, ‘sold out’ to the forces of conservatism and reaction. This book starts from the thesis that the ideas of Wordsworth, Coleridge and Southey did always contain powerful radical and reformist implications that set the tone of liberal and left-wing discussion for several generations. The message of the French Revolution and Wordsworth’s youthful enthusiasm continued to imbue the thought of Carlyle, and his disciples Ruskin and Kingsley, and its characteristic articulations are still visible in later socialists such as Keir Hardie and Blatchford. This thoughtful book not only shows how surprising are the original roots of some great socialist thinkers, but also argues for a strong continuity in the English tradition of political thought from the 1780s to the early years of the twentieth century. Both students of politics and of literature and Victorian ideas will be stimulated by The Romantic Tradition in British Political Thought.
Like King Arthur in Europe, the Persian hero Amir Hamzah has fought and connived his way through eight centuries of adventure throughout the Islamic world. Here is a new translation of a version of his tale, told in Urdu in India, and set down and first published in 1871. Includes a glossary with pronunciation. No index. Annotation copyright Book N
The renowned French philosopher’s “ode to love’s power to unite in the face of eternity, and its optimism in the face of pain” (Publishers Weekly). In a world rife with consumerism, where online dating promises risk-free romance and love is all too often seen as a mere variant of desire and hedonism, Alain Badiou believes that love is under threat. Taking to heart Rimbaud’s famous line “love needs reinventing,” In Praise of Love is the celebrated French intellectual’s passionate treatise in defense of love. For Badiou, love is an existential project, a constantly unfolding quest for truth. This quest begins with the chance encounter, an event that forever changes two individuals, challenging them “to see the world from the point of view of two rather than one.” This, Badiou believes, is love’s most essential transforming power. Through thought-provoking dialogue edited from a conversation between Badiou and Truong, a vibrant cast of thinkers are invoked: Kierkegaard, Plato, de Beauvoir, Proust, and more, create a new narrative of love in the face of twenty-first-century modernity. Moving, zealous, and wise, Badiou’s “paean to the anticapitalist, antiessentialist, unifying power of love” urges us not to fear it but to see it as a magnificent undertaking that compels us to explore others and to move away from an obsession with ourselves (Publishers Weekly). “Finally, the cure for the pornographic, utilitarian exchange of favors to which love has been reduced in America. Alain Badiou is our philosopher of love.” —Simon Critchley, author of The Faith of the Faithless