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A Romeo & Juliet tale for Hamilton! fans. In post-American Revolution New York City, Theodosia Burr, a scholar with the skills of a socialite, is all about charming the right people on behalf of her father—Senator Aaron Burr, who is determined to win the office of president in the pivotal election of 1800. Meanwhile, Philip Hamilton, the rakish son of Alexander Hamilton, is all about being charming on behalf of his libido. When the two first meet, it seems the ongoing feud between their politically opposed fathers may be hereditary. But soon, Theodosia and Philip must choose between love and family, desire and loyalty, and preserving the legacy their flawed fathers fought for or creating their own. Love, Theodosia is a smart, funny, swoony take on a fiercely intelligent woman with feminist ideas ahead of her time who has long-deserved center stage. A refreshing spin on the Hamiltonian era and the characters we have grown to know and love. It’s also a heartbreaking romance of two star-crossed lovers, an achingly bittersweet “what if.” Despite their fathers’ bitter rivalry, Theodosia and Philip are drawn to each other and, in what unrolls like a Jane Austen novel of manners, we find ourselves entangled in the world of Hamilton and Burr once again as these heirs of famous enemies are driven together despite every reason not to be.
Theodosia Throckmorton has her hands full at the Museum of Legends and Antiquities in London. Her father may be head curator, but it is Theo--and only Theo--who is able to see all the black magic and ancient curses that still cling to the artifacts in the museum. When Theo’s mother returns from her latest archaeological dig bearing the Heart of Egypt--a legendary amulet belonging to an ancient tomb--Theo learns that it comes inscribed with a curse so black and vile that it threatens to crumble the British Empire from within and start a war too terrible to imagine. Intent on returning the malevolent artifact to its rightful place, Theo devises a daring plan to put things right. But even with the help of her younger brother, a wily street urchin, and the secret society known as the Brotherhood of the Chosen Keepers, it won’t be easy . . . she quickly finds herself pursued down dark alleys, across an ocean, through the bustling crowds of Cairo, and straight into the heart of an ancient mystery. Theo will have to call upon everything she’s ever learned in order to prevent the rising chaos from destroying her country--and herself!
This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.
The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period's "laughing comedy." Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy. Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Though the world is convinced that Lady Britannia Halsey’s fiancé perished on the fields of Waterloo, she is certain he is still alive. And she is determined to find him…before her twenty-fifth birthday. When the Earl of Wick sees a portrait of her beloved Peter, and claims he looks just like a wounded warrior working on his highland estate, it only seems logical to hie off to Scotland and meet this man. To Britannia’s annoyance, she finds herself traveling with the Annoying Earl of Wick, a man who is far too attractive for her peace of mind. A man determined to seduce her…
Fans of Bridgerton will love these two Regency romances for the price of one, featuring two best friends, each determined to advertise for love. The Bittersweet Bride: Widow Theodosia Cecil needs a husband and needs one fast to protect her land, so she places an anonymous ad in the paper. She’s delighted she spends her remaining weeks exchanging flirtatious letters with the perfect man... Until she meets him and realizes he’s the son of the man trying to steal her land. The Bashful Bride: When sparks fly between timid heiress Ester Croome and a handsome actor, they’re quick to elope. But when she discovers there is so much more to him than meets the eye, in order to save the marriage the shiest woman alive must publicly woo the most desirable man in England...her husband.
Enjoy Bianca Blythe's delightful Matchmaking for Wallflowers regency romance series today! Lord Frederick Bowen, Duke of Salisbury, is expecting an heiress for Christmas. The fact does not bring him pleasure. Ever since the war ended, he would rather focus on experiments for his new waterproof material. Celia might be the daughter of an earl, but she's of the illegitimate variety. She has resigned herself to life as a maid for the wicked countess and her two half-sisters. When Celia's half-sister begs her to pretend to be her, Celia is thrust into a fairy tale. Everyone knows though that fairy tales never come true... A delightful Christmas regency romance and Cinderella retelling. Start this series today! Matchmaking for Wallflowers 1. How to Capture a Duke 2. A Rogue to Avoid 3. Runaway Wallflower 4. Mad about the Baron 5. To Catch a Baroness 6. The Wrong Heiress for Christmas