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Photographs by Ed Van der Elsken A new edition of one of the classics of photography by one of the greatest photographers of the twentieth century. Originally published in 1954, and long out of print, this is a facsimile edition of the original and has been printed from the negatives held by the Netherlands Photo Archive. The work focuses on the Left Bank of Paris at the time when the area was recognised as a centre of creative ferment which would determine the cultural agenda of a generation. 200 plates.
An incandescent group portrait of the midcentury artists and thinkers whose lives, loves, collaborations, and passions were forged against the wartime destruction and postwar rebirth of Paris In this fascinating tour of a celebrated city during one of its most trying, significant, and ultimately triumphant eras, Agnes Poirier unspools the stories of the poets, writers, painters, and philosophers whose lives collided to extraordinary effect between 1940 and 1950. She gives us the human drama behind some of the most celebrated works of the 20th century, from Richard Wright’s Native Son, Simone de Beauvoir's The Second Sex, and James Baldwin's Giovanni's Room to Samuel Beckett's Waiting for Godot and Saul Bellow's Augie March, along with the origin stories of now legendary movements, from Existentialism to the Theatre of the Absurd, New Journalism, bebop, and French feminism. We follow Arthur Koestler and Norman Mailer as young men, peek inside Picasso’s studio, and trail the twists of Camus's Sartre's, and Beauvoir’s epic love stories. We witness the births and deaths of newspapers and literary journals and peer through keyholes to see the first kisses and last nights of many ill-advised bedfellows. At every turn, Poirier deftly hones in on the most compelling and colorful history, without undermining the crucial significance of the era. She brings to life the flawed, visionary Parisians who fell in love and out of it, who infuriated and inspired one another, all while reconfiguring the world's political, intellectual, and creative landscapes. With its balance of clear-eyed historical narrative and irresistible anecdotal charm, Left Bank transports readers to a Paris teeming with passion, drama, and life.
A “New & Noteworthy” selection of The New York Times Book Review “Alexis Clark illuminates a whole corner of unknown World War II history.” —Walter Isaacson, New York Times bestselling author of Leonardo da Vinci “[A]n irresistible human story. . . . Clark's voice is engaging, and her tale universal.” —Jon Meacham, Pulitzer Prize–winning author of Thomas Jefferson: The Art of Power and American Lion: Andrew Jackson in the White House A true and deeply moving narrative of forbidden love during World War II and a shocking, hidden history of race on the home front This is a love story like no other: Elinor Powell was an African American nurse in the U.S. military during World War II; Frederick Albert was a soldier in Hitler's army, captured by the Allies and shipped to a prisoner-of-war camp in the Arizona desert. Like most other black nurses, Elinor pulled a second-class assignment, in a dusty, sun-baked—and segregated—Western town. The army figured that the risk of fraternization between black nurses and white German POWs was almost nil. Brought together by unlikely circumstances in a racist world, Elinor and Frederick should have been bitter enemies; but instead, at the height of World War II, they fell in love. Their dramatic story was unearthed by journalist Alexis Clark, who through years of interviews and historical research has pieced together an astounding narrative of race and true love in the cauldron of war. Based on a New York Times story by Clark that drew national attention, Enemies in Love paints a tableau of dreams deferred and of love struggling to survive, twenty-five years before the Supreme Court's Loving decision legalizing mixed-race marriage—revealing the surprising possibilities for human connection during one of history's most violent conflicts.
From the creator of Not Quite Narwhal comes the story of a young robot trying to find the meaning of “love.” When a small robot named Z discovers a message in a bottle signed “Love, Beatrice,” they decide to find out what “love” means. Unable to get an answer from the other robots, they leave to embark on an adventure that will lead them to Beatrice—and back home again, where love was hiding all along.
A chic peek at the glittering inhabitants of Paris’s most exclusive neighborhood With the sting of a good Camembert, Kate Muir’s fiction debut is a sophisticated, fun, and delightfully ironic look at family life, Left Bank style. Olivier and Madison Malin are the toasts of Rive Gauche. A philosopher and media personality, Olivier is the darling of the Paris cafés with his perfectly tousled hair and mistress de jour on speed dial. An American film star turned Parisian “It” girl, Madison busies herself playing the part of the bon vivant. But when a crisis occurs with their daughter, these self-centered parents are forced to focus on something more than their own reflections.Left Bank is at once a delicious satire of Parisian pretension and a celebration of the city’s alluring glamour.
FINALIST FOR THE NAACP IMAGE AWARD • A collection of essays and stories documenting the lived theology and spirituality we need to hear in order to lean into a more freeing, loving, and liberating faith—from the hosts of the beloved Truth’s Table podcast “The liberating work of Truth’s Table creates breathing room to finally have those conversations we’ve been needing to have.”—Morgan Harper Nichols, artist and poet Once upon a time, an activist, a theologian, and a psychologist walked into a group chat. Everything was laid out on the table: Dating. Politics. The Black church. Pop culture. Soon, other Black women began pulling up chairs to gather round. And so, the Truth’s Table podcast was born. In their literary debut, co-hosts Christina Edmondson, Michelle Higgins, and Ekemini Uwan offer stories by Black women and for Black women examining theology, politics, race, culture, and gender matters through a Christian lens. For anyone seeking to explore the spiritual dimensions of hot-button issues within the church, or anyone thirsty to deepen their faith, Truth’s Table provides exactly the survival guide we need, including: • Michelle Higgins’s unforgettable treatise revealing the way “racial reconciliation” is a spiritually bankrupt, empty promise that can often drain us of the ability to do real justice work • Ekemini Uwan’s exploration of Blackness as the image of God in the past, present, and future • Christina Edmondson’s reimagination of what a more just and liberating form of church discipline might look like—one that acknowledges and speaks to the trauma in the room These essays deliver a compelling theological re-education and pair the spiritual formation and political education necessary for Black women of faith.
Two best friends grow up—and grow apart—in this innovative contemporary YA novel Told in dual timelines—half of the chapters moving forward in time and half moving backward—We Used to Be Friends explores the most traumatic breakup of all: that of childhood besties. At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce. Funny, honest, and full of heart, We Used to Be Friends tells of the pains of growing up and growing apart.
“Levin’s luminous latest reckons with the disorientation of contemporary America. . . . Through the fog of doubt, Levin summons ferocious intellect and musters hard-won clairvoyance.”—Publishers Weekly, starred review Dana Levin’s fifth collection is a brave and perceptive companion, walking with the reader through the disorientations of personal and collective transformation. Now Do You Know Where You Are investigates how great change calls the soul out of the old lyric, “to be a messenger―to record whatever wanted to stream through.” Levin works in a variety of forms, calling on beloveds and ancestors, great thinkers and religions―convened by Levin’s own spun-of-light wisdom and intellectual hospitality―balancing clear-eyed forensics of the past with vatic knowledge of the future. “So many bodies a soul has to press through: personal, familial, regional, national, global, planetary, cosmic― // ‘Now do you know where you are?’” “Dana Levin is the modern-day master of the em-dash.”—New York Times Magazine "The book weaves in and out of prose, and it’s no wonder that the haibun is the generative form in these pages. A form invented by Basho so that he could move from the prose of his travelogues to the quick intensities of haiku, back and forth. Emily Dickinson does the same thing in her letters. And because this is a poet of the western United States—born outside of Los Angeles and raised in the Mojave, then two decades in Santa Fe, now in middle America, St. Louis—maybe it’s right to think of her work in terms of storm clouds: if the prose is an anvil cloud, the flash of poetry at the end is lightning.”—Jesse Nathan, McSweeney’s
'It is difficult to express the peculiar mixture of elation and pride one felt coming upon the Australian Bookshop in Paris. There it was, utterly national, precious, devoted to writers mostly unknown in Europe, yet it sat conspicuously on the Left Bank, a short walk across from the Louvre, as a feisty affirmation of Australian literary assertion and incursion.' - GAIL JONES At a time in her life when friends were retiring and spending time with their grandchildren, a night out in Paris while she visited her musician son inspired Elaine Lewis to dream of a daring venture in this most enchanting of cities. Her vision was more than just fanciful. After doing the necessary research and groundwork, Elaine packed her bags and left Australia to open, on the Left Bank, the first Australian bookshop in central Paris. Full of incredible energy and enthusiasm, and with the help of locals and visiting Australians, she created her shop in the heart of the St-Germain-des-Pres literary quarter. Situated just around the corner from Notre Dame, her cosy literary haven quickly became an important cultural centre and a home away from home for Australian writers and artists in Paris. Writers who were visitors at the bookshop included David Malouf, Helen Garner, Nikki Gemmell and Nick Earls. Elaine hosted events, book readings and encouraged an exchange of ideas and a love of literature, as well as midnight swims in the Seine! But when some bumbling and nasty French bureaucrats threatened to close down the shop, Elaine and her many staunch supporters were faced with a battle against the establishment that quickly became stranger than fiction ... Left Bank Waltz is the spirited story of an Australian woman's courageous decision to follow a dream - and in the process, bring great pleasure and a sense of pride to many others.
A Page of Love (1878) is a novel by French author Émile Zola. The eighth of twenty volumes of Zola’s monumental Les Rougon-Macquart series is an epic story of family, politics, class, and history that traces the disparate paths of several French citizens raised by the same mother. Spanning the entirety of the French Second Empire, Zola provides a sweeping portrait of change that refuses to shy away from controversy and truth as it gets to the heart of heredity and human nature. Hélène Grandjean, a member of the Mouret family, finds herself desperate and alone when her husband Charles dies from a sudden illness. Left as the sole guardian of her young daughter Jeanne, she does her best to provide while overcoming the boundaries of life in a strange new town. Having moved from Marseilles to the suburbs of Paris only days before Charles’ death, Hélène longs for friendship and community. When Jeanne suffers a violent seizure, she receives assistance from her neighbor, Dr. Deberle. Soon, Hélène befriends Deberle and his wife Juliette, who introduce her to their family and small circle of acquaintances. Although she remains wary of romance, Hélène soon finds herself falling in love with a kind and gentle man, a figure capable of caring for her and her young daughter—a man who is already married. A Page of Love is a story of family and fate, a thrilling and detailed novel that continues a series rich enough for its author to explore in twenty total volumes. With a beautifully designed cover and professionally typeset manuscript, this edition of Émile Zola’s A Page of Love is a classic work of French literature reimagined for modern readers.