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A New York Times Bestseller For Lady Gaga, kindness is the driving force behind everything she says and does. The quiet power of kindness can change the way we view one another, our communities, and even ourselves. She embodies this mission, and through her work, brings more kindness into our world every single day. Lady Gaga has always believed in the importance of being yourself, being kind to yourself, and being kind to others, no matter who they are or where they come from. With that sentiment in mind, she and her mother, Cynthia Germanotta, founded Born This Way Foundation, a nonprofit organization dedicated to making the world a kinder and braver place. Through the years, they've collected stories of kindness, bravery and resilience from young people all over the world, proving that kindness truly is the universal language. And now, we invite you to read these stories and follow along as each and every young author finds their voice just as Lady Gaga has found hers. Within these pages, you’ll meet young changemakers who found their inner strength, who prevailed in the face of bullies, who started their own social movements, who decided to break through the mental health stigma and share how they felt, who created safe spaces for LGBTQ+ youth, and who have embraced kindness with every fiber of their being by helping others without the expectation of anything in return. In one story, you’ll read about a young person with an autoimmune disease, who after being bullied at school, learned how to practice self-love and started an organization with the mission of educating others about the importance of self-love, too; and in another story, you’ll meet a young person who decided to start a movement to help eliminate the stigma surrounding mental health and encouraged others to talk about their feelings openly and honestly, a reminder that kindness and mental wellness go hand in hand. Not only were we moved by these individual acts of kindness, but we were also touched by the many stories of organizations, neighborhoods, and entire communities that fully dedicated themselves to helping those in need and found new, innovative ways to make our world a kinder and braver place. Individually and collectively, these stories prove that kindness not only saves lives but builds community. Kindness is inclusion, it is pride, it is empathy, it is compassion, it is self-respect and it is the guiding light to love. Kindness is always transformational, and its never-ending ripples result in even more kind acts that can change our lives, our communities, and our world.
If you want to know how it feels to be the DJ, to share the music you love with other people, to receive the adulation of packed dancefloors night after night, this book will show you exactly what to do to get there. Whether you're brand-new to this, a DJ who wants to finally break out of the bedroom, or you just want to improve your game, the five-step formula in Rock The Dancefloor! will help you to become a truly great DJ. This clear and practical guide will enable you to: Understand modern DJ gear, in order to avoid expensive mistakes Assemble the best music collection, so you can fill any dancefloor Quickly master all the techniques, so your DJ mixes sound amazing Perform like a pro at any type of gig: parties, bars, night clubs... Promote yourself effectively, for more and better paid bookings
In the Spring of 1997, the promotion of the HIStory album seemed as if it would continue for quite a while, especially since Michael Jackson's eponymous European tour was imminent. And yet, contrary to fans' expectations, a new album entitled Blood On The Dance Floor was announced. More than two decades later, Brice Najar decided to explore the history of this unusual and very special collection of music in the King of Pop's discography. As in Najar's previous book, Let's Make HIStory, he reached out to Michael Jackson's collaborative partners. Through their stories, he was able to fully examine this era, and to understand the context of Jackson's creative process during this time. Ultimately, Book On The Dance Floor serves as a complement to Najar's previous work, and adds to fans' insights into Jackson's life and legacy.
Rockstars don’t fall for their brother’s girl. Lola Ramirez has been in love with her best friend for as long as she can remember, always standing at his side. Going to school for a degree she doesn’t want and loving a man who will never see her that way, she feels like she’s living someone else’s life. Until he comes to town. Drew Stone, the local boy turned rock star, and her best friend’s older brother. He needs a dancer and has agreed to hold local auditions, but there’s only one he wants. Lola says that’s not her, not anymore. She put her dancing behind her, letting that part of her die. But Drew is determined to bring it back to life. If she gives in to him, if she joins his tour, it could mean the end of her mundane world. Because this rock star might just be the key to finding all the dreams she’d never dared to have. Escape into a swoony, sweet romance. Love is a Dance Step is book two in the Rockstars Anonymous series, featuring one rock star support group, five ridiculous stars, and four swoony romances. Beware of concert crashers, meddling families, and rock stars who can’t seem to stay out of each other’s love lives. Each book in the Rockstars Anonymous series is a sweet, full-length standalone novel with a guaranteed happy ending.
As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
Opening with David Mancuso's seminal “Love Saves the Day” Valentine's party, Tim Lawrence tells the definitive story of American dance music culture in the 1970s—from its subterranean roots in NoHo and Hell’s Kitchen to its gaudy blossoming in midtown Manhattan to its wildfire transmission through America’s suburbs and urban hotspots such as Chicago, Boston, San Francisco, Los Angeles, Newark, and Miami. Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era’s most powerful djs, the venues in which they played, and the records they loved to spin—as well as the labels, musicians, vocalists, producers, remixers, party promoters, journalists, and dance crowds that fueled dance music’s tireless engine. Love Saves the Day includes material from over three hundred original interviews with the scene's most influential players, including David Mancuso, Nicky Siano, Tom Moulton, Loleatta Holloway, Giorgio Moroder, Francis Grasso, Frankie Knuckles, and Earl Young. It incorporates more than twenty special dj discographies—listing the favorite records of the most important spinners of the disco decade—and a more general discography cataloging some six hundred releases. Love Saves the Day also contains a unique collection of more than seventy rare photos.
The day has finally come, the first day of dance class. With shoes packed snug in her bag, we watch as mom and daughter head to the studio for an afternoon filled with ballet, tap, and jazz. A classroom of new friends awaits as we watch our little girl's feet take center stage, moving to the rhythm of the music. Boasting with self-confidence and pride, a new star is beginning to discover her shine as she falls in love with the way her body seamlessly moves to the sound of the beat. Inspired by author Nia Sioux's own love for the dance floor, this beautifully enriched story is all about dance and discovery. Highlighting the diverse and accepting culture within the world of the arts, this book is a simple story centered around the all-important message of inclusion.
"Poppy: The stage is no place for romance. Hell, it’s the last place I should be. I’ve always been happy living my life as if no one is watching because frankly, they aren’t. Then my personal world is upset forcing me out of my comfort zone. In the blink of an eye, my entire world is overturned. I’m about to fight my biggest fear and it’s going to play out in front of the entire world. Why would I do this? Because of him."--Amazon.com
Why does he want to ruin a perfectly good friendship by becoming boyfriends? Why would someone from Paul’s background have any interest in ordinary boy-next-door Tom? Tom is quiet and awkward, especially after his ex told him he was nothing. Besides, Tom’s too nerdy, too organised, too shy to ask anyone out ever again. Except maybe Paul. When Paul talks to him, Tom feels fabulous, he feels brave. When Paul looks after him, Tom thinks maybe he’s not nothing. He wants to go wherever Paul, with his rich parents and monthly allowance, leads—to places Tom’s working-class background hasn’t allowed him before. But there’s one problem. Paul’s love of the party drug ecstasy starts with him taking it sometimes, moves onto often, then to usually, until soon it’s always. Tom’s unsure if Paul’s a bad influence on him, or he’s a bad influence on Paul. With a nerd, friends to lovers, clash of backgrounds, partying, dancing and lots of recreational drug use, Love On The Dancefloor is a stand-alone gay romance that asks: can you really make yourself stop loving someone?
'The definitive look at dance music and club culture - a must read' - Paul Oakenfold 'Brilliantly woven collection of aural histories ... a damn fine read' - DJ MAG In 1987, four friends from London, Paul Oakenfold, Danny Rampling, Nicky Holloway and Johnny Walker, took a week-long holiday to Ibiza. What they saw there, and brought back home, would give rise to a new global music and counterculture movement. As the eighties drew to their close, with Thatcherism holding the nation tight in its grip, something funny was happening right across the jungle of Britain's nightlife scene. People were dressing down, not up, to go to clubs. And they were dancing right through the night armed seemingly with only bottles of water. Ecstasy and acid house music had arrived on British shores, and a tribal battle between for the moral future of the nation, between the youth and the establishment, had begun. In The Second Summer of Love, author and dance music promoter Alon Shulman uses exclusive contributions from the world's biggest DJs, including Paul Oakenfold, Carl Cox, Fatboy Slim, Moby, Faithless, Mr C, Farley & Heller, Danny Rampling and many others to faithfully recreate the story of the summers of 1988 and 1989, and chart the birth and rise of Acid House, dance music and club culture right through to the modern day where dance music has become a culturally dominant global industry. Complete with stunning unseen photographs, this is the first authentic account of what really happened in that glorious period - from the politics and the people to the music, the drugs, the fashion and the culture - told by people who were there, as they bring to life the creation of an underground scene which inadvertently altered the course of modern global youth culture forever. 'It's as if house music and rave culture tapped into this ancient predilection of humans to stay up all night dancing and staring into the fire, and just supercharged it with electricity and MDMA' -Moby 'What I was experiencing was right in front of my eyes, it was happening right now and I loved it' -Carl Cox 'It opened my eyes and ears to a different spirit in music' - Fatboy Slim