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Jasmine St. Clair always dreamed of starring in movies. She just wasn't expecting her most famous role to be in the intimate home video that her sleazy boyfriend secretly made in hopes of furthering his own film career.With her "good girl" image in tatters—along with herfaith in men—Jasmine leaves Hollywood and heads toSt. Lucia. Against this lush Caribbean backdrop, Jasminemeets Darien Lamont, a sexy, mysterious Americanwith secrets of his own. But after being so deeplywounded, can Jasmine trust her heart enough to embrace a red-hot new romance?
Like Michael Powell's Peeping Tom, Steven Soderbergh's sex, lies and videotape presents us with a protagonist who can only connect with others through the lens of a camera. Graham is an enigmatic young man who returns to Baton Rouge from a long road trip, mildly irritating his old lawyer friend John and wholly intriguing John's housebound wife Ann. John is conducting a sneaky and entirely sexual affair with Ann's sister Cynthia. For her part, Ann has lost interest in sex, yet Graham's obscurely charming eccentricity stirs something inside her - until she learns that he is functionally impotent and can manage arousal only with the help of a video camera and an agreeably loose-lipped female. Nevertheless, it's the dragging into the open of Graham's dirty little secret that causes all of these characters to confront their own veiled deceits and hypocrisies. sex, lies and videotape won the Palme d'Or at the 1989 Cannes Film Festival, affirming the arrival of a distinctive new talent and signalling the start of a movement among young independent American film-makers opposed to the values and formats of the Hollywood system. Soderbergh's script is an unerringly elegant, witty and literate study of contemporary perversity.
Steven Soderbergh and Richard Lester are a generation apart, but theyshare a sense of humour and a passion for cinema. Soderbergh's freshman film, sex, lies and videotape, inaugurated a movementin US independent cinema. Lester's freewheeling work in the '60s and '70s (Help!, A Hard Day's Night, The Knack, How I Won the War, Petulia) helped create a 'new wave' of British film-making. Here, the two cineastes discuss their mutual passion for the medium in a frank,funny and free-ranging series of interviews. Also included is Soderbergh's diary of an extraordinary twelve months in which he ventured into 'guerilla film-making' with offbeatprojects Schizopolis and Gray's Anatomy, before returning to the Hollywood fray with the George Clooney hit Out of Sight.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
It's no wonder Angela Rivers feels satisfied—maybe a little too satisfied—with her life. Married to handsome congressman Will, with a successful career as an investigative reporter turned talk-show host, Angela has everything under control. Then a tape surfaces of Will having sex with an underage girl. Suddenly, Will is in jail, Angela is broke and jobless, and their marriage is over. Humiliated to be in the middle of a media firestorm after turning the spotlight on others for so long, Angela flees California for Chicago. There, with the support of her friend Regina, she begins to get her career back on track. Dating is the furthest thing from her mind—until she meets marathon coach Jesse, who's also piecing his life together after a breakup. In spite of their wariness, and the problems caused by Jesse's teenage daughter, the attraction blossoms. And when Will returns, vengeful after losing everything, Angela must find a way to defend her good name, her reputation and the unexpected love that has come to mean so much.…
James Mottram traces the roots of this generation of American film-makers to Steven Soderbergh's 'Sex, Lies and Videotape' and looks at how many kickstarted their careers and made their mark at Robert Redford's Sundance Institute in Utah or at his film festival.
Life has delivered one sucker punch after another to Emma Wadsworth. As a matter of fact, you could say the poor little rich girl is the ultimate poster child for Money Can’t Buy Happiness — even if she is no longer a child. Billionaire real estate stud Logan Crawford is as famous for his less-than-platinum reputation as he is his business empire. In thirty-eight years he’s never fallen in love, and that’s just fine with him — until he meets Emma. But Emma’s not buying into Logan’s seductive ways. Well, maybe just a little, but she’s definitely going into the affair with her eyes wide open. She’s no fool. At least not any more. Her deceased husband saw to that. Besides, she knows Logan will catch the first jet out of Philadelphia once he learns her secrets. Except things don’t go exactly as Emma has predicted, and when Philadelphia’s most beloved citizen become the city’s most notorious criminal, she needs to do a lot more than clear her name if she wants to save her budding romance with the billionaire hunk someone is willing to kill for. 2008 Winter Rose Award for Excellence in Romantic Fiction 2008 More Than Magic Award 2008 Laurie Award Key words: vengeful, contemporary, paparazzi, billionaire, murder, crafts & hobbies, second chance
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.