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When Carole Lombard was tragically killed in a plane crash on January 16, 1942, she was 33 years old and had been a film actress for almost 20 years, yet her best work probably still lay ahead. She had reached a career high point, earning praise for her talents as a comedienne as well as a dramatic actress. As well liked as she was on screen, she was equally popular off screen, known for being witty, uninhibited and a great party-giver. Blonde and beautiful, she reigned as the queen of Hollywood when she married Clark Gable, its king. This book offers a thorough examination of her too-short life and provides information about her 78 films, including cast and credits, synopses, reviews and comments. Photographs from her life and films complete the work.
An American icon, Joseph Frank “Buster” Keaton is easily acknowledged as one of the greatest filmmakers in early cinema and beyond. His elaborate slapstick made audiences scream with laughter. But, his stone face hid an internal turmoil. In BUSTER KEATON: CUT TO THE CHASE, biographer Marion Meade seamlessly lays out the life and works of this comedy genius who lacked any formal education. “Buster” made his name as a child of vaudeville, thrown around the stage by his father in a cartoon pantomime of very real abuse. The lessons he carried forward from that experience translated into some of the greatest silent films of all time. Keaton wrote, directed, performed, and edited dozens of features and shorts, including his masterpiece, The General. However, those early scars also led to decades of drinking and mistreatment of women. Keaton saw huge successes, Hollywood sex scandals, years of neglect from studios and audiences, and finally a shaky resurrection that assured his place in Hollywood’s film canon. Meticulously researched, this book brings together four years of research and hundreds of interviews to paint a nuanced portrait of a compelling artist. No comedy fan or film buff should miss this insider story of the man behind the stone face.
Clark Gable arrived in Hollywood after a rough-and-tumble youth, and his breezy, big-boned, everyman persona quickly made him the town’s king. He was a gambler among gamblers, a heavy drinker in the days when everyone drank seemingly all the time, and a lover to legions of the most attractive women in the most glamorous business in the world, including the great love of his life, Carole Lombard. In this well-researched and revealing biography, Warren G. Harris gives an exceptionally acute portrait of one of the most memorable actors in the history of motion pictures—whose intimates included such legends as Marilyn Monroe, Joan Crawford, Loretta Young, David O. Selznick, Jean Harlow, Judy Garland, Lana Turner, Spencer Tracy, and Grace Kelly—as well as a vivid sense of the glamour and excess of mid-century Hollywood.
Ramon Novarro was Ben-Hur to moviegoers long before Charlton Heston. The 1926 film made Novarro--known as "Ravishing Ramon"--one of Hollywood's most beloved silent film idols. His bright and varied career, spanning silents, talkies, the concert stage, theater, and television, came to a dark conclusion with his murder in 1968. This comprehensive work details both the private and public aspects of Novarro's life to return him to his rightful place in film history. Includes a complete filmography and numerous photos.
Joseph P. Kennedy’s reputation as a savvy businessman, diplomat, and sly political patriarch is well-documented. But his years as a Hollywood mogul have never been fully explored until now. In Joseph P. Kennedy Presents, Cari Beauchamp brilliantly explores this unknown chapter in Kennedy’s biography. Between 1926 and 1930, Kennedy positioned himself as a major Hollywood player. In two short years, he was running three studios simultaneously and then, in a bold move, he merged his studios with David Sarnoff to form the legendary RKO Studio. Beauchamp also tells the story of Kennedy’s affair with Gloria Swanson; how he masterminded the mergers that created the blueprint for contemporary Hollywood; and made the fortune that became the foundation of his empire.
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Florence Lawrence's film career began just as the cinema was being born. She recognized the wonder and appeal of the fledgling industry, and her early work with the Vitagraph company gained her a legion of fans and a reputation as a willing and hard working actress. In 1908 she appeared in Romeo and Juliet--America's very first screen Juliet. By 1909, she was working steadily for the Biograph studio-she was dubbed "the Biograph girl"--and was being praised for her "personal attractions" and "very fine dramatic ability." But just as Lawrence was the first movie star in the industry, she was also one of the first to be undone by it. Hindered by setbacks, grueling work schedules, self-imposed retirements, three marriages, repeatedly unsuccessful comeback attempts, Lawrence finally committed suicide in 1938. This impressively researched piece of film history represents the first full-length biography of Florence Lawrence, also called "The Girl of a Thousand Faces." Among the photographs are some never before published. A complete filmography of Lawrence's entire career is provided. A summary chapter includes comments from various critics and historians, addressing how Lawrence is important to film history.
“A fast-paced portrait of the twentieth-century’s fizziest decade, replete with gangsters, flappers, speakeasies and jazz” (Kirkus Reviews). The glitter of 1920s America was seductive, from jazz, flappers, and wild all-night parties to the birth of Hollywood and a glamorous gangster-led crime scene flourishing under Prohibition. But the period was also punctuated by momentous events-the political show trials of Sacco and Vanzetti, the huge Ku Klux Klan march down Washington DC’s Pennsylvania Avenue-and it produced a dizzying array of writers, musicians, and film stars, from F. Scott Fitzgerald to Bessie Smith and Charlie Chaplin. In Anything Goes, Lucy Moore interweaves the stories of the compelling people and events that characterized the decade to produce a gripping portrait of the Jazz Age. She reveals that the Roaring Twenties were more than just “the years between wars.” It was an epoch of passion and change—an age, she observes, not unlike our own. “A varied and dazzling portrait gallery of crooks and film stars, boxers and presidents, each brilliantly delineated and colored in by a historian with a novelist’s relish for human foibles.” —The Sunday Times (London) “Mesmerizing . . . Like the champagne-immersed age she portrays, Moore’s book effervesces with the detail of this fascinating story.” —Juliet Nicholson, Evening Standard (UK) “What a decade it was! What goings-on more violent, subversive and exotic than any of the parties, japes or shenanigans of our own Bright Young Things . . . Moore has knitted the various diverse strands together impressively with an overview of the large cast of characters, events, attitudes, industries and statistics.” —Anne de Courcy, Daily Mail (UK) “Full of anecdote, detail and color. . . . Fluid and elegant.” —Marianne Brace, Independent (UK)