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"Fenglu pursues a man. Even for the first time, she forced him to put him in bed She thought it would take three hundred years to melt Junmohan's heart, but no matter how hard she tried, he scorned it Until after her death, Jun Mohan finally felt heartbroken"
Nobody can ignore the fact that Myra is dying, but in the meantime, life goes on. There are boilers to be fixed, cats to be fed, and the perfect funeral to be planned. As a mother researches burial spots and biodegradable coffins, her family is finally forced to communicate with her and each other as they face up to the future. A dark comedy about death and life going on.
Biografi om den tyske filminstruktør og hans film
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Watson's draws on a wide assortment of Fassbinder interviews--many of which are not available in English--and on theoretical and critical approaches employed in the Frankfurt School, performance and reception theories, gay and lesbian film theory, and studies of melodrama and camp. Watson also incorporates his own interviews with Fassbinder's mother and with the woman who served as Fassbinder's film editor and companion during the final four years of his life. A comprehensive, balanced study, 'Understanding Rainer Werner Fassbinder' also features an annotated bibliography, extensive notes, a filmography of Fassbinder's works, and a listing of films and television programs that examine Fassbinder and his achievements."--Back cover.
Alfred Döblin (1878-1957) studied medicine in Berlin and specialized in the treatment of nervous diseases. Along with his experiences as a psychiatrist in the workers' quarter of Berlin, his writing was inspired by the work of Holderlin, Schopenhauer and Nietzsche and was first published in the literary magazine, Der Sturm. Associated with the Expressionist literary movement in Germany, he is now recognized as on of the most important modern European novelists. Berlin Alexanderplatz is one of the masterpieces of modern European literature and the first German novel to adopt the technique of James Joyce. It tells the story of Franz Biberkopf, who, on being released from prison, is confronted with the poverty, unemployment, crime and burgeoning Nazism of 1920s Germany. As Franz struggles to survive in this world, fate teases him with a little pleasure before cruelly turning on him. Foreword by Alexander Stephan Translated by Eugene Jolas>
"Allison Shaunessy is a woman on the edge. As an archaeologist with the Flinders Museum of Australasian Exploration, she and her team are racing against time to secure funding for an unprecedented excavation in Antarctica. She despairs when, despite her best attempts, she falls short of her financial goal. In America, Michela DeGrasse, a psychologist with the International Space Research Institute, is involved with studying the interaction of humans in extreme environments. When Michela learns of the possibility of the Antarctic research, she attempts to join Allisons expedition but is met with resistance. Only the fact that she is able to provide the needed funding allows Michela to join the expedition to continue her studies. Allison and Michela instantly clash regarding the focus of the expedition and who should lead the team. They settle into a grudging working relationship that gradually deepens into a fragile friendship, but what they find at the expedition site defies all expectations. With hardship, extreme cold, and rivalry standing in their way, will the two women see past their own stubbornness long enough to allow their relationship to develop any further?"--Publisher's description.
A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship. A fresh collection of original research providing diverse perspectives on Fassbinder’s work in films, television, poetry, and underground theatre. Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist’s death in 1982. Interrogates Fassbinder’s influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cataclysmic events of German twentieth century history Contributions from internationally diverse scholars specializing in film, culture, and German studies. Includes coverage of his key films including: Gods of the Plague (1970), Beware of a Holy Whore (1971), The Bitter Tears of Petra von Kant (1972), Martha (1973) (TV), World on a Wire (1973), Effi Briest (1974), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975), Fear of Fear (1975), Chinese Roulette (1976), In a Year With 13 Moons (1978), Despair (1978), The Third Generation (1979), Berlin Alexanderplatz (1980) (TV), and Querelle (1982).