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The British Lord who became a legendary fugitive tells his story of murder and escape in this fictionalized account of the infamous scandal. On November 7th, 1974, a murder plot goes disastrously wrong. John Bingham, 7th Earl of Lucan, had intended to do away with his wife. Instead, it is their nanny, Sandra Rivett, who lies dead in the basement of their London home. The following day, Lord Lucan disappeared. And despite a global hunt, he was never seen again. Bingham had once been the most charismatic members of the British peerage. A frequent gambler, he was known as Lucky Lord Lucan—even though his losses often exceeded his winnings. Since his disappearance, he has become a legend of a very different sort. Here, in his own hand, is Lord Lucan’s confession to his grizzly crimes, and the story of his mysterious life. It is a strange tale of an Old Etonian Earl on the run; of how a man became a murderer; and how a life-long friendship soured into an enduring hate. Here, for the first time, is the full monstrous account of the life of Lord Lucan.
James Gillray was a British caricaturist and printmaker active from 1779 to 1811. He became famous in his own lifetime for his unmerciful satires on politicians, high society and the Royal family during the scandal-rich Regency period, earning him the contemporary description of 'a caterpillar on the green leaf of reputation'. Today, he is arguably the most influential caricaturist the world has known. But while he is credited with being the father of the political cartoon, he also dabbled in the world outside the high and mighty, satirizing everyday social situations from ideas often provided by friends. As I delved into his work, I became familiar with those prints also, some of which had no known background descriptions in either contemporary books or the British Museum's archives. I thought it would be fun to remedy that situation which was the inspiration for the stories in this book.
'The Lord's Prayer can be spoken at the cradle or the grave. It can rise from the altars of great cathedrals and from the dark hovels of those who eat their bread with tears. It can be prayed at weddings and on the gallows. All seven colours of our life are contained in it, and so there is never a time when we are left alone.' In these sermons delivered in the shattered city of Stuttgart during the last days of the war, Helmut Thielicke examined the Lord's Prayer phrase by phrase, drawing from it both immediate comfort and inspiration for the future. As he expounded upon the inner meaning of the familiar phrases, he enabled his despairing congregation to share in this promise of hope - to see the world in a new way, through prayer. Today, for those who are prepared to listen, his words still carry the same power.