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USA Today bestselling author Caroline Linden's third novel in her Scandalous series brings together a feisty heiress, a notorious rake, and a shocking book that could bring one woman the utmost despair— or the greatest pleasure. Penelope Weston does not like Benedict Lennox, Lord Atherton. He may be the suave and charming heir to an earl, as well as the most handsome man on earth, but she can't forget how he abandoned a friend in need— nor how he once courted her sister, Abigail. He's the last man she would ever marry. If only she didn't feel so attracted to the arrogant scoundrel . . . Once upon a time, Benedict thought he and Penelope got along rather well. Though he needs a wealthy bride to escape his cruel father's control, spirited Penelope just doesn't suit his plans for a model marriage—until a good deed goes awry, and scandalous rumors link his name to Penelope's. She might not be the quiet, sensible wife he thought he wanted, but she is beautiful . . . beguiling . . . and far more passionate than he ever imagined. Can a marriage begun in scandal become a love match, too?
With Love and Other Scandals, bestselling and RITA Award–winning author Caroline Linden launches a scandalously sexy new historical romance series set in Regency England. Joan Bennett is a breath away from being a spinster. She’s had four seasons without a suitor. After reading a shockingly sensuous book, Fifty Ways to Sin, Joan decides perhaps it’s time to stop being proper and start being sinful, while she’s still young enough to enjoy it. And what better partner than her brother’s drinking mate, Viscount Burke? He seems the type to know how to give a lady a lascivious adventure. It seems that the viscount has qualms about trifling with a friend’s sister. That’s the way to end up betrothed. And he doesn’t want that—or does he?
A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.
Colm Tóibín knows the languages of the outsider, the secret keeper, the gay man or woman. He knows the covert and overt language of homosexuality in literature. In Love in a Dark Time, he also describes the solace of finding like-minded companions through reading. Colm Tóibín examines the life and work of some of the greatest and most influential writers of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives, either by choice or necessity. The larger world couldn't know about their sexuality, but in their private lives, and in the spirit of their work, the laws of desire defined their expression. This is an intimate encounter with Mann, Baldwin, Bishop, and with the contemporary poets Thom Gunn and Mark Doty. Through their work, Tóibín is able to come to terms with his own inner desires—his interest in secret erotic energy, his admiration for courageous figures, and his abiding fascination with sadness and tragedy. Tóibín looks both at writers forced to disguise their true experience on the page and at readers who find solace and sexual identity by reading between the lines.
In 1798, English essayist and novelist William Godwin ignited a transatlantic scandal with Memoirs of the Author of "A Vindication of the Rights of Woman." Most controversial were the details of the romantic liaisons of Godwin's wife, Mary Wollstonecraft, with both American Gilbert Imlay and Godwin himself. Wollstonecraft's life and writings became central to a continuing discussion about love's place in human society. Literary radicals argued that the cultivation of intense friendship could lead to the renovation of social and political institutions, whereas others maintained that these freethinkers were indulging their own desires with a disregard for stability and higher authority. Through correspondence and novels, Andrew Cayton finds an ideal lens to view authors, characters, and readers all debating love's power to alter men and women in the world around them. Cayton argues for Wollstonecraft's and Godwin's enduring influence on fiction published in Great Britain and the United States and explores Mary Godwin Shelley's endeavors to sustain her mother's faith in romantic love as an engine of social change.
The second book in a deliciously sexy new series from USA Today bestselling and RITA award winning author Caroline Linden, in which an utterly shocking book – Fifty Shades of Grey for the Regency era-- has all of London talking and gives more than one young miss a mind for scandal. Sometimes It Takes a Scandal . . . Abigail Weston has everything: beauty, wit, and one of the largest dowries in England. Her parents hope she'll wed an earl. Abigail hopes for a man who wants her desperately and passionately. But the money seems to blind every man she meets—except one. Sebastian Vane has nothing. He came home from war with a shattered leg to find his father mad and his inheritance gone. He's not a fit suitor for anyone, let alone an heiress. But Abigail lights up his world like a comet, bright and beautiful and able to see him instead of his ruined reputation. And it might end happily ever after . . . To Reveal Your Heart's Desire . . . Until Benedict Lennox begins courting Abigail. Ben is everything Sebastian isn't—wealthy, charming, heir to an earl. Sebastian won't give up the only girl he's ever loved without a fight, but Abigail must choose between the penniless gentleman who moves her heart, and the suitor who is everything her parents want.
Olivia Townsend is in trouble and out of options. Pursued by a dangerous man in search of a lost treasure she doesn’t possess, she’s got only two things in her favor: her late husband’s diary, which she was never meant to see… and the man who was her first—and only—love. Losing him broke her heart, though she’s been careful to hide it for the last ten years. But when he comes to her aid and vows to stand by her, no matter what, she can’t help but hope things will be different for them this time. James Weston has blamed himself for letting Olivia down when she needed him years ago, and now he’ll do whatever it takes to keep her safe—and to win her trust again. He’s confident he can outwit the villain chasing Olivia. But being so near her again threatens to expose every secret in his heart … even those that he swore would stay hidden forever.
In this timely, insightful, and darkly funny investigation, the acclaimed author of Against Love asks: what does living in dystopic times do to our ability to love each other and the world? COVID-19 has produced new taxonomies of love, intimacy, and vulnerability. Will its cultural afterlife be as lasting as that of HIV, which reshaped consciousness about sex and love even after AIDS itself had been beaten back by medical science? Will COVID end up making us more relationally conservative, as some think HIV did within gay culture? Will it send us fleeing into emotional silos or coupled cocoons, despite the fact that, pre-COVID, domestic coupledom had been steadily losing fans? Just as COVID revealed our nation to itself, so did it hold a mirror up to our relationships. In Love in the Time of Contagion, Laura Kipnis weaves (often hilariously) her own (ambivalent) coupled lockdown experiences together with those of others and sets them against a larger backdrop: the politics of the virus, economic disparities, changing gender relations, and the ongoing institutional crack-ups prompted by #MeToo and Black Lives Matter, mapping their effects on the everyday routines and occasional solaces of love and sex.
It's no wonder Angela Rivers feels satisfied—maybe a little too satisfied—with her life. Married to handsome congressman Will, with a successful career as an investigative reporter turned talk-show host, Angela has everything under control. Then a tape surfaces of Will having sex with an underage girl. Suddenly, Will is in jail, Angela is broke and jobless, and their marriage is over. Humiliated to be in the middle of a media firestorm after turning the spotlight on others for so long, Angela flees California for Chicago. There, with the support of her friend Regina, she begins to get her career back on track. Dating is the furthest thing from her mind—until she meets marathon coach Jesse, who's also piecing his life together after a breakup. In spite of their wariness, and the problems caused by Jesse's teenage daughter, the attraction blossoms. And when Will returns, vengeful after losing everything, Angela must find a way to defend her good name, her reputation and the unexpected love that has come to mean so much.…
“The articles and columns in The Scandal of the Century demonstrate that his forthright, lightly ironical voice just seemed to be there, right from the start . . . He’s among those rare great fiction writers whose ancillary work is almost always worth finding . . . He had a way of connecting the souls in all his writing, fiction and nonfiction, to the melancholy static of the universe.” --Dwight Garner, The New York Times From one of the titans of twentieth-century literature, collected here for the first time: a selection of his journalism from the late 1940s to the mid-1980s--work that he considered even more important to his legacy than his universally acclaimed works of fiction. "I don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism," Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer, more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El País. And while all the work points in style, wit, depth, and passion to his fiction, these fifty pieces are, more than anything, a revelation of the writer working at the profession he believed to be "the best in the world."