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How the suspect sexuality of actors and actresses shaped early modern debates about gender and sexual identity From the Restoration through the eighteenth century, the sexuality of actors and actresses was written about in ways that stirred the public imagination. Actors were frequently suspected of heterosexual promiscuity or labeled effeminate or even as “sodomites,” and actresses were often viewed as prostitutes or sexually ambivalent victims of their profession. Kristina Straub argues that this depiction of players greatly shaped public debates about what made women feminine and men masculine. Considering a wide range of literature by or about players—pamphlets, newspaper reports, theatrical histories, and biographies as well as the public correspondence between Alexander Pope and the famed actor Colley Cibber—she examines the formation of gender roles and sexual identities during a period crucial to modern thinking on these issues. Drawing from feminist-materialist and gay and lesbian theories and historiographies, Sexual Suspects analyzes the complex development of spectacle and spectatorship as gendered concepts. She reveals how national, racial, and class differences contributed to the subjection of players as professional spectacles and how images of race, class, and gender combined to create divisions between “normal” and “deviant” sexuality.
Humor, Heat, Action and Sass... Read them all! "What the heck are you doing here? I could've killed you!" "Sugar, I strolled on up, whistling. I figured you couldn't miss me." A dick in Manhattan? You've got to be kidding me. Don't get me wrong. I respect she's got plenty of attitude. I especially hold her Uncle Vinny, a mob boss, in high esteem. Both he and her police-chief father explain how I should book my own funeral if I mess with her. Not much for authority, I thank them for their concern. However, she's mine and I plan on keeping her. When she goes missing, at first I figure she's miffed. Yeah, I may not always take her career as seriously as she'd like. But hey, didn't I help her solve the missing-cat-caper? That should count for something, right? When she doesn't answer my texts, I check with her family and my stupid heart stops. Where the hell is she? Suds and Sam will make you laugh and yet keep you turning one more page all night long. Grab your copy now. Note: Beware of healthy, passionate, panty-melting scenes. No cliffhangers. Happy ending guaranteed.
What happens when an actor owns shares in the stage on which he performs and the newspapers that review his performances? Celebrity that lasts over 240 years. From 1741, David Garrick dominated the London theatre world as the progenitor of a new 'natural' style of acting. From 1747 to 1776, he was a part-owner and manager of Drury Lane, controlling most aspects of the theatre's life. In a spectacular foreshadowing of today's media convergences, he also owned shares in papers including the St James's Chronicle and the Public Advertiser, which advertised and reviewed Drury Lane's theatrical productions. This book explores the nearly inconceivable level of cultural power generated by Garrick's entrepreneurial manufacture and mediation of his own celebrity. Using new technologies and extensive archival research, this book uncovers fresh material concerning Garrick's ownership and manipulation of the media, offering timely reflections for theatre history and media studies.