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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Cambridge University Library T170326 The dedication signed: W. Kenrick. An attack on Isaac Bickerstaff and David Garrick. London: printed for J. Wheble, 1772. iv,31, [1]p.; 4°
Excerpt from Love in the Suds: A Town Eclogue, Being the Lamentation of Roscius for the Loss of His Nyky But you will a t me, perhaps, in turn, Sir, what right Ihave to interfere with the bufinefs of other people, or with yours? It will anfwer you. It is becaufe I think your bufinefs, as patentee of a theatre-royal, is not fo entirely yours, but that the publick alfo have fome concern in it. You, Sir, indeed have long be haved as if you thought the town itfelf a purchafed appurtenance to the theatre; but, tho' the fcenes and machines are yours nay, tho' you have even found means to make comedians and poets your property; it lhould be with more caution than you praelife, that you extend your various arts to make fo fcandalous a proper ty of the publiclc. Again I anfwer, it is becaufe I have fome regard for my friend, and as much for myfelf, whom you have treated as ill perhaps as. You have done any other writer; while under your aufpices, fome of the perfons {tigmatifed by the fatiriit, have frequently combined to do me the mofi e ential injury. But nemo me impunc' lacq z'zf. Not that I mean now to enter into particulars which may be thought to relate too much to myfelf and too little to the publick. 'when I {hall have leifure to draw a faithful portraiture of Mr. Garrick, not only from his behaviour. To me in particular, but from his conduet towards poets, players and the town in general, I doubt not to convince the mofi partial of his admirers that he hath accumulated a fortune, as manager, by the meanefi and mofi me retricious devices, and that the theatrical props, which have long fupported his exalted reputation, as an a tor, have been raifed on the ruins of the Engliih Rage. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
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Love in the Suds By W. Kenrick Kenrick was born at Watford, Hertfordshire, son of a stay-maker. He apparently obtained a doctorate at Leiden University (although other sources maintain he went to a Scottish university) and appeared for the first time as a pamphletist in 1751 where he wrote, under the name of "Ontologos," The Grand Question debated; or an Essay to prove that the Soul of Man is not, neither can it be Immortal. In typical fashion, Kenrick forthwith provided an answer to this question proving the reverse, a tactic he often used in order to publicize his productions. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.