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Poems and tales of a literary forefather of the United Arab Emirates Love, Death, Fame features the poetry of al-Māyidī ibn Ẓāhir, who has been embraced as the earliest poet in what would later become the United Arab Emirates. Although little is known about his life, he is the subject of a sizeable body of folk legend and is thought to have lived in the seventeenth century, in the area now called the Emirates. The tales included in Love, Death, Fame portray him as a witty, resourceful, scruffy poet, at times combative and at times kindhearted. His poetry primarily features verses of wisdom and romance, with scenes of clouds and rain, desert migrations, seafaring, and pearl diving. Like Arabian Romantic and Arabian Satire, this collection is a prime example of Nabaṭī poetry, combining vernacular language of the Arabian Peninsula with archaic vocabulary and images dating to Arabic poetry’s very origins. Distinguished by Ibn Ẓāhir’s unique voice, Love, Death, Fame offers a glimpse of what life was like four centuries ago in the region that is now the UAE. An English-only edition.
"Poems and tales of a literary forefather of the United Arab Emirates"--
"The poetry of al-Māyidī ibn Ẓāhir, the earliest poet in what would later become the United Arab Emirates"--
Allen Ginsberg was one of the bravest and most admired poets of this century. Famous for energizing the Beat Generation literary movement upon his historic encounter with Gregory Corso, Jack Kerouac, and William Burroughs in mid-century New York City, Ginsberg influenced several generations of writers, musicians, and poets. When he died on April 5, 1997, we lost one of the greatest figures of twentieth-century American literary and cultural history. This singular volume of final poems commemorated the anniversary of Ginsberg's death, and includes the verses he wrote in the years shortly before he died.
Neil Strauss can uncover the naked truth like nobody else. With his groundbreaking book The Game, Strauss penetrated the secret society of pickup artists. Now, in Everyone Loves You When You're Dead, the Rolling Stone journalist collects the greatest moments from the most insane music interviews of all time. Join Neil Strauss, "The Mike Tyson of interviewers," (Dave Pirner, Soul Asylum), as he Makes Lady Gaga cry, tries to keep Mötley Crüe out of jail & is asked to smoke Kurt Cobain's ashes by Courtney Love Shoots guns with Ludacris, takes a ride with Neil Young & goes to church with Tom Cruise and his mother Spends the night with Trent Reznor, reads the mind of Britney Spears & finds religion with Stephen Colbert Gets picked on by Led Zeppelin, threatened by the mafia & serenaded by Leonard Cohen Picks up psychic clues with the CIA, diapers with Snoop Dog & prison survival tips from Rick James Goes drinking with Bruce Springsteen, dining with Gwen Stefani & hot tubbing with Marilyn Manson Talks glam with David Bowie, drugs with Madonna, death with Johnny Cash & sex with Chuck Berry Gets molested by the Strokes, in trouble with Prince & in bed with . . . you'll find out who inside. Enjoy many, many more awkward moments and accidental adventures with the world's number one stars in Everyone Love You When You're Dead.
"This book, by the renowned Petrarch scholar, remains an important basic study of the poetry, particularly of Laura. Bernardo discusses the major critics of Petrarch's Laura (DeSanctis, Croce), then devotes two chapters (26-87) to the figure of Laura in the Canzoniere and the Latin works. Seven chapters discuss the poetic image of Laura in the Triumphs, historically, critically, and contextually, the last focussing on Laura as nova figura, not allegory. It belongs in every library ad on every Petrarchist's shelf."
Fifteen-year-old Cat and three other London teens are drawn into a dangerous game in which Tarot cards open doorways into a different dimension, and while there is everything to win, losing can be fatal.
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.