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Reg Mitchell is a modest, decent man with a gift for designing fast aeroplanes. Two horrors seek him out — terminal illness, and Nazi Germany’s predicted invasion of his country. His response will change the course of world history. 'Here is a splendid love story of maker for machine: an inventor’s single-minded devotion to his imperilled country, and to the fighter plane that he hopes will save it. Winton Higgins handles the origin story of the Spitfire with the surefootedness of the historian, and eloquence of the poet. His drama of creation is made all the more poignant by its backdrop of destruction: the collective destruction of war, and the personal destruction of the cancer that Mitchell attempts to outpace just long enough to get the job done.' — Sara Knox, author of The Orphan Gunner 'If you love aeroplanes — and even if you don’t — this book is a must. There is a saying among pilots ‘if it looks good it will fly well’ and there can be no better example than the Supermarine Spitfire, the graceful and deadly British superhero of World War II. The Spitfire evolved into a fighter plane that could out-climb, out-run, out-turn and out-fight anything in the sky. Pilots didn’t like the Spitfire, they loved it. Winton Higgins has written a fluent and brilliantly researched story of the Spitfire’s designer Reg Mitchell, and the creation of a unique classic aircraft. Spellbinding!' — Peter Grose, author of A Good Place to Hide
Too much of humanitys history might have been lost through the great flood, which mercifully rendered humankind another chance to dwell on the Earth. This fictional account through Methuselah begins with the creation of the two Earths and follows Adam through his multiple wives torn by sons who murder each other. His remaining sons divide into tribes separated by their relationship with the creator. Nonetheless, wickedness rose in Seths tribe, while righteousness comes forth from Cains seed. Eve rewards Irad after he avenges the murder of his mother who was a favored stepdaughter of Eve. Eve rewards Irad with three of her cherished daughters. They launch a new homeland beyond the two established borders, and through their faith in the God of Adam find favor with the Ancient~One, who reestablishes his covenant with a descendant of Habil (Cain). Lilith and several of her daughters bond with Duci, one of Irads wives, exploring the wild unsettled bulk of Pangaea lands beyond the invisible border, which protects humanity from the hungry dinosaurs living in the open wilderness. Duci, with help from the Nephilim build the foundations for their two new cities and multiple temples. Irads tribe sails on secret ships to the southern hemisphere and build a Holy nation serving the Ancient~One. Enoch settles his small family on a mountaintop protected by angels as humanity falls into the final stage of wickedness. Irad and his wives end their long fruitful lives, nevertheless; they watch from heaven as the vast majority of their family chose to follow their own gods and disown the Ancient~One. Just three young men, who must sail to a distant island with their wives, remain servants of the Ancient~One. Noah builds a giant rectangle ship boarding his sons and many wild animals saving them through a large flood. Avram sails through the flood with his small group while watching death consume the lands.
Lost Scriptures offers an anthology of up-to-date and readable translations of many non-canonical writings from the centuries after Christ--texts that have for the most part been neglected or lost for nearly two millennia. Here is an array of remarkably varied writings from early Christian groups whose visions of Jesus differ dramatically from our contemporary understanding. Ehrman has included a general introduction, plus brief introductions to each piece. Lost Scriptures gives readers a vivid picture of the range of beliefs that battled each other in the first centuries of the Christian era. It is an essential resource for anyone interested in the Bible or the early Church.
Translation of: Neutestamentliche Apokryphen.
The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.