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"Durst consistently defies expectations."—Publishers Weekly (starred review) From award-winning author Sarah Beth Durst, a standalone epic fantasy set in a brand-new world of towering mountains and sparkling cities, in which a band of aging warriors have a second chance to defeat dark magic and avenge a haunting loss. Twenty-five years ago, five heroes risked their lives to defeat the bone maker Eklor—a corrupt magician who created an inhuman army using animal bones. But victory came at a tragic price. Only four of the heroes survived. Since then, Kreya, the group’s leader, has exiled herself to a remote tower and devoted herself to one purpose: resurrecting her dead husband. But such a task requires both a cache of human bones and a sacrifice—for each day he lives, she will live one less. She’d rather live one year with her husband than a hundred without him, but using human bones for magic is illegal in Vos. The dead are burned—as are any bone workers who violate the law. Yet Kreya knows where she can find the bones she needs: the battlefield where her husband and countless others lost their lives. But defying the laws of the land exposes a terrible possibility. Maybe the dead don’t rest in peace after all. Five warriors—one broken, one gone soft, one pursuing a simple life, one stuck in the past, and one who should be dead. Their story should have been finished. But evil doesn’t stop just because someone once said, “the end.”
"One of the best fantasies of the year." - Buzzfeed "Riveting, passionate, and full of high stakes danger." —Tamora Pierce, #1 New York Times bestselling author Emily Thiede's exciting fantasy debut, This Vicious Grace, the first in The Last Finestra duology, will keep readers turning the pages until the devastating conclusion and leave them primed for more! Three weddings. Three funerals. Alessa’s gift from the gods is supposed to magnify a partner’s magic, not kill every suitor she touches. Now, with only weeks left until a hungry swarm of demons devours everything on her island home, Alessa is running out of time to find a partner and stop the invasion. When a powerful priest convinces the faithful that killing Alessa is the island’s only hope, her own soldiers try to assassinate her. Desperate to survive, Alessa hires Dante, a cynical outcast marked as a killer, to become her personal bodyguard. But as rebellion explodes outside the gates, Dante’s dark secrets may be the biggest betrayal. He holds the key to her survival and her heart, but is he the one person who can help her master her gift or destroy her once and for all? Don't miss the thrilling conclusion to The Last Finestra duology, This Cursed Light— out now wherever books are sold!
The time is 1940. Jonathan Darrow is an Anglican priest when he receives a shattering vision and knows he must leave the monastery that has been his home for seventeen years. As he plunges into the temptations of the real world, a crisis sends him into the labyrinth of his past to pluck out the buried truth beneath the deceptions he has been living through. Praise for Glamorous Powers “Fascinating . . . convincing . . . believable.”—Newsday “Mesmerizing . . . holds the reader riveted.”—The Washington Post “Intriguing and wholly involving . . . Darrow is a willful, proud, manipulative man, struggling to subdue his tempestuous character. . . . The resulting crisis—in which Darrow finally faces the necessary process of uncovering deeply buried pain—underlines Ms. Howatch's concern with the continual play of light and dark in the human spirit.”—The New York Times Book Review “Gripping . . . You'll be quite transported. You'll also discover one of the most original novelists writing today.”—Cosmopolitan “Howatch is skillful at plot development and deftly handles [her] subject. . . . Her grasp of psychic experiences and the inner struggle between the urge to do spiritual good and the temptation to exert control make for an engrossing read.”—New York Daily News “Wise, witty . . . Holds the reader spellbound.”—Publishers Weekly
Noble Cause Corruption, the Banality of Evil, and the Threat to American Democracy, 1950-2008 is a probe of the mindset of American government officials, from presidents of the United States on down, who decided that necessity required that the American democracy had to be defended by actions and policies that were contrary to the traditional ideals of the democracy. The emphasis is on the activities of the U.S. military and intelligence agencies. The probe relies for its historical data on well-recognized, previously published reports and histories. The probe is unique in that it focuses on the mindset of the individuals involved. The analysis of the mindset ranges from Aristotle, the latest research of mental health professionals, to the insights of thinkers Edmund Burke, Reinhold Niebuhr, Friedrich Meinecke, and George Kennan. The conclusions reached are disturbing: the defense of the democracy has been a failure and the mindset of the officials has continued to the present day and does not bode well for the future of the democracy. Book jacket.
War rages everywhere and Morgan is caught in the middle in the haunting and “satisfying conclusion” (Kirkus Reviews) of The Internment Chronicles, from the New York Times bestselling author of The Chemical Garden trilogy. The city is falling out of the sky… Morgan always thought it was just a saying. A metaphor. The words of the dying. But as they look up at the floating island that was their home, Pen and Morgan make a horrible discovery—Internment is sinking. And it’s all Morgan’s fault. Corrupted from the inside by one terrible king and assailed from the outside for precious resources by another, Internment could be destroyed because Morgan couldn’t keep a secret. As two wars become one, Morgan must find a way to bring her two worlds together to stop the kings that wage them… Or face the furthest fall yet.
Race and civil rights in 1963 Los Angeles provide a powerful backdrop in Gary Phillips’s riveting mystery about an African American crime scene photographer seeking justice for a friend—perfect for fans of Walter Mosley, James Ellroy, and George Pelecanos. LOS ANGELES, 1963: Korean War veteran Harry Ingram earns a living as a news photographer and occasional process server: chasing police radio calls and dodging baseball bats. With racial tensions running high on the eve of Martin Luther King’s Freedom Rally, Ingram risks becoming a victim at every crime scene he photographs. When Ingram hears about a deadly automobile accident on his police scanner, he recognizes the vehicle described as belonging to his good friend and old army buddy, a white jazz trumpeter. The LAPD declares the car crash an accident, but when Ingram develops his photos, he sees signs of foul play. Ingram feels compelled to play detective, even if it means putting his own life on the line. Armed with his wits, his camera, and occasionally his Colt .45, “One-Shot” Harry plunges headfirst into the seamy underbelly of LA society, tangling with racists, leftists, gangsters, zealots, and lovers as he attempts to solve the mystery. Master storyteller and crime fiction legend Gary Phillips has filled the pages of One-Shot Harry with fascinating historical cameos, wise-cracks, tenderness, and an edge-of-your-seat thrill ride of a plot with consequences far beyond one dead body.
Dramatic miniseries are the primary arena for the expression of postcolonial Syrian culture and artistic talent, an arena that unites diverse aspects of artisanship in a struggle over visions of the past, present, and future of the nation. As the tour de force of the television medium, blossoming amidst persisting authoritarianism, these miniseries serve as a crucial and complex artistic avenue through which political and social opposition manifests. Scholars have tried to come to terms with a highly critical culture produced within attempted state co-optation, and argue that politically critical culture operates as a “safety valve” to release frustrations so that dissenters are less likely to mobilize against the government. Through research fueled by a viewing of over two hundred and fifty miniseries ranging from the 1960s to the present—as well as an examination of hundreds of press reports, Facebook pages, and extensive interviews with drama creators—this book turns away from the dominant paradigm that focuses on regime intent. When turning attention instead to the drama creators themselves we witness the polyphony of voices employing love and marriage metaphors and gender (de)constructions to explore larger issues of nationalism, self-identity, and political critique. At the heart of constructions of femininity are the complications that arise with the symbiosis of pure femininity with authentic national identity. Deconstructing masculinity as political critique has been less complicated since it is not implicated in Western identity issues; on the contrary, illustrations of subservient masculinity serve to subtly denounce government corruption and oppression. Miniseries from the 1960s demonstrate that the focus of the qabaday (tough man) on female sexuality comes from his own political alienation vis-à-vis the state, and is part of a vicious cycle of state violence vis-à-vis the citizen. In recent years, and in particular after the uprising, we can see the emerging definition of the true qabaday as one who does not suppress a woman’s sexuality, thereby allowing for full equality in relationships as the basis of a truly free society.
“National Velvet with monsters and a big helping of palace intrigue, Race the Sands is monstrous (literally), heartwarming, and empowering in equal measure. An incredibly fun and inspiring read.” – Katherine Arden, New York Times bestselling author of The Bear and the Nightingale In this epic standalone fantasy, the acclaimed author of the Queens of Renthia series introduces an imaginative new world in which a pair of strong and determined women risk their lives battling injustice, corruption, and deadly enemies in their quest to become monster racing champions. Life, death, and rebirth—in Becar, who you are in this life will determine your next life. Yet there is hope—you can change your destiny with the choices you make. But for the darkest individuals, there is no redemption: you come back as a kehok, a monster, and are doomed to be a kehok for the rest of time. Unless you can win the Races. After a celebrated career as an elite kehok rider, Tamra became a professional trainer. Then a tragic accident shattered her confidence, damaged her reputation, and left her nearly broke. Now, she needs the prize money to prevent the local temple from taking her daughter away from her, and that means she must once again find a winning kehok . . . and a rider willing to trust her. Raia is desperate to get away from her domineering family and cruel fiancé. As a kehok rider, she could earn enough to buy her freedom. But she needs a first-rate trainer. Impressed by the inexperienced young woman’s determination, Tamra hires Raia and pairs her with a strange new kehok with the potential to win—if he can be tamed. But in this sport, if you forget you’re riding on the back of a monster, you die. Tamra and Raia will work harder than they ever thought possible to win the deadly Becaran Races—and in the process, discover what makes this particular kehok so special.