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" ...Love & Space Dust is a poetry anthology exploring love and eternity. Timeless poetry of feeling and emotion, Love & Space Dust carries readers on a journey through love, life and relationships, and then far beyond, into the stars and the far flung galaxies, where all that remains of the feelings we once felt and the lives we once lived is love and space dust."--Back cover.
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
From the author of 'Love and Space Dust' and 'Could You Ever Live Without?', 'Love as the Stars Go Out' is a collection of poetry from the end of the world. Poems of love, feeling and emotion, the collection encompasses all of life, and even beyond.
From the author of the best selling poetry collection Love And Space Dust and the writer behind the internationally famous poetry account @storydj comes a book about love, heartbreak, life - and how to survive all three amongst the noise of our modern world. Loud World, Quiet Thoughts is divided into two parts. The first consists of short prose, aphorisms and quotes focused on the deafening noise of the modern world; of social media, of television, and pressure. It embodies the endless anxiety of contrasting voices and white noise so loud that it drowns out our own thoughts. The second consists of beautiful poetry drawn from our quietest thoughts and the depths of our souls, thoughts about love and heartbreak and, most of all, hope. Above all else, Loud World, Quiet Thoughts is a book about reconciling the secret spaces of your heart with the white noise of the world outside.
Wool introduced the world of the silo. Shift told the story of its creation. Dust will describe its downfall.
From beloved Cuban science fiction author Yoss comes a bitingly funny space-opera homage to Raymond Chandler, about a positronic robot detective on the hunt for some extra-dangerous extraterrestrial criminals. On the intergalactic trading station William S. Burroughs, profit is king and aliens are the kingmakers. Earthlings have bowed to their superior power and weaponry, though the aliens—praying-mantis-like Grodos with pheromonal speech and gargantuan Collosaurs with a limited sense of humor—kindly allow them to do business through properly controlled channels. That’s where our hero comes in, name of Raymond. As part of the android police force, this positronic robot detective navigates both worlds, human and alien, keeping order and evaporating wrongdoers. But nothing in his centuries of experience prepares him for Makrow 34, a fugitive Cetian perp with psi powers. Meaning he can alter the shape of the Gaussian bell curve of statistical probability—making it rain indoors, say, or causing a would-be captor to shoot himself in the face. Raymond will need all his training—and all his careful study of Chandler’s hardbitten cops—to outmaneuver his quarry. As he did in his brilliantly funny and sharp science-fiction satires A Planet for Rent, Super Extra Grande, and Condomnauts, Yoss makes the familiar strange and the strange familiar in Red Dust, giving us an unforgettable half-human hero and a richly imagined universe where the bad guys are above the laws of physics. Praise for A Planet for Rent: "A Planet for Rent is the English-language debut of Yoss, one of Cuba's most lauded writers of science fiction. Translated by David Frye, these linked stories craft a picture of a dystopian future: Aliens called xenoids have invaded planet Earth, and people are looking to flee the economically and socially bankrupt remains of human civilization. Yoss' smart and entertaining novel tackles themes like prostitution, immigration and political corruption. Ultimately, it serves as an empathetic yet impassioned metaphor for modern-day Cuba, where the struggle for power has complicated every facet of society." —Juan Vidal, NPR, Best Books of 2015 "In prose that is direct, sarcastic, sexual and often violent, A Planet for Rent criticizes Cuban reality in thinly veiled terms. Cuban defectors leave the country not on rafts but on 'unlawful space launches'; prostitutes are 'social workers'; foreigners are 'xenoids'; and Cuba is a “planet whose inhabitants have stopped believing in the future.” The book is particularly critical of the government-run tourism industry of the ’90s, which welcomed and protected tourists—often at the expense of Cubans—and whose legacy can still be felt today." —Jonathan Wolfe, The New York Times “Some of the best sci-fi written anywhere since the 1970s.… A Planet for Rent, like its author, a bandana-wearing, muscly roquero, is completely sui generis: riotously funny, scathing, perceptive, and yet also heart-wrenchingly compassionate.… Instantly appealing.” —André Naffis-Sahely, The Nation "This hilarious and imaginative novel by Cuba's premiere science-fiction writer gets my vote for most overlooked novel of the year. Yoss's book imagines a world where Earth is run as a tourist destination by capitalist aliens who have little regard for the planet or its inhabitants. A Planet for Rent is a perfect SF satire for our era of massive inequality and seemingly unchecked environmental destruction." —Lincoln Michel, VICE "A Planet for Rent is devastating and hilarious and somehow, amidst all those aliens, deeply human." —Daniel José Older, author of Half-Resurrection Blues “A compelling meditation on modern imperialism…. A fascinating kaleidoscope of vignettes…. A brilliant exploration of our planet’s current social and economic inequities…. Yoss doesn’t disappoint, sling-shotting us around the world and the galaxy…. Striking, detailed.… Yoss has written a work of science fiction that speaks to fundamental problems humans deal with every day. This is not just a story about alien oppression; it’s the story of our own planet’s history and a call for change.” —Rachel Cordasco, SF Signal, 4.5-star review “What 1984 did for surveillance, and Fahrenheit 451 did for censorship, A Planet for Rent does for tourism.… It’s a wildly imaginative book and one that, while set in the future, has plenty of relevance to the present.” —Adam Ley-Lange, The Bookseller “Cuba has produced an author capable of understanding science fiction by writing it like it’s rock and roll. Yoss is a thoughtful author who simply seems to understand his work and science fiction better than many of us.” —Ryan Britt, Electric Literature “For readers of Stanislaw Lem and William Gibson's Sprawl trilogy.... An excellently written piece of sci-fi, with its rich world-building and well-crafted characters.... Yoss has told a fictional tale that rings all too true despite the aliens and spaceships. A Planet for Rent is science fiction of the highest caliber. It tells us to imagine a strange new world, and as we explore it we come to understand our own a little better." —BH Shepherd, LitReactor “[Yoss’s] work is modern, dynamic and yet deep and thoughtful.… There is a dark, almost bleak tone to the novel but with small sparks of hope, along with a good deal of dark humor.… It's wildly inventive, imaginative fiction, with a real edge to the writing—there is an energy to the prose that is almost tangible and to get all this through a translation is nothing short of remarkable.” —Ant Jones, SFBook.com, Five-Star Review “The true power of science fiction lies in its capacity to convey the reality of human existence, and the threats we face from internal and external sources, while using language, images, and concepts that transcend common experience. This could not be truer of A Planet for Rent by Cuban science fiction legend José Miguel Sánchez, better known as Yoss.… Highly relevant. Joining a literary tradition of writers who envisioned Earth’s future in terrifyingly comprehensible ways, such as H.G. Wells, Arthur C. Clarke, J.G. Ballard, Philip K. Dick, Aldous Huxley, and Margaret Atwood, Yoss’s portrayal of Earth’s dystopian downfall weaves together fantasy and reality—at times troublingly close to the latter.… Yoss skillfully weaves themes and characters together into a rich tapestry, and each section gives us a more fulfilling, and fearful, vision of a dominated Earth–now an intergalactic tourist destination.” —Rosie Clarke, Words Without Borders Praise for Super Extra Grande: “Intergalactic space travel meets outrageous, biting satire in Super Extra Grande…. Its author [Yoss] is one of the most celebrated—and controversial—Cuban writers of science fiction…. Reminiscent of Douglas Adams—but even more so, the satire of Rabelais and Swift.” —Nancy Hightower, The Washington Post “A lighthearted space-opera adventure by Cuban author Yoss…. This novel's madcap tone is very similar to Douglas Adams'—so much so that it's almost impossible to avoid drawing such comparisons (although Adams didn't joke about oral sex with aliens, as Yoss does here). As in Adams' works, the galaxy's species are terrifically alien, sporting six breasts and no teeth or breathing methane instead of oxygen…. An exceptionally enjoyable comic tale set in a fully realized, firmly science-fictional universe.” —Kirkus, Starred Review “Science fiction is a place where minority authors have brilliantly mixed the possibilities of the future with the sociopolitical problems of their time. Everything from politics and sexism to racism and the silence of the subaltern (the one Gayatri Chakravorty Spivak wrote about) have been explored within the context of a narrative that takes place in a fictional future. Cuban science fiction author Yoss’ Super Extra Grande does all these things.… [Yoss] marries hard science with wild invention and throws that mix into a hilarious, politically and sexually charged universe where all alien races have stopped being unknown to each other. The result is a witty narrative that proves that, when done right, science fiction can be the most entertaining genre even when delivering a message.… Spanglish dialogue enriches the narrative and makes it crackle with authenticity.… Kudos must be given to translator David Frye for his outstanding work.… Besides the space it creates to discuss alternate realities, the best science fiction is that which delivers on the promise of its name, and Yoss pulls it off with flying colors in part thanks to his degree in biology and in part thank to his fearless approach to creation.… Yoss tackles science fiction with the attitude of a rock star, and he has the talent to make even his wildest ideas work. Super Extra Grande follows the parodic tradition of Cuban science fiction and treads new grounds in terms of the amount of imagined science and fauna found in its pages. This is a narrative in which anything is possible, love and desire are thrown into the tumultuous new territory of interspecies relationships, and Spanglish is the unifying language of the galaxy. In other words, this is science fiction at its best: wildly imaginative, revolutionary, full of strange creatures, and a lot of fun to read.” —Gabino Iglesias, PANK Magazine “This newly translated novel by Yoss, considered one of the masters of contemporary Cuban sci-fi, transports us to a bizarre vision of the far future, where humanity has mastered space travel and discovered it is but one small corner of a vast, very strange intergalactic tapestry.” —Joel Cunningham, Barnes and Noble Best Science Fiction & Fantasy of 2016 “A brawny, gregarious roquero who looks like he just walked off the set of a Van Halen video, circa 1984, Yoss is one of the most visible members of Cuba’s small but dynamic sci-fi scene. He is also one of the more prolific writers on the island, having published more than 15 novels and books of short stories, and two books of critical essays, as well as numerous anthologies of science fiction and fantasy short stories…. As someone who has made his living as a writer since 1988, when his novel Timshel won Cuba’s David Prize for first-time authors, he has been a keen observer of Cuban society (and its literature) for almost three decades…. Yoss’s more recent novel … dares us to hope for a universe in which all things (super extra) large and small can find their place.” —Emily Maguire, Los Angeles Review of Books “Get ready to enter the world of the fantastic, phenomenal and downright freaky. If you like huge space monsters, faster-than-light travel, erotic six-breasted aliens with strange reproductive habits, atomic blasts, gastrointestinal diseases and interplanetary warfare, then this is the book for you…. It sounds crazy doesn’t it? And it really is. This book is utterly unlike any other sci-fi novel you will have read before…. The marvelous thing with writing about the future is you can really let your imagination run wild and Yoss certainly decided take full advantage of this poetic license.” —Jade Fell, Engineering & Technology Magazine Praise for Condomnauts: “Yoss (Super Extra Grande) is an eminent Cuban SF writer who also fronts a heavy metal band; his iconoclastic spirit and rock-and-roll aesthetic are on full ingenious display in this daring, rollicking, and joyous novel…. The novel is recognizable as a space opera, but everything from human history to the economics of galactic trade is seen from a richly irreverent angle. Josué is a three-dimensional, well-rounded protagonist whose flaws can be genuinely aggravating without overwhelming his natural charm. When hilarity ensues, as it often does, the laughs are earned and heartfelt. This extended dirty joke is also an impressive science fiction novel with much to say about sex, culture, and what it means to be alien.” —Publishers Weekly, Starred Review “The book pays off in a climax that a well-trained Condomnaut would be proud of. What I loved about Condomnauts isn’t just its unusual structure or how Yoss (mostly) avoids the obvious smutty gags, it’s how he makes this a story about the marginalized. Those earlier scenes detailing Josué’s nightmarish upbringing tie into the book’s overall discussion about those who exist outside the mainstream, whether it’s because of their color, their class, or their sexuality, and who find themselves, due to a strange set of circumstances, empowered to act…. Condomnauts, brought brilliantly into life by David Frye’s translation, is an unconventional space opera that’s heartfelt, brazen, exciting, and just a little bit naughty.” —Ian Mond, Locus Magazine “In Condomnauts, Yoss takes readers to the 24th century-Rubble City, Cuba, where Josue Valdes makes a living racing cockroaches. But he finds his true calling as a sexual adventurer in space, where he serves as an ambassador for the Nu Barsa colony. Yoss is Cuba’s preeminent writer of science fiction, and this raucous novel is a fun introduction to the universe he’s populated with humans who use sex to seal intergalactic treaties.” —Lorraine Berry, Signature “Following the success of Super Extra Grande and A Planet for Rent, Yoss brings us another uproarious space adventure with Condomnauts, a wildly inventive and unapologetic tale that would make even Barbarella blush.” —Kayti Burt, Den of Geek “A hilarious and a fantastic read. Human sexuality and stereotypes are questioned all while delivering page after page of heart-pounding and belly-laughing fun.” —Tracy Palmer, Signal Horizon “Condomnauts is everything a good space opera should be—far-reaching, glimmering, gut-wrenching, perilous—but stickier. Much, much stickier.” —The Arkansas International
A Beautiful Composition of Broken is inspired by some of the events expressed artistically by Samantha King in the bestseller Born to Love, Cursed to Feel. It serves as a poetic documentary of the lives of people who have been mistreated, misunderstood, and wrongfully labeled in a way that limits them in this world. The author’s most personal volume yet, A Beautiful Composition of Broken builds a conceptual bridge between r.h. Sin’s earliest work and his series, Planting Gardens in Graves.
Igor JosifovicandJudith de Graaff, the bestselling authors of Urban Jungle, delve into the many ways that nurturing plants helps nurture the soul. Plant Tribe: Living Happily Ever After with Plants addresses the life-changing magic of living with and caring for plants. Aimed at a wider audience than typical houseplant books, each chapter combines easily digestible plant knowledge, style guidance via real home interiors, and inspiring advice for using plants to increase energy, creativity, and well-being, and to attract love and prosperity. Also included: real-world @urbanjungleblog followers’ FAQs, a section on plants and pets, and plant care for the different stages of a houseplant’s life. The focus is on using plants to raise the positive energy of every room in the house and to live happily ever after with plants. “Living with plants has changed my life: Taking care of my green friends helps me feel present in the moment and inspired to more observant and patient. Plant Tribe is full of fresh ideas on how to take plant love to the next level. I’m so glad this book exists!” —Tina Roth Eisenberg, designer, founder of Tattly, CreativeMornings, Friends Work Here, and TeuxDeux Includes Color Photographs
2023 College Theology Society Best Book Award 2023 Catholic Media Association Third Place Award, Theology – Morality, Ethics, Christology, Mariology, and Redemption 2023 Association of Catholic Publishers Second Place Award, Theology Dust in the Blood considers the harrowing realities of life with depression from a Christian theological perspective. In conversation with popular Christian theologies of depression that justify why this suffering exists and prescribe how people ought to relate to it, Jessica Coblentz offers another Christian approach to this condition: she reflects on depression as a wilderness experience. Weaving first-person narratives of depression, contemporary theologies of suffering, and ancient biblical tales of the wilderness, especially the story of Hagar, Coblentz argues for and contributes to an expansion of Christian ideas about what depression is, how God relates to it, and how Christians should understand and respond to depression in turn.
Winner of the 2012 Pulitzer Prize * Poet Laureate of the United States * * A New York Times Notable Book of 2011 and New York Times Book Review Editors' Choice * * A New Yorker, Library Journal and Publishers Weekly Best Book of the Year * New poetry by the award-winning poet Tracy K. Smith, whose "lyric brilliance and political impulses never falter" (Publishers Weekly, starred review) You lie there kicking like a baby, waiting for God himself To lift you past the rungs of your crib. What Would your life say if it could talk? —from "No Fly Zone" With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation.