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The Alluvians are not people. They have traditions. Love pools form a fantasy in the mind. Daughters learn about male sexual behavior by subtle exploration using their fathers as a testing ground. A challenge presents itself. Two daughters against two others. Subtlety becomes boldness, turns into cunning. Certainly not about incest. Adults only? Different - cheeky, subtle, wicked in a sense, no real graphical sexual content except to explain how a love pool works and this as simply as possible, but adult terms are used to explain the principle. Hence best put this novel in the adult book shelf.
Beyond religion and enlightenment a dimension of life. Those with an interest in Buddhism or Islam or Judaism or Christianity, may find a Life in the Spirit. Beyond lay alien realms of life - and insights into heavens and the Dimension of Eternal Life. A complex challenge presents itself: an eternal companion. As to what she is, however, is a mystery. The Dimension of Eternal Life is sensed, seen in the mind, and interactions in his eternity become possible. Can mortals gain insights into eternal life? A tale of eternal companions, eternity, and how it comes together. To discern sense, which is not true telepathy, between any two people is hard enough. To do so with an alien source ever so hard. Mark's eternal companion is a heavenly being, not a soul in the spirit. She needs two 'bodies', Helen but mostly Lisa, to assist her preparing Mark to understand he has been born into eternity and she is his eternal companion - a soul mate.
Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo," a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge. Written with uninhibited candor and manic energy, this book is Acosta's own account of coming of age as a Chicano in the psychedelic sixties, of taking on impossible cases while breaking all tile rules of courtroom conduct, and of scrambling headlong in search of a personal and cultural identity. It is a landmark of contemporary Hispanic-American literature, at once ribald, surreal, and unmistakably authentic.
Fledgling, Octavia Butler’s last novel, is the story of an apparently young, amnesiac girl whose alarmingly un-human needs and abilities lead her to a startling conclusion: she is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted—and still wants—to destroy her and those she cares for, and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human.
"When residents and tourists visit plantation sites, whose stories are told? All too often the lives of slaveowners are centered, obscuring the lives of enslaved people and making it impossible for their descendants to process the meanings of these sites. Behind the Big House gives readers a candid, behind the scenes look at what it really takes to interpret the difficult history of slavery in the U.S. South. The book explores Jodi Skipper's eight-year collaboration with the Behind the Big House program, a community-based model used at local historic sites around the country to address slavery in the collective narrative of U.S. history and culture. Part memoir and part ethnography, the book interweaves Skipper's experiences as a Black woman and a southerner to imagine more sustainable and healthy spaces for interracial collaborations around historic preservation and slavery tourism in the U.S. South. Skipper considers the growing need among professional and lay communities to address slavery and its impacts through interpretations of local historic sites. In laying out her experiences through an autoethnographic approach, Skipper seeks to help other activist scholars of color negotiate the nuances of place, the academic public sphere, and its ambiguous systems of reward, recognition, and evaluation. By directly speaking to a failed integration of teaching, research, and service as a crisis in academia, she strives not to give others answers, but to model another way of being"--