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This issue of Psychoanalytic Inquiry follows a design that has achieved increasing popularity in today's pluralistic world of psychoanalytic theory and practice. Providing a case presentation that incorporates detailed process noted along with a number of discussions of that case taken from divergent theoretical perspectives that appeals to the clinican operating in a postmodern setting. By proposing alternative ideas to the reader, the reader is afforded an opportunity to conceptualize from his or her own perspective the approach most conducive to good analytic work for the particular patient he or she has envisioned from reading the material presented. Or the reader may discover that alternative views suggested in the discussions may be integrated, establishing a more textured, more complex vision of the analytic pair at work together, a process facilitated through application of a systems sensibility. The abiding lesson - that there is no one good way to do our work but, on the other hand, that not all ways are equally good - is put forward persuasively in this format.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
A fan favorite from New York Times bestselling author Suzanne Brockmann,originally published in 1997. FBI agent John Miller is on the trail of a notorious female serial killer, and he can'tblow his cover to anyone. Not even the beguiling Mariah Carver, who unwittingly entanglesherself in a web of deadly deceit. John can't deny that sweet, sensual Mariah is the woman he's been waiting for, but hecan't act on the passion that he feels for her. He's poised to wed the woman suspected ofbeing the ruthless Black Widow, who marries—then murders—her victims…
This book is Donnel B. Stern’s latest contribution to the kind of understanding of the psychotherapeutic and psychoanalytic process offered by field theory. Stern anchors his understanding of therapeutic action in the freedom of both patient and analyst to create a meaningful experience with minimum inhibition. The field’s capacity to generate meaning—and thus to make possible fully realized human living—rows from its freedom to respond spontaneously to the feelings, wants, and needs of its participants. To whatever extent this spontaneity is diminished, as it is in unconscious mutual enactment, we can be sure that some part of the field is frozen or otherwise rigidified. This position serves as the foundation of the psychoanalysis that Stern practices. The analyst aims to feel their way into compromises in the field, and then do whatever they can to grasp and dissolve them, knowing that they will have to be visited repeatedly, and dissolved again. These insights into interpersonal and relational field theory lead to descriptions of clinical interventions that are focused on the moment-to-moment emotional experience of both the patient and the analyst. With valuable contributions to theory and emotionally immediate clinical vignettes, this book is essential for all psychoanalysts and psychoanalytic psychotherapists wishing to understand how the analyst’s interventions grow from the analyst’s emotional involvement in the clinical process.
An Amazon Top 50 Bestseller "These kisses of his...they're demanding and possessive. They're hungry and deep. They're the kisses of a man who wants more of a woman-who wants everything-and isn't going to stop until he gets it." Author Olivia Rossi hasn't been able to write a word since tragedy struck two years ago and ripped her world apart. Heartbroken and still haunted by the past, she accepts an offer to spend the summer at a friend's apartment in Paris in search of healing and her lost muse. What she finds instead is James, an enigmatic stranger who ignites in her an unexpected and all-consuming passion. Agreeing to tell each other nothing more than their first names, Olivia and James embark on a torrid affair. But the more time they spend together, the more Olivia begins to realize her summer fling is turning into a powerful connection...and that the magnetic man she's falling in love with might not be what he seems at all.
In that perfect stranger, I found my fairytale… Olivia Cadwell, brilliant with numbers but still having trouble figuring out where she fits into the world, is on the run from her hometown, courtesy of her mother's boyfriend—who has decided that Olivia is his next target. Leo Folley, head of the multi-billion-dollar company his father started, is minding his own business and carrying on as usual… until his publicist gives him a deadline: Find a girlfriend, play nice with the press, and be a better face for the company, or the board is going to make trouble. When Leo finds Olivia sleeping in her car in the alley outside of his office, he sees the perfect answer to his dilemma: a girl who needs money and a place to stay in exchange for playing his date for the big charity auction. For Olivia, it's the perfect solution: money, a place to stay, and safety from the man she's sure is searching for her. What's not to love? They both believe they can get through the week without taking anything too seriously. They're both wrong. A job is a job, until you're the bosses pretty woman… The Millionaire's Pretty Woman Series Book 1 – Perfect Stranger Book 2 – Captive Devotion Book 3 – Sweet Temptations Search Terms: billionaire romance, romance billionaire series, melody anne billionaire bachelors series, billionaire obsession, new adult romance, romance love triangle, romance love, sweet love story, BBW, billionaire romanc, true love, happily ever after, famos actor, hot and steamy, hot romance, bad boy, Alpha Bad Boy, Alpha male romance, contemporary romance and sex, billionaire, romance, new adult, contemporary romance, love and life, cancer, fictio, big beautiful women, sexy, sport romance, hired wife, fake girlfriend, holiday, holiday romance, golf, bilionaire romance, dark romance, romantic comedy, saga, women's saga
First published in 1999. The author presents a passionate argument for a therapeutic practice based on the physician's love for the deeply deprived patient. Ian Suttie, a psychiatrist of the Tavistock clinic in the 1930s, advocates a more optimistic view of human nature than traditional Freudian psychology. Hadfield describes the importance of this title by stating that where the reader does not agree with the author they will, nevertheless, have their own thoughts stimulated and their own views clarified.
Poartry: A Collision of Poetry and Art by Douglas Kiburz, MD, is a collection of poetry, essays, eulogies, philosophy, and interpretation of historical events. From Maple Leaf Meadows ranch in the Midwest, Kiburz brings his experience as an orthopedic surgeon, father, son, husband, sculptor, rancher, and poet to bear in the sometimes comical, often dignified, and always thought-provoking collection. 130
DENNIS DANVERS is the author of the acclaimed novels Circuit of Heaven, The Fourth World, End of Days, The Watch, Time and Time Again, and Wilderness. WHILE SCOURING THE ATTIC of her literary hero and dissertation subject, Gene Sanders Wilkerson, grad student Genevieve Slidell comes upon five previously unknown Wilkerson novels. In a variety of genres and nothing like his previous work, Genevieve fears the stodgy world of Wilkerson scholarship won't understand them, and she claims them as her own, entering them in a batch of literary contests. Two win and two place. SHE MAKES THE ROUNDS of genre conventions to accept her honors accompanied by Wilkerson's ghost Sandy who's taken with the idea of vicariously enjoying being famous again through her. EVERYTHING IS GOING SWIIMMINGLY for the pair until they get to Literature where the whole thing blows up, only to be resolved by a clever courtroom drama in which she pleads not insanity but metafiction. A bumper car ride through the crazy business of telling stories, The Perfect Stranger explores the complex relationship between the author and her work.
Renowned for his masterful storytelling, Alan J. Pakula (1928–1998) left an indelible mark on cinema history. Alan J. Pakula: Interviews offers a concise yet comprehensive overview of the director’s illustrious career, from his early days in Hollywood to his rise as a major filmmaker. From the famous “paranoia trilogy” of Klute, The Parallax View, and All the President’s Men to the gripping psychological drama of Sophie’s Choice and his often-undervalued later work, Pakula’s diverse filmography has captivated audiences and critics alike. The first published collection of interviews with the acclaimed director, this volume presents an illuminating portrait of Pakula as a filmmaker, an artist, and a man of many parts. The eighteen pieces compiled here, including an illuminating introduction and previously unpublished 1983 interview by editor Tom Ryan, provide a broad overview of Pakula’s career. In his own words, Pakula recounts his experience as Robert Mulligan’s producer, reflects on the bulk of films he made as director, and outlines his approach to the art of filmmaking. Taken as a whole, Alan J. Pakula: Interviews is a treasure trove of cinematic wisdom and a fitting tribute to the legacy of an important American filmmaker.