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On 20th January 1886, the first installment of what is probably the first West African novel in English was published in a Ghanaian newspaper, the Western Echo, by a male author using the pseudonym ‘A. Native’. Preceded by a proud editorial which welcomed the arrival of this ‘work of “local effort”’ by ‘a native gentleman’, Marita: or the Folly of Love was serialised in 40 episodes, ending two years later in January 1888. It describes the disastrous consequences for African men of uniting according to the colonial Marriage Ordinance of 1884: this ordinance enshrined the Christian, Victorian ideal of marriage as a monogamous and lifelong union, and is shown in the story to transform peaceful, well-behaved women into shrews and termagants who are bent upon seizing domestic power from their husbands. The story proved to be so popular and relevant that it survived the closure of the Western Echo in December 1887 and found a new host in the Gold Coast Echo, before disappearing from the press, unfinished, in February 1888.
Louise Labé, a French Renaissance poet, was one of the most exciting and influential writers of her time. Many scholars have translated her poems into English, but few have addressed her prose. Yet Debate of Folly and Love generated enormous enthusiasm among its first audience when it was published in 1555. Not only does it constitute a major part of Labé's work, it also contains her most innovative and original ideas. It is a witty, serious commentary on women's roles in society, love, marriage, and reason vs. folly - issues still pertinent in our times and attractive to modern readers. This translation takes into account all the recent research by scholars on Labé and sheds new light on her original text. The introduction situates Labé's life and work; notes, a bibliography, and a glossary complete this work.
In Edwardian London, a girl dreams of being an artist, despite her family's disapproval. Welcome to the world of the fabulously wealthy in London, 1909, where dresses and houses are overwhelmingly opulent, social class means everything, and women are taught to be nothing more than wives and mothers. Into this world comes seventeen-year-old Victoria Darling, who wants only to be an artist—a nearly impossible dream for a girl. After Vicky poses nude for her illicit art class, she is expelled from her French finishing school. Shamed and scandalized, her parents try to marry her off to the wealthy Edmund Carrick-Humphrey. But Vicky has other things on her mind: her clandestine application to the Royal College of Art; her participation in the suffragette movement; and her growing attraction to a working-class boy who may be her muse—or may be the love of her life. As the world of debutante balls, corsets, and high society obligations closes in around her, Vicky must figure out: just how much is she willing to sacrifice to pursue her dreams?
Lady Jean Conway is wildly in love with Owen Davies, a Shellesque poet who is cataloguing the Brecon library, whereas her twin, Lady Margaret, has a tendre for Lord Clanross's private secretary, who is in love with Jean. Both Johnny Dyott, the secretary, and Owen are involved in Radical politics. So is the Earl of Clanross, who wants an immediate reform of Parliament, to the horror of Lady Anne, his political sister-in-law. His wife, Lady Elizabeth, wants to study comets, and his best friend can't decide whether to give away the fortune he's inherited or buy his wife the country estate she yearns for. These intertwined stories play against a canvas of public events, including the divorce of Queen Caroline, in 1820, the silliest year in English history.
First impressions, thank goodness, really can't be trusted! When marine biologist Holly Leonard agrees to help Parker Brant write a book on giant sea turtles, she expects a charming and charismatic charter boat captain--not the strait-laced, all-business dud who greets her. For his part, Parker is surprised to find that Dr. Leonard is not the matronly grandmother he expected but a blue-eyed beauty who's lively, fun-- and a total klutz. Unfortunately, the harder Holly tries to shed her "Holly Folly" nickname, the clumsier she becomes. Holly's has breezed into Parker's well-ordered world like a hurricane--but will he welcome the disruption?
Beautiful heiress Emily Penthorne was so excited by her trip to London that she en route she allowed herself to flirt with a devastatingly handsome perfect stranger. Unfortunately, when she arrived she learned from her Uncle Cyril that Viscount Dunstan, the “perfect stranger,” had been chosen as her guardian—with the duty to teach her to be a lady. Regency Romance by Nina Coombs Pykare; originally published by Dell Candlelight Regency Special
Angela Thirkell is perhaps the most Pym-like of any twentieth-century author, after Pym herself - Alexander McCall It's August in the Barsetshire village of Worsted, and Richard Tebben, just down from Oxford, is contemplating the gloomy prospect of a long summer in the parental home. But the numerous and impossibly glamorous Dean family - exquisite Rachel, her capable husband and six of their nine brilliant children - have come for the holidays, and their hostess Mrs Palmer plans to rope everyone into performing in her disastrous annual play. Surrounded by the irrepressible Deans, Richard and his sister Margaret cannot help but have their minds broadened, spirits raised and hearts smitten.