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About Unity-and-Diversity World Council, Inc. The Unity-and-Diversity World Council, Inc. (UDC) is a nonprofit, tax - exempt California Corporation. It was originally formed to develop the ideals and activities undertaken during International Cooperation Year 1965, which was voted into being by the General Assembly of the United Nations. The U.N.s goal in establishing that year was to encourage cooperation among non-governmental organizations. Vision Statement: The vision of the UDC is to establish and sustain a local-to-global cooperating body of individuals, groups, and networks for the pursuit of peace, justice, and an environmentally sustainable civilization for all races, cultures, and religions based on universal ethical and spiritual principles. Objectives: 1. To realize our connection to the Source of All Life and to all life forms. 2. To facilitate personal and social transformation and cooperative activities among individuals, groups, and networks. 3. To create an international vehicle for economic cooperation. 4. To study and take action of different issues, as well as making recommendations for needed action to institutions around the world. 5. To support the United Nations and its efforts in behalf of global community. Activities: (1) Peace Sunday An annual event featuring speakers, performers, in interfaith candlelighting, and table displays of participating organizations. (2) Peace Convergence A full-day event drawing together the twelve sectors of the Peace Wheel to interact and discover ways of cooperation. (3) Interfaith Celebrations A monthly event involving the worlds religions and spiritual groups at various houses of worship. (4) Culture of Peace Series A monthly educational and action program featuring the different sectors of the Peace Wheel. (5) Interfaith Services A weekly Sunday a.m. gathering to explore the moral and spiritual values of the emerging global civilization. (6) Unity-and-Diversity Ministry Training Ministers-to-be study all faiths, the relation of science and religion, and the practical aspects of the ministry. Unity-and-Diversity World Council, Inc. Address: P.O. Box 661401 Los Angeles, CA 90066-9201 USA Phone number: (424) 228-2087 Email: [email protected]
The Transmutation of Love and Avant-Garde Poetics is a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Today, the exploration of love by poets—long a fixture of Western poetic tradition—is thought to be in decline, with love itself understood to be a mere ideological overlay for the more “real” entities of physical sex and desire. In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relations between being in love and writing love. These poets, she argues, have traded the clichéd lover of yore for impersonal or posthuman poetic speakers that sustain the gloire and mystery of love poetry of prior centuries. As Robert Duncan writes, “There is a love in which we are outcast and vagabond from what we are that we call ‘falling in love.’” Heuving claims that this writing of love is defining for avant-garde poetics, identifying how such important discoveries as Pound’s and H.D.’s Imagism, Pound’s Cantos, and Duncan’s “open field poetics” are derived through their changed writing of love. She draws attention to how the prevailing concept of language as material is inadequate to the ways these poets also engage language as a medium—as a conduit—enabling them to address love afresh in a time defined through preoccupations with sexuality. They engage love as immanent and change it through a writing that acts on itself. The Transmutation of Love and Avant-Garde Poetics ascribes the waning of love poetry to its problematic form: a genre in which empowered poetic speakers constitute their speech through the objectification of comparatively disempowered subjects, or beloveds. Refusing this pervasive practice, the poets she highlights reject the delimiting, one-sided tradition of masculine lovers and passive feminine beloveds; instead, they create a more nuanced, dynamic poetics of ecstatic exploration, what Heuving calls “projective love” and “libidinized field poetics,” a formally innovative poetry, in which one perception leads directly to the next and all aspects of a poem are generative of meaning.