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Sister Souljah returns to her beloved character Winter Santiaga in the captivating and heart-pounding sequel to instant #1 New York Times bestseller Life After Death. After suffering a horrifying, yet soul stirring death experience, worldwide top bitch Winter Santiaga, of The Coldest Winter Ever, is alive and facing a dilemma that every living person faces: how to respond to the Fear of God, awareness of heaven and hell, while pursuing and satisfying deep desires for sex, fun, love, money, revenge, and fame. In her new novel, Love After Midnight, Sister Souljah delivers a powerful hip-hop hood style, global romantic comedy.
After Midnight the Shark Bites A voice intrudes the darkness spites With every thought death confirming it's there Denied in this moment but a presence now shared In the early morning hours a raw voice woke up inside me At its own pace, and delivering in paired lines, it forced itself onto the page The words it spoke inside my head, as couplets, came alive and danced To a music, only the early morning hours could play
Sanna and her ravishing friend Gerti would rather speak of love than politics, but in 1930s Frankfurt, politics cannot be escaped--even in the lady's bathroom. Crossing town one evening to meet up with Gerti's Jewish lover, a blockade cuts off the girls' path--it is the Fürher in a motorcade procession, and the crowd goes mad striving to catch a glimpse of Hitler's raised "empty hand." Then the parade is over, and in the long hours after midnight Sanna and Gerti will face betrayal, death, and the heartbreaking reality of being young in an era devoid of innocence or romance. In 1937, German author Irmgard Keun had only recently fled Nazi Germany with her lover Joseph Roth when she wrote this slim, exquisite, and devastating book. It captures the unbearable tension, contradictions, and hysteria of pre-war Germany like no other novel. Yet even as it exposes human folly, the book exudes a hopeful humanism. It is full of humor and light, even as it describes the first moments of a nightmare. After Midnight is a masterpiece that deserves to be read and remembered anew.
Ella Harrington and Drake Hudson have absolutely nothing in common. Two people so broad in differences it makes them the perfect pair for a new television reality show based on the premise of 'opposites attract'. The strangers marry sight unseen and each give up their lives for a few months with the end goal of divorce in mind. A few short months that soon begins to feel like eternity with an immediate clash of souls.From the beginnings of a honeymoon cruise to the Mexican Riviera, to an ending of their ordeal aboard another cruise highlighting the Canada/New England coast, America watches and becomes enthralled with two people who collide in a blaze of differences.An unexpected love finds its way through the near impossible, and they are faced with decisions they never imagined. In the beginning, the payoff of money drives them both, but in the end they find themselves with an unpredicted payoff of love. But for the first time in his life, Drake Hudson learns the lesson of true sacrifice when he must let go of a woman that is bound by other loyalties. A loyalty that doesn't give her the freedom of choice.
She’s a single mom on the wrong side of forty. He’s a single dad with a mission: convince the love of his life that they won’t turn into pumpkins when the ball drops at midnight! Lillian My kids are away for the weekend, so my best friend convinces me to come to Houston for a New Year’s Eve party. I’m a blue-collar worker busy raising three boys not some cartoon princess, but with a makeover and a new dress, I sure feel like one! There’s even a handsome prince, but when the sun rises on New Year’s Day, I realize he isn’t who he said he was. Martin When I wake up alone after the best holiday of my life, I can’t figure out what went wrong. Fortunately, fate brings me back into Lillian’s path, and after I convince her that I wasn’t lying to her, we begin to navigate the complexities of dating as single parents. But we live in different towns and have very busy lives, making it almost impossible for us to have couple time. For this to work, we’re going to need a lot of patience, a little creativity, and some intervention from our kids. “Tempted at Midnight” is an opposites attract midlife romance with a strong and independent woman, a man who believes in love at first sight, six rowdy but sweet kids, and a factory full of nosy matchmakers who are determined to help their friend find love. This book is a steamy standalone in the "Midlife Crisis Contemporary Romance" series. Keywords: midlife romance, later in life romance, seasoned romance, single mom, single dad, single parent, dating with kids, romantic comedy, romcom, love over 40, love over forty, blended families, opposites attract, holiday romance, New Year's Eve, New Year, love at first sight, instalove
Building on Fossungu's earlier works, and essentially providing Africa with original, critical, and multi-level analyses of the trio of globalization, democracy, and national determination, this book theorizes that African states have to unite in order to have any impact in the global economy. Using the failure of the Cameroon Goodwill Association of Montreal (CGAM) as a case study, the book urges Africans to make hard choices and avoid politickerization and midnight politics in favour of fossungupalogy (that is, the science of straightforwardness, necessitating the fearless looking at truth straight in the eye). The questions of the book are many but do all boil down to whether or not Africans fear the truth and do not therefore do politics. It is amazing that Africans in the West live in societies where fierce political competitors do embrace each other after one has defeated the other; but they are incapable of looking their so-called friends in the eye and saying, for example: "Man, I think you've totally gotten it wrong this time." Such comportment defines politickerization or negative competition. While attempting some possible responses to the numerous queries it raises, this book basically proffers the science of Four-Eyesism as a discipline that all African schools need to institute and make a compulsory subject: if the vandalized continent would have to be awakened to its realities. This book is rich in Fossungu's dazzling capacity to invent, define and use a multitude of new terminological constructs informed by African experiences.
I was a failure. I’d grown up with two well-meaning, but also two overbearing parents, and, as the youngest of three siblings, I was the only one who wasn’t “successful.” I worked in a bar. In. A. Bar. Yup, that was me hearing my mother’s disappointed voice. Because everyone around me was climbing the corporate ladder or performing brain surgery. Hell, my own brother was succeeding as an actual rocket scientist. Meanwhile, I was slinging drinks and refining the art of mixing the perfect Cosmopolitan. I didn’t know what I wanted to do—other than not being a rocket scientist—or who I wanted to be when I grew up. And if I was being honest with myself, growing up had come and gone a while ago. I just . . . wanted to feel something. Excitement or pleasure or even to know what it was like get my heart broken. But nothing ever happened to me. I existed in this boring bubble of life, pouring drinks most nights, reading the others away, and . . . not feeling anything. Until I saw him. Then I felt everything.
More than just charts, star bios, and boring listings, "The Country Music Book of Lists" is the perfect gift or pop reference guide for trivia fans, filled with humor, insight, and "down home fun".
This updated edition of one of the bestselling and comprehensive Broadway reference books, first published in 1985, has been expanded to include many of the most important and memorable productions of American musical theater, including revivals. Arranged chronologically, beginning with musicals from just after the Civil War, each successive edition of the book has added valuable updates about trends in musical theater as well as capsule features on the most significant musicals of the day. The ninth edition documents important musicals produced since the end of the 2012–2013 season through spring 2019. Broadway Musicals, Show by Show features a wealth of statistics and inside information, plus critical reception, cast lists, pithy commentary about each show, and numerous detailed indexes that no Broadway fan will want to be without. Since its original publication, Broadway Musicals has proved to be an indispensable addition to any Broadway aficionado's library.