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“A fascinating biography of a fascinating woman.” - Booklist, starred review “This definitive look at a remarkable figure delivers the goods.” - Publishers Weekly, starred review "A brilliant analysis." - Jericho Brown, Pulitzer Prize winner Featured in Ms. Magazine's "Most Anticipated Reads for the Rest of Us 2022" (books by or about historically excluded groups) Born in New Orleans in 1875 to a mother who was formerly enslaved and a father of questionable identity, Alice Dunbar-Nelson was a pioneering activist, writer, suffragist, and educator. Until now, Dunbar-Nelson has largely been viewed only in relation to her abusive ex-husband, the poet Paul Laurence Dunbar. This is the first book-length look at this major figure in Black women's history, covering her life from the post-reconstruction era through the Harlem Renaissance. Tara T. Green builds on Black feminist, sexuality, historical and cultural studies to create a literary biography that examines Dunbar-Nelson's life and legacy as a respectable activist – a woman who navigated complex challenges associated with resisting racism and sexism, and who defined her sexual identity and sexual agency within the confines of respectability politics. It's a book about the past, but it's also a book about the present that nods to the future.
“A fascinating biography of a fascinating woman.” - Booklist, starred review “This definitive look at a remarkable figure delivers the goods.” - Publishers Weekly, starred review "A brilliant analysis." - Jericho Brown, Pulitzer Prize winner Featured in Ms. Magazine's “Reads for the rest of us” list of books by or about historically excluded groups Born in New Orleans in 1875 to a mother who was formerly enslaved and a father of questionable identity, Alice Dunbar-Nelson was a pioneering activist, writer, suffragist, and educator. Until now, Dunbar-Nelson has largely been viewed only in relation to her abusive ex-husband, the poet Paul Laurence Dunbar. This is the first book-length look at this major figure in Black women's history, covering her life from the post-reconstruction era through the Harlem Renaissance. Tara T. Green builds on Black feminist, sexuality, historical and cultural studies to create a literary biography that examines Dunbar-Nelson's life and legacy as a respectable activist – a woman who navigated complex challenges associated with resisting racism and sexism, and who defined her sexual identity and sexual agency within the confines of respectability politics. It's a book about the past, but it's also a book about the present that nods to the future.
Black queer women have shaped American culture since long before the era of gay liberation. Decades prior to the Stonewall Uprising, in the 1920s and 1930s, Black "lady lovers"—as women who loved women were then called—crafted a queer world. In the cabarets, rent parties, speakeasies, literary salons, and universities of the Jazz Age and Great Depression, communities of Black lady lovers grew, and queer flirtations flourished. Cookie Woolner here uncovers the intimate lives of performers, writers, and educators such as Bessie Smith, Ethel Waters, Gladys Bentley, Alice Dunbar-Nelson, and Lucy Diggs Slowe, along with the many everyday women she encountered in the archives. Examining blues songs, Black newspapers, vice reports, memoirs, sexology case studies, and more, Woolner illuminates the unconventional lives Black lady lovers formed to suit their desires. In the urban North, as the Great Migration gave rise to increasingly racially mixed cities, Black lady lovers fashioned and participated in emerging sexual subcultures. During this time, Black queer women came to represent anxieties about the deterioration of the heteronormative family. Negotiating shifting notions of sexuality and respectability, Black lady lovers strategically established queer networks, built careers, created families, and were vital cultural contributors to the US interwar era.
Bringing together a diverse collection of primary source documents, this book illuminates the events and experiences of World War I from a variety of perspectives, from soldiers on the front lines to civilians supporting the war effort at home. Part of Bloomsbury's Voices of an Era series, this carefully curated collection highlight the wartime experiences of a diverse array of individuals from around the globe. In addition to covering major military innovations and turning points, documents explore how issues of gender, race,diplomacy, and empire building impacted individuals' experience of the Great War. Each of the 42 documents includes contextual information and thought-provoking questions to guide readers in their exploration of the text. In addition to high-interest sidebars, in-text glossary definitions, biographical snapshots of key figures, and a comprehensive chronology of the war, the book also includes a guide to evaluating and interpreting primary sources that bolsters readers' analytical and critical thinking skills. Although it was nicknamed "the war to end all wars," World War I heralded the start of modern-day conflicts. The human toll of the Great War was immense-an estimated 9 million soldiers died on the battlefield, while more than 5 million civilians died as the result of military actions, disease, or famine. In the wake of World War I, empires crumbled and new nations won their independence. Although the events and aftermath of World War I happened on an epic scale, the conflict is best understood through the human lens provided by these primary sources.
In September 1918 Elizabeth Kalb boarded a train to Washington, DC to fight for voting rights for women. For over two years, Elizabeth lived and worked at the National Woman's Party headquarters a block from the White House. Letters she wrote during that time describe detention at the Capitol and an arrest at the White House, raising money, serving in the organization's Tea Room and struggling through the 1918 flu epidemic. Elizabeth draws the reader into a world of intense partisanship, battles with police, and diverse personalities united in a common cause. Suffragists ensured that politicians could not ignore women's rights. Author Shirley Marshall uses this eyewitness account to create an indelible portrait of life within the National Woman's Party.
What if we understood the idea of family as central to representing alternative forms of governance as expressions of racial deviance? In The Politics of Kinship, Mark Rifkin shows how ideologies of family, including notions of kinship, recast Indigenous and other forms of collective self-organization and self-determination as disruptive racial tendencies in need of state containment and intervention. Centering work in Indigenous studies, Rifkin illustrates how conceptions of family and race work together as part of ongoing efforts to regulate, assault, and efface other political orders. The book examines the history of anthropology and its resonances in contemporary queer scholarship, contemporary Indian policy from the 1970s onward, the legal history of family formation and privacy in the United States, and the association of blackness with criminality across US history. In this way, Rifkin seeks to open new possibilities for envisioning what kinds of relations, networks, and formations can and should be seen as governance on lands claimed by the United States.
Pleasure refers to the freedom to pursue a desire, deliberately sought in order to satisfy the self. Putting pleasure first is liberating. During their extraordinary lives, Lena Horne, Moms Mabley, Yolande DuBois, and Memphis Minnie enjoyed pleasure as they gave pleasure to both those in their lives and to the public at large. They were Black women who, despite their public profiles, whether through Black society or through the world of entertainment, discovered ways to enjoy pleasure.They left home, undertook careers they loved, and did what they wanted, despite perhaps not meeting the standards for respectability in the interwar era. See Me Naked looks at these women as representative of other Black women of the time, who were watched, criticized, and judged by their families, peers, and, in some cases, the government, yet still managed to enjoy themselves. Among the voyeurs of Black women was Langston Hughes, whose novel Not Without Laughter was clearly a work of fiction inspired by women he observed in public and knew personally, including Black clubwomen, blues performers, and his mother. How did these complicated women wrest loose from the voyeurs to define their own sense of themselves? At very young ages, they found and celebrated aspects of themselves. Using examples from these women’s lives, Green explores their challenges and achievements.
Provides biographies and topical essays discussing the important roles Black women have played in American history.
Article abstracts and citations of reviews and dissertations covering the United States and Canada.